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You are here: Home / Archives for The Garden

Summerlight

July 17, 2011 by Iskra Leave a Comment

This is the summer of endless elegy. The forms and colors of winter persist even as the sun comes out for a day or two and temperatures climb above 70. The newly planted vine maple is already turning red and I have not yet gone swimming. Only the foxgloves have been jubilant; this is the year I realized they aren’t weeds and let them go wild, a pearl and purple trumpet section playing throughout the garden.

SummerlightTransferPrint
Summerlight, transfer print, © Iskra Johnson

This transfer print blends the layers of sunlight past with autumn’s melancholies. The echinacea laid its stems at my feet last October. The sunlight came from my favorite yellow wall at 85th and Greenwood, photographed in 2009, recently graffitied with a luscious red heart and then abruptly painted beige. I am glad I captured its past life in my archives.

I am focusing on transfer prints exclusively right now, enraptured with the tools of the camera and the newest version of Photoshop. I am in that place where you try absolutely everything and sit back dazzled, and then subtract ninety percent of the possible, in search of the necessary. I’ll be moving back and forth all summer between two very different themes: the garden, and the street. The hard urban surfaces seem to need the antidote of what grows from the watering can and dirt. See more of these images in the gallery The Natural World

 

Filed Under: Photocollage, Photography, The Garden, Transfer Prints Tagged With: art as elegy, Iskra transfer prints

First Image of the New Year: The Golden Bird + Thoughts on Mixed Media

January 2, 2011 by Iskra 1 Comment

On New Years morning a Varied Thrush made a rare appearance in the bare maple above the pond. I photographed him through the window and a few hours later made a transfer print from the photograph onto layers of metallic silver, gold and luminescent white. I made four prints, each time trying new ways of burnishing the transparency. I found that by spraying water on the actual transparency material I could get a feeling of old world mezzotint–with no control. Then I started brushing the painted paper with water instead, using varying pressure to gradually adhere the ink with more fidelity to the plate.

I have a new Epson 3880 and it behaves very differently from the 2400. Previously I used alcohol to make transfers, but it left a thin skin on the paper resistant to subsequent overlays. The ability to transfer with water alone is exciting–no toxic fumes, and the surface is lovely, much more like silkscreen. I am finding that the transfer film has to sit for at least ten minutes after it comes out of the printer–it seems that the ink then “cures”  and lifts more readily to water or to an acrylic medium, like opaque matte gel.

In photographic mixed media work I am looking for an immediacy of narrative in which I can look onto my world, capture it, and engage in a process that reveals more about the experience than I “know” in the moment. It is intimate and magical because through the process of pulling the print I can slow time down and go back to the initial glimpse of the experience of the “real,” of what I thought I saw– before it has been given language. For this afternoon I felt as not that I was looking through glass at a bird, but that I perched in the tree, privileged to visit the first bright day of the new year with the bird’s own eyes.

The-Golden-Bird
The Golden Bird, Transfer print on metallic paint, © Iskra Johnson

  Close-Up-Birds-Head
Head detail, from another version

Filed Under: Photography, The Garden, Transfer Prints Tagged With: golden bird print, mixed media and photography transfer print, print of a Varied Thrush, Transfer print on metallic paint, transfer prints with Epson 3880, Using Apollo film to make transfer prints

The Promise of Light: Solstice 2010

December 22, 2010 by Iskra Leave a Comment

The-Promise-Of-Light
© Iskra Johnson, photocollage

What an extraordinary Winter Solstice: a total lunar eclipse! It all happened behind a cloud over my house and I take it on faith. For me the moon is this golden poppy, speaking of the dreamscapes of warmth and light that keep us constant in winter.

Filed Under: Photography, The Garden Tagged With: art about solstice, lunar eclipse, photo collage with poppy, solstice 2010, winter solstice art, winter-themed collage, yellow poppy in snow

The Poppies are the Last to Go

November 8, 2010 by Iskra Leave a Comment

Buddha-With-Poppies

 

Happiness-Chair-In-Autumn

How Many Minutes from Yesterday: Garden, Early November © Iskra Johnson

Filed Under: Photography, The Garden Tagged With: Garden Buddha, garden in Autumn, Seattle artist Garden, yellow poppies

My Life In Leaves

August 11, 2010 by Iskra 1 Comment

In early August the garden tips from green to olive and then to ochre. With no help from the wind the magnolia drops its leaves. They dangle in the English privet like unmoored boats and drift down to form a dense impenetrable mat on the garden floor. Having put the moment off for weeks, I finally gather gloves and boots and rake and set to “clean up,” a phrase that makes me shudder with the full force of laziness. In moments my industry is interrupted by fascination; I am lost in looking, and remembering my life in leaves.

My-Life-In-Leaves-Photo
© Iskra Johnson


I lived for many years near an alley that had what I thought of as “the psychedelic laurel.” In the midst of this long, dense and mediocre shrub burned startling jewels. They fell into the dusty gravel and trash, and I collected them each morning on my walks. Soon I began recording them in watercolor, exploring how the variations in pattern and shape looked together in sequence. This marked the beginning of a long and obsessive affair with leaves as iconic specimens.

From-One-Tree
From One Tree, watercolor on hot-press paper, © Iskra Johnson

Each Autumn I am again struck dumb with fascination, although each year the tree of my affection may change, as does the light, the temperature of the air, and the method of capture. I may take photographs, make collages, or paint. When the effects of what is politely referred to a “climate change” first appeared in an alarming El Nino cresting in 1995 I made this journal page as I watched the fruit tree beneath my window experience the strange juxtaposition of relinquishment and bloom.

Leaves-in-Journal
© 2010 Iskra Johnson "That was the year when Spring and Fall came on the same day." Mixed media journal

One September I noticed the Golden Locust, its perfect ovals and graceful fronds ever present on the sidewalk beneath my feet. I pinned the leaves to a board as you would butterfly wings and raced to paint them before the lamp curled them in the heat.

Days-of-the-Locust-watercolor
Days of the Locust, watercolor on hot-press paper, © Iskra Johnson

Several years later I started my current garden beneath two ancient Black Locusts, a distinctly different and less gentle breed. I traced my moods by their seasons, the snaking arabesques of their branches and the pods, which seemed to hold everything in their silver emptiness and swirling winds. I discovered unwittingly that the life span of an urban locust tree is rarely more than 80 years, which these had reached.  Their lethal branches crashed down at random and terrifying moments, just missing my neighbors, and ripping the powerlines off my house. I had to take them down several years ago, and in the stumps we found pure powder at the core of one, and in the other a set of puzzle pieces, three trees in one growing away from each other and waiting to split off. For the three years since I have pulled out fifty young locust starts per day all summer. This tree, these pods, hold a relentless force.

Locust-Pods-Painting
The Winds, printing ink on prepared panel,© Iskra Johnson

This year the magnolia captures me, and the smoke tree. I know I should be stacking leaves in a bag, but I can’t stop looking….

Filed Under: The Garden, Watercolors

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Sunday studies of motion and emotion. I’ve been Sunday studies of motion and emotion. I’ve been in an obstinately “unproductive” space this past week, but used my time well. Motion: I went swimming for the first time in 5 years; in the autumn’s holy light, the lake is a sacrament. Emotion: I watched three years of The Split in four days. Cried my eyes out. In awe of acting and a script this good. Sometimes you just have to take a vacation from yourself and let other people do life for you. On Hulu, BBC possibly the best relationship drama I have seen.
I’ve written a wild-mind sort of blog post in wh I’ve written a wild-mind sort of blog post in which I let the story of place, museums, witness and culture unfold as it wishes. It’s an old-style post before I had “newsletter consciousness.” (Sigh….when you send out a post with one image and a show announcement and maybe five more words and someone writes, “perfect length to view on my phone” you may be tempted to perform more of the same and forget the original muse, born long before success was judged by how well thoughts fit within 2x5” square inches. A few excerpts here and first link in bio to read the entirety. Witness and elegy is where I seem to live. Painting is acrylic ink on panel, a piece I have yet to resolve but like to see into for the next step.
If you are born on 9.11 take back this day. It’s If you are born on 9.11 take back this day. It’s still yours! Yesterday I started early and went to an island in the middle of the blue sea to be in beauty and celebrate life. As we walked the beach we met a young boy also born on 9.11. His parents had brought him to Vashon for the same reason, and he had found a perfect moon shell for his own birthday present sent from the sea. It was such a lovely moment, to remember the world is young no matter how old we are.
Taking the last golden days of summer for study. T Taking the last golden days of summer for study. The Volunteer Park museum has an exhibit showing the influence of the Edo arts in Japan on Toulouse-Lautrec and I went to see it last weekend. As you can see from these images, I seem to have no interest in Lautrec— True! But these details of woodcuts and paintings on silk fill me with a quiet rapture.
Walking Meditation Walking Meditation
RIP Brian McBride, The Stars of the Lid RIP Brian McBride, The Stars of the Lid

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