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You are here: Home / Archives for The Spiritual in Art

New Years Eve 2025: The Intentions Ritual

January 4, 2025 by Iskra Leave a Comment

Origami Intentions, New Years 2025
 
New Years Eve I sat with a friend at the kitchen table, in a ceremony to shape the story of the year past and the year to come. Tangerines, mochi and tea, candles to warm the light and help to shape a vaporous not-yet built future from our irresolute selves. She is considering leaving a house and a life of 33 years, I am more fully looking to own the life I have. We could learn much from the mollusks and the hermit crabs; it is hard to leave the shell of a house that no longer fits when a new one has not yet been found. Perhaps we needed candlelit moon shells, with their romantic arabesques, to thoroughly walk us into the space of new places made vacant and filled with possibility.

[Read more…]

Filed Under: Essays, The Spiritual in Art

The Color of the Year is Nostalgia: Happy New Year, Hello 2025

December 31, 2024 by Iskra Leave a Comment

Be Happy Poster

The design authorities have nominated “Mocha Mousse” as the color of the year, suggesting to me that either The Onion has taken over, or the members of The Color Board need to up their anti-depressants.  A color of “subtle elegance and sensorial richness?” Think again: perhaps of global warming and how the coffee bean so many of us rely on for optimism is rapidly becoming extinct. Sorry! Mocha Mousse is about pillows! Beige linen against a gray couch, and wall paint that costs $95 per gallon. Neutrals and browns are hard, I get it. I’m sure it takes a full year to get the shades just right.

However. Looking forward to 2025, from a city often drenched in dispiriting shades of mud, I nominate the Color of the Year as Nostalgia. I just can’t, right now, look into the future. I need to rest in the soft duotones and bad color separations of childhood. Toys were tin, cotton had not yet been invaded by plastic, the inside of a sleeping bag was 100% flannel, smelling of Irish setters and woodsmoke. Who wouldn’t want to live there again?

[Read more…]

Filed Under: Photography, The Spiritual in Art, Travel

The Gardener Takes a Walk Under the Full Moon | A Valentine

February 14, 2022 by Iskra Leave a Comment

Moon and cloud courtship

They tell you the moon is cold, if you read the studies.

It’s just some kind of silt made of shredded stars and forgotten planets burnished and abraded by cosmic winds without any feeling at all. It is purely accident, a slip of a cartoonist’s pen, that causes us to see things that don’t exist.

Man, Goddess, pick one, or pick both. It may pull the tides, it may make women crazy and men confused, but it is, in fact,

scientifically proven to be genderless:

the moon is an It.

Tell that to the Redwood and the Elm, Cedar, Spruce, their ink-black armature against the hyacinth sky designed to curtain the clouds and moon in courtship.

Moon in Trees

Knowing that last month’s Janus-faced equivocations had slipped into history and that now was unequivocally coming; seeing the tulip break from its monotonous green gloves and say (this very day,) Red, the Gardener knew the situation was urgent. [Read more…]

Filed Under: The Gardener's Almanac of Irreproducible Phenomena, The Spiritual in Art Tagged With: Lyric essay, Moon and cloud, St. Valentine essay, Valentines Day

New Years’ Eve: In Which the Gardener Takes a Moment to Reflect

December 31, 2021 by Iskra Leave a Comment

Winter garden New years Eve

(Excerpt, from The Gardner’s Almanac of Irreproducible Phenomena December 31, 2021)

The first thing the Gardener noticed on the morning of December 31 was the color of the snow. The sun had emerged after days of gray and bitter cold, and as shadows stole across the land they brought with them a new color, “warmth,” transforming the drifts and vaguely monstrous shapes of the shrubs into benign presence. The light most particularly touched the robins, who demand warmth to ignite their color fully. On the dogwood branches the robins sat, eastward facing, their chests swelling and feathers plumping as though they had been feasting all week instead of pecking amidst tire tracks for the carcasses of worms. In another garden a varied thrush had fallen to its frozen death with a sound like lead and been buried with ceremony, its dark necklace enveloped in garnet strings and rubies as befits a prince.

Last year the gargoyle had reigned over the pond with his broken wing. For 40 years his gnarled features gave purchase to every bird who came to sit and drink from the spout pouring water. Each December, through the incantations of ancient fractals, the water carved a heart from the ice, a wet obsidian streaked by the occasional golden contrails of fish. Each year the birds descended in order of size: first the crows, then the flickers, then the robins, sparrows, chickadees and towhees, and lastly, the shy wren. The Gardener did nothing on these days but observe and laugh, and all was good.

 

The Gargoyle of Christmas Past

Long ago….. [Read more…]

Filed Under: Meditation & Buddhism, The Garden, The Spiritual in Art Tagged With: Kuan yin, new years 2021, pandemic new year, the gardener's almanac of irreproducible phenomena, the shell, What a year

Iskra in A Wing and A Prayer at Museo Gallery

January 19, 2021 by Iskra Leave a Comment

A Wing and a Prayer at Museo Gallery

I am excited to be part of A WING AND A PRAYER opening at Museo Gallery January 20th, with artists Elena Korakianitou, Michael Dickter, Faith Scott Jessup and Jean Whitesavage.

“A celebration of our ultimate optimism for our world, our embrace of transformation, and a recognition that we may need a little divine help along the way.  Opening on a significant day both politically and astrologically, January 20th,  Museo hopes that this show will encourage peace and hope.”

Museo is open 11-6 Thursday through Monday.
Tuesdays & Wednesdays by chance, or by appointment.

The show will continue through March 1st.

MUSEO GALLERY
215 First Street | P O Box 548
Langley, WA 98260
360.221.7737
museo@whidbey.com

I will be showing my recent series of limited edition images based on statues of angels, some available framed or mounted on panel, and others available unframed at the gallery or through the Gallery website. The language of statues is one of many ways I’ve explored the distance between sky and earth. This piece, a variation on the myth of Icarus, will be available at the gallery to see in person.

Icarus 3 by Iskra
Icarus 3, © Iskra Fine Art, variant edition print, several sizes, available to see now at Museo.

If you have the time to make a day of it I suggest a walk on Double Bluff. Eastern clouds may take their shape from the land, but island clouds listen only to the sky.

Cloud forms at Double Bluff Whidbey Island by Iskra
Cloud Forms, Double Bluff ©Iskra Fine Art

Filed Under: Iskra Shows, Upcoming and Past, Photography, The Spiritual in Art Tagged With: A Wing and A Prayer, angel art, Celestial themes, Double Bluff Beach, Iskra Fine Art Gallery shows, Langley Art Shows, museo gallery, wings

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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