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You are here: Home / Collage / Digital Collage / Finding Contemplative Time In Modern Life

Finding Contemplative Time In Modern Life

September 7, 2014 by Iskra 1 Comment

Contemple--les-Fleurs
Contempler les Fleurs, transfer print, 1/2 edition variable, 16″ x 21″, © Iskra Johnson

           “Joy is being willing for things to be as they are.”
― Charlotte Joko Beck, Nothing Special

I would also say that joy is seeing and delighting in things as they are, which can be an elusive concept when your life gets caught up in a construction project. Construction projects by definition require making things different. Better. Fixed up. Everything is most definitely not ok as it is, otherwise why are you going to all this debt and trouble?

As I approach the move-in date for my new studio I’ve become aware that for much of the past five months I’ve been completely not-here, now, at all. My tattered meditation practice has consisted of five minutes of thinking about not-thinking and then making elaborate to-do lists. During this time I have been living in a liminal zipcode where nothing will every really be fixed up: it’s its nature to be a little bit broken. Gentrification will never reach the upper pastures of Aurora, aka Highway 99, or the streetwalkers negotiating with men in hoodies on vegetable crates at the back of the Rite-Aid or the lake that time left behind, Bitter Lake. The geese will be there forever and nobody is going to shoo them or shoot them or make it nice for picnicking. Instead it will be a place where at 7 AM a thin man drinks beer, a very pale and large boy thumbs a bible, shredding its corners into the lilies, and five women in white headscarves sit on the bleachers in silence, watching dirt where grass used to be. The swallows dive above a miss-matched collection of ducks, and distracted pet owners text-message while their dogs forlornly do their business without witness. This is a park only in the most grudging sense. Signs warn you not to swim. It takes effort to notice that the trees are trees just the same, and cast lush shadows just as langorous and gratuitously beautiful as those of an Olmstead preserve. It takes less effort not to look at all.

Three days ago my back went out, and I have had to completely stop. Sit. Suffer, get quiet. Here is the gift of contemplative time, handed to me by my body, with a grimace. I have taken several slow walks on Linden Street, as walking is one of the only forms of relief. At my new geriatric pace I fit right in with the retired gangsters in their wheelchairs and gold chains and the elderly folk taking a smoke or glacially wheeling grocery carts back and forth from the Safeway a mile up the road. Every walk brings a surprise. A perfect symmetry of ducks cutting an arc across the not-so-bitter lake. The lemon scent of crushed geranium. A woman sitting on a couch in the middle of the Interurban Trail eating a bowl of cereal in her pajamas. A truck:

Chevrolet3600-Kodachrome
Chevrolet 3600 Kodachrome, © Iskra Johnson
Chevy 3600 Grille
Chevy 3600 Grille © Iskra Johnson
Old Chevy Wabi-Sabi
Old Chevy Wabi-Sabi, © Iskra Johnson

Before I was living in this neighborhood and taking it for granted, when its dereliction seemed exotic, I used to wander around in the vacant lots in the afternoons and take pictures. I stumbled onto a mountain of abandoned belongings, among which I scavenged panels of old wallpaper. They were so absurdly happy, the yellow flowers peeling from the stained and stapled wood. They became the image at the beginning of this post, collaged with a chair from twenty years earlier glimpsed on a street at evening. There is nothing like a chair to inspire contemplation. To beg you to recollect, muse, dream, remember to forget. A chair without arms is humbling. It’s not a throne, and you have to put your hands in your lap. It’s an unanchored state, a kingdom without borders, and at the same time it is completely restful and civilized.

Contemplative Chair
Contemplative Chair, Photo-collage, © Iskra Johnson

When people ask “where do you find time for contemplation?” I no longer say a word about having a regular meditation practice. I just say I keep my eyes out for a state of mind– a place where the mind can sit. Grab it where I can. Parking lots, edges, mistakes, miss-steps. The ugly, the random, the broken, the beautiful, the healed.

The Yellow Truck
The Yellow Truck, © Iskra Johnson

Filed Under: Digital Collage, Meditation & Buddhism, Photocollage, Photography, Transfer Prints Tagged With: art about chairs, Bleak Beauty, contemplative photography, contemplative time, found beauty, industrial beauty, old chevy, slowing down in modern life

Comments

  1. Jennifer Carrasco says

    September 8, 2014 at 7:12 am

    How does the song go…”Slow down, you’re going too fast. Gotta make that morning laaast.”…thanks for the reminder, Iskra, and I hope your back is unseizing.
    I remember my mother telling me, when she was about the age I am now, that she was seeing more and more beauty in the world. In spite of old age or infirmity or a session of back pain, it calls us to the moment….the necessity of taking time to take it in.

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Today’s mood, from the morning walk. Today’s mood, from the morning walk.
A metaphysical idea waiting to become a drawing. A A metaphysical idea waiting to become a drawing. All day I have been studying graphite, the most evanescent of mediums. Fragility. Once you break the egg, scatter the nest, leave the children without family on an abandoned beach, what then? 

I have spent the day drawing. In the background, which becomes foreground with one click, is the news of the rounding up of another thousand or so human beings by bounty hunters given a quota, thrown into concrete cages and disappeared because someone decided that America is no longer the home of the #huddledmasses.

The plaque on the Statue of Liberty says:

“Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Noem and Holman have not, apparently, run their hands over these words.

How do you continue making art at a time like this? You chase the metaphor. There is always a constant truth beneath the chaos.
Media studies. Addition and subtraction. Media studies. Addition and subtraction.
Somehow, between checking the news and the usual d Somehow, between checking the news and the usual distractions I managed to complete a drawing. Going back to the beginning: drawings in dust. 9.5 x 12” Charcoal powder, compressed charcoal, charcoal pencil on Moleskine. I feel peaceful for the first time in weeks.
The train tracks that go along Golden Gardens and The train tracks that go along Golden Gardens and pause briefly at the locks create a rupture in the city landscape. When the trains go by, the roar and squeal is like a thousand wild animals let out of their cage, and the ducks in the pond at the edge of the park shudder and dive under the water. A little farther north at Carkeek there is someone every year who steps in front of the train and whoever witnesses that is never the same. 

Sometimes the cargo containers are filled with coal, uncovered, and I have been part of demonstrations, which included polar bears and Orcas, objecting to that. Now, as we are being asked to casually accept nuclear reactors on every block as the price of having artificial intelligence, coal and its simple visible dust might look a little more friendly. The train brings with it economics and politics and life and death and class and all the people on the beach are just trying to have a moment in the sun. And the boaters at the marina, if they have finished polishing and descaling and mending the sails are lying back with a guitar and getting lost in the mountains. If you are willing to live right next to the train tracks, you can pay a much lower price for your home, but your dreams will change. I have lived next to the train tracks when I was very, very small and every night I woke up screaming and ran across the floor in the beams of the streetlight looking for safety. I have woken up in a train yard on a bed of cardboard and gotten on the train in the dark. Only when you do that, do you know just how hard metal is.

I’ve been drawing recently from life and this study was done from a photograph. It drove me crazy trying to see details that I couldn’t really see and feel them with the pencil. I’ve abandoned the drawing for now, but I learned a great deal about perseverance and obliteration and re-perseverance. Also how machines pretend that they are perfectly symmetrical and are not. And when you don’t draw them with perfection, they look just plain wrong so you have to make them more perfect than they are, at least when they are in perspective.
Tonight’s abandoned bird. The next one will be bet Tonight’s abandoned bird. The next one will be better. I’ve never tried to draw a Robin before. I’ve been obsessed with them since David Lynch sent them over to my childhood house, where they spent day and night getting drunk on the holly berries outside the kitchen window. And if you don’t know what I’m talking about google Laura Dern, Blue Velvet. And the Robin. It’s a hymnal to the good and the normal, done absolutely abnormally. I am learning all kinds of amazing things about how Robins build their nests. They start with mud. I did not know this. And in a drought, they will drag straw into a birdbath to get it wet and then drag the straw over a wormhole. Robins build their nests in the most unlikely places: drain spouts, highway overpasses, really bad motel parking lots. It’s kind of like how people find third place in community, even in the bleakest places. A franchise McDonald’s where people become regulars and always get the fries and just the fries because that’s all they can afford is a similar statement of naive valor: people talking to strangers and becoming known and taking shelter where they can. And if they leave a shredded napkin out there by their car, it will end up woven in with the straw and the leaves and the cigarette butts perched up there in the nest on the backside of the billboard.

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