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You are here: Home / Archives for Prints / Transfer Prints

Light Study with Wheels

August 27, 2009 by Iskra Leave a Comment

Light_Study_With_Wheels
© Iskra Johnson

The light is so brief in the Northwest. I feel panicked to capture it and keep it and put it in a bottle up high in the window where I can see it every day. Transfer print with water color 14 x 20 inches.

Filed Under: Transfer Prints Tagged With: bicycle in summer, light in a bottle. light study, painting with light

The Happiness Project

July 29, 2009 by Iskra Leave a Comment

The_Happiness_Project
Be Happy, © Iskra Johnson

Seattle has never seen weather like this. 100 degrees in the shocked garden, 95 in the studio, 91 in the kitchen. The heat melts all resistance. Complete strangers walk up to you and offer to buy you an ice cream cone. It is easy to keep walking until midnight, around and around the lake. Why eat dinner until the moon sets?

I find myself thinking of happiness, and of ice cream. Of Bobby McFerrin and the melodies of ease and satisfaction. This little toy has been my companion for so many years I have lost count. He requested a portrait, and I have obliged. The pieces in this series are created with my own photography, drawing and assemblage, and reproduced as transfer prints from an Epson 2800 on rag paper. Each one is unique, and close up the surface resembles woodblock or letterpress. I have not been able to edition these yet because it is so hot the plates rip the paper. As soon as the weather shifts however prints will be available for sale.

The Marble Game
The Marble Game, © Iskra Johnson
ThinkingAboutThinking
Thinking About Thinking, © Iskra Johnson

 

Filed Under: Transfer Prints Tagged With: heat wave in Seattle, ice cream man, print of wind-up toy, The Happiness Project

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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