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You are here: Home / Architecture & Sense of Place / The Water Tower Project / Book Launch! The Water Tower Project from Iskra Fine Art

Book Launch! The Water Tower Project from Iskra Fine Art

June 30, 2025 by Iskra Leave a Comment


The Water Tower Project Book

In the long distance between this post and the last I have been single-mindedly focused on creating my first book: The Water Tower Project. I have always moved back and forth between word and image, and as time has passed the words have grown from notes in the margins of sketchbooks and social media into essays in their own right. The urgency of recent political events has sparked an idea that has been waiting to take shape since 2020. 

As a long-time designer of letterforms, I always look first to words and symbols to wrestle meaning out of chaos. During pandemic’s first months I created a series of 20 pieces of photographic art called The Water Tower Project. The water tower emerged as a symbol that evolved into an image; the form became a container into which I could pour my sense of disequilibrium, and hope to stumble into transformation. The water tower, hand-hammered, crafted by artisans, and hoisted to the city skyline, is the German Shepherd of industrial infrastructure. Noble, resilient, stoic, a timeless architectural archetype poised on the rooftop between heaven and earth. Judge or Witness? It is also a character and a canvas on which to project collective story.  

Five years post-2020, as we are confronted with a new order of global and national disruption, this series has become more relevant than ever. I have returned to the subject with three new pieces included in the book. The pages alternate between image and story, reflecting on parallel streams of politics, history, personal evolution and collective struggle as we move through unprecedented times.

Pandemic Barriers
A book is a thing you can hold in your hands. No intelligence but your own is required, and much as you might try to plug it in with the latest usb, it #resists – and insists you use your hands to turn the pages.

This book is 8 x 8 inches square, 44 pages, printed on lovely 100 lb paper and perfect bound with a luscious soft-touch cover. I am offering it via my Square shop via this link. Square adds sales tax for those in Washington State. You may pick up from my studio if you are in Seattle or receive it shipped by mail. (Note, the address line on Square is necessary and it is a single field. Just place a 0 in the “apt” field if it pesters you.) I will be shipping books the week of July 7th before I head to the Port Townsend Writer’s Conference, where the book will be available in the store. I will resume shipping in the third week of July.
Here are some glimpses of the book, and lastly a few of the prints offered in my shop:

Walking Woman Seattle Pandemic

Scout

I learned a great deal from the work of recently departed mentor and friend Brad Holland about how symbols become image, (and will write a longer tribute to him soon.) You begin with an idea, beat it up because it thinks too much, then wait and tinker and look again until idea disappears and intuition takes over. In this project I used words to mirror back what I saw as I worked, and then let the images work on the words, until both had merged into something unexpected. 

Clown Tower print by Iskra
Clown Tower © Iskra Johnson
Invisible City
Invisible City © Iskra Johnson

 

“To be modern is to be part of a Universe in which. . .
all that is solid melts into air.”
– Marshall Berman

Filed Under: Photocollage, Photography, The Water Tower Project Tagged With: Iskra Books, Iskra Publishing, Iskra Writing, The Water Tower Project

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At 18, in my first year in class at Cornish, Charl At 18, in my first year in class at Cornish, Charles Stokes said: “To be an artist, first you must learn to visualize. Your assignment is to go home, close your eyes, and visualize an apple. Rotate it and observe how it looks from every direction, as though you were God and you had just designed this fruit. Then imagine cutting it into pieces and turn each piece in your mind’s eye. If you need to get in the bathtub, do.” A year later, my skin had turned permanently pink from baths, but I was beginning to be able to See. That moment when I really could imagine the apple from above, below, the side, and visualize the slices falling away was a revelation. The cherubim cheered. Today I can shut my eyes in any moment of boredom and see the apple rotate like a muffin on a dim sum tray, round and round, the highlights glinting.

Apples also nearly killed me. When I was 19, I worked for a month in the orchards of Orondo, and slept under the trees in a sleeping bag and little else. Each morning I woke to the drone of crop dusters and the pale white incandescence of pesticides sifting through the leaves. My water came from a galvanized pipe fed directly by the irrigation ditch. Me and Caesar Chavez? Solidaridad. I came back from the orchard with a stomach malady that defeated every doctor I saw. Over the ten years following I lost 32 pounds, and I had been slender to start. At 27 I came within three weeks of death. Over that decade I was tested for everything, and my body claimed an allergy to every food except the pinto bean. No amount of antibiotics or enzymes or the primitive curatives of those days worked. After this inexplicable and punishing siege on my health it took years to get back to food as a good idea. I lived on boiled carrots and rice. The one possible argument to inexplicable: every alternative medicine healer found indications of arsenic, a prime ingredient of pesticides and known disruptor of the digestive tract. (Continued in next comment, complete essay at link in bio.)
Exquisite work by @christinegedye @fountainheadgal Exquisite work by @christinegedye @fountainheadgallery.
Experiments in juxtaposition. Yesterday I worked Experiments in juxtaposition. 

Yesterday I worked in the studio to some kind of divine mix of Raga and drone and hand pan drum and returned to the state of mind I’m here for. 

This study of an eggshell is only incidentally an eggshell; it is any fragile thing regarded with love. I think of the days when there was an antique shop on every block and I would haunt them and find among the watering cans and spoons and rusted winches a lace handkerchief starched and embroidered with imagined daisies by some woman crossing the country in a covered wagon with a packet of seeds. I held the cloth up and watched clerestory light fall from the rafters and transform its quiet folds into something burning, heard the sounding bells of ships in the harbor, the train rumbling in the tunnel, people stumbling and laughing on the boardwalk. 

Light is the keeper of history. As we walked out of the steel plant last week, steam mingled with clouds and enveloped the massive structures around us in softness. Just before my camera died, I took this picture of a steel door. On its face, the flag of an imagined country, stripped of warp and weft and left with only traces. As the world hangs on the edge, held by the flimsiest of props, each day aims another missile at certainty. We still have memory, and that may save us.

#TheFragilityProject
Slow Art. The beat helps tune out the Everything E Slow Art. The beat helps tune out the Everything Else Going On. . .#graphitepencil
I am excited to be part of the annual open studio I am excited to be part of the annual open studio tour for 
Spotlight North 2026, Noon to 5 May 16+17! 
Meet the artists of Shoreline, North Seattle, 
and Lake Forest Park in their native habitat: 

Robin Arnitz, Anna Wetzel Artz, Laura Brodax, Shruti Ghatak, Eva Isaksen, Amanda Knowles, Sarah Norsworthy, Paul Leavitt, Paul Lewing, Iskra Johnson, Dale Lindman, and Shoko Zama.

I will be showing new drawings and paintings influenced by nature and place, as well as ongoing print work, and several new card series. Many people have told me they would love to collect more but their walls are full, or they are moving into smaller spaces. In response, I have created new tiny works you can set on your desk or slip into the spice rack between the oregano and the thyme. I have always loved the intimacy of small work: It is the quietest most personal of conversations. These three pieces are from the hundreds of media studies I do to see “what happens if,” in an experimental state of mind. They are made with a combination of liquid graphite, pencil and paint, and presented like tiny one-of-a kind etchings. Contact me if you are interested in pre-purchase.
Link in bio to the Spotlight North Website. The map will be posted soon!
First glimpse of the Nucor Steel Plant. Probably t First glimpse of the Nucor Steel Plant. Probably the most amazing photo shoot I have ever been on. It will take me months to know what to do with the hundreds of images from this amazing day. Thank you Seattle plein air painters for this rare opportunity. Thank God we had dedicated minders to keep us from falling off the stairs and to help us adjust to the three layers of gear, hard hat, ear coverings, goggles, vest (hint: you need all of them!)

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