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You are here: Home / Architecture & Sense of Place / The Water Tower Project / Book Launch! The Water Tower Project from Iskra Fine Art

Book Launch! The Water Tower Project from Iskra Fine Art

June 30, 2025 by Iskra Leave a Comment


The Water Tower Project Book

In the long distance between this post and the last I have been single-mindedly focused on creating my first book: The Water Tower Project. I have always moved back and forth between word and image, and as time has passed the words have grown from notes in the margins of sketchbooks and social media into essays in their own right. The urgency of recent political events has sparked an idea that has been waiting to take shape since 2020. 

As a long-time designer of letterforms, I always look first to words and symbols to wrestle meaning out of chaos. During pandemic’s first months I created a series of 20 pieces of photographic art called The Water Tower Project. The water tower emerged as a symbol that evolved into an image; the form became a container into which I could pour my sense of disequilibrium, and hope to stumble into transformation. The water tower, hand-hammered, crafted by artisans, and hoisted to the city skyline, is the German Shepherd of industrial infrastructure. Noble, resilient, stoic, a timeless architectural archetype poised on the rooftop between heaven and earth. Judge or Witness? It is also a character and a canvas on which to project collective story.  

Five years post-2020, as we are confronted with a new order of global and national disruption, this series has become more relevant than ever. I have returned to the subject with three new pieces included in the book. The pages alternate between image and story, reflecting on parallel streams of politics, history, personal evolution and collective struggle as we move through unprecedented times.

Pandemic Barriers
A book is a thing you can hold in your hands. No intelligence but your own is required, and much as you might try to plug it in with the latest usb, it #resists – and insists you use your hands to turn the pages.

This book is 8 x 8 inches square, 44 pages, printed on lovely 100 lb paper and perfect bound with a luscious soft-touch cover. I am offering it via my Square shop via this link. Square adds sales tax for those in Washington State. You may pick up from my studio if you are in Seattle or receive it shipped by mail. (Note, the address line on Square is necessary and it is a single field. Just place a 0 in the “apt” field if it pesters you.) I will be shipping books the week of July 7th before I head to the Port Townsend Writer’s Conference, where the book will be available in the store. I will resume shipping in the third week of July.
Here are some glimpses of the book, and lastly a few of the prints offered in my shop:

Walking Woman Seattle Pandemic

Scout

I learned a great deal from the work of recently departed mentor and friend Brad Holland about how symbols become image, (and will write a longer tribute to him soon.) You begin with an idea, beat it up because it thinks too much, then wait and tinker and look again until idea disappears and intuition takes over. In this project I used words to mirror back what I saw as I worked, and then let the images work on the words, until both had merged into something unexpected. 

Clown Tower print by Iskra
Clown Tower © Iskra Johnson
Invisible City
Invisible City © Iskra Johnson

 

“To be modern is to be part of a Universe in which. . .
all that is solid melts into air.”
– Marshall Berman

Filed Under: Photocollage, Photography, The Water Tower Project Tagged With: Iskra Books, Iskra Publishing, Iskra Writing, The Water Tower Project

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I have been obsessed for well over a decade by the I have been obsessed for well over a decade by the line between the photographic and the drawn. This is simply a media test, or an “under drawing“ for something else, but it gave me pause. It suggests so many different qualities of mood: Foreboding, calm, dichotomy, a family photo poorly developed, the cloudy skies of the Pacific Northwest, or the fugue state one falls into after turning the pages of our days as a failing empire. “Our“ refers to those of us who live in the USA although now it should be called the DU USA, as in disunited United States. That disunity is a powerful disruptive pain that I feel daily. Also, as we phase out medicine, research, medical care, and with that presumably self-care, this was created, for those who are curious, with a cotton ball by #JohnsonAndJohnson (my father’s Swedish ancestors) on a Talens sketchbook. As I said, I’m testing. How much of the world can I take in before I shut the door and become an art nun and don’t look up until the last minute?
Sunday concentration drawing, testing a new notebo Sunday concentration drawing, testing a new notebook( and my attention span. . .)
Today’s mood, from the morning walk. Today’s mood, from the morning walk.
A metaphysical idea waiting to become a drawing. A A metaphysical idea waiting to become a drawing. All day I have been studying graphite, the most evanescent of mediums. Fragility. Once you break the egg, scatter the nest, leave the children without family on an abandoned beach, what then? 

I have spent the day drawing. In the background, which becomes foreground with one click, is the news of the rounding up of another thousand or so human beings by bounty hunters given a quota, thrown into concrete cages and disappeared because someone decided that America is no longer the home of the #huddledmasses.

The plaque on the Statue of Liberty says:

“Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Noem and Holman have not, apparently, run their hands over these words.

How do you continue making art at a time like this? You chase the metaphor. There is always a constant truth beneath the chaos.
Media studies. Addition and subtraction. Media studies. Addition and subtraction.
Somehow, between checking the news and the usual d Somehow, between checking the news and the usual distractions I managed to complete a drawing. Going back to the beginning: drawings in dust. 9.5 x 12” Charcoal powder, compressed charcoal, charcoal pencil on Moleskine. I feel peaceful for the first time in weeks.

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