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You are here: Home / Essays / New Years Eve 2025: The Intentions Ritual

New Years Eve 2025: The Intentions Ritual

January 4, 2025 by Iskra Leave a Comment

Origami Intentions, New Years 2025
 
New Years Eve I sat with a friend at the kitchen table, in a ceremony to shape the story of the year past and the year to come. Tangerines, mochi and tea, candles to warm the light and help to shape a vaporous not-yet built future from our irresolute selves. She is considering leaving a house and a life of 33 years, I am more fully looking to own the life I have. We could learn much from the mollusks and the hermit crabs; it is hard to leave the shell of a house that no longer fits when a new one has not yet been found. Perhaps we needed candlelit moon shells, with their romantic arabesques, to thoroughly walk us into the space of new places made vacant and filled with possibility.

We wrote our intentions to invite and to abandon on two sides of a piece of paper and then (tried) to fold it into a boat. A British woman on Youtube gave directions, her words crisp as baking parchment. A paper boat: the simplest origami in the world. My friend’s came out fine, mine fell into a labyrinth of misdirection, a cross between a crushed lotus and a lizard, though it did catch fire later more easily, having many loose parts and stray corners to catch flame.
 
In my chagrin at my (7?) simple folds having been done incorrectly I remembered another holiday: a dark Wednesday afternoon in the Third Grade portables at Madrona Elementary. Our project was to understand the Felt Experience™️ of The Pilgrims & The Indians, in part by making a longhouse out of brown construction paper. I tried. I promise you I tried. All ardent impulses towards geometry devolved into something structurally insupportable, and the teacher paused beside my desk, waited an interminable beat, and lifted my construction into the air for the entire class to behold. “This girl,” she said, “did not follow directions.”
 
What ARE the instructions for the new year? You can say it is arbitrary, this naming of a particular day “Day 1”; you can say, I’ll declare my own, thank you very much, perhaps make it the end of Wassail, or just after Easter, when bunnygrass is on sale, or maybe after Mayday, when the bluebells have wilted and there are no excuses left. But I have believed in the power of January my whole life. . . and I’m not letting go. Janus: the God of beginnings and endings. He looks forward, and back, and he has a measuring cup. Show up. Drink in the possibility of the New.
 
The intention ritual new years-eve
The Intention Ritual: Burning the Boat
When we were done writing what we were inviting in and what we were letting go we set our intentions on fire. What is your intention for the new year?

Filed Under: Essays, The Spiritual in Art

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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