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You are here: Home / Essays / Object Lessons: Essays and images inspired by "A History of the World in 100 Objects." / Object Lessons: The Valentine

Object Lessons: The Valentine

February 13, 2025 by Iskra Leave a Comment

As work in the studio moves in new directions not yet ready to surface, I offer you, in lieu of new paintings, my morning’s meditation on the season.

I hear this month half-melted in dirty snow belongs to a Saint dressed in velvet. Amid the scrolling bonfires of vitriol, romance still flutters “below the fold” as they used to say, back in the day when you could iron the news in half.

Forgive me if I had misplaced February. At Trader Joe’s, on a mission to find King County’s last carton of eggs, I pushed my cart past the bulbs dangling jaundiced roots and the sticks that hold up orchids and arrived at a startling array of succulents in pink ceramic hearts. I paused. Such an unexpected sweetness they offered, tiptoeing into the swirling turmoil of my thoughts. I looked at the scalloped edges of the planters and the cascades of pearls and hens and chicks and said to myself, I am not the kind of person who buys such a thing. That shade of pink. Someone who had this in their house would be named Gladys or Edna or Myrtle, and she would wear a felt hat held in place with pins. I don’t wear hats. And then I walked my little succulent heart to the cash register and I said to the young man with hair down to his shoulders, If I buy this I have to change my name to Gladys. 

He gave me a blank look. 
Edna? 
He made that gesture of something going right over his head and smiled expectantly. 

And so I had to explain in the 90 seconds I had before the next shopping cart what it meant to grow up in an era of women with those names, their propriety, their resolute knowledge of how to organize a life by chapter and verse, their polished black pumps tapping the street named Main Street, the stores that actually had store fronts.

My father had a newspaper on the corner of just such a Main Street, and his secretary was named Myrtle. Every morning she came in and dusted the jade plant that sat in the corner window as the sun stole over the mountains and slanted across the walls. She had that one still moment. Then the back door banged and the men arrived, heavy boots and green visors, and shattered the silence with the clatter of Linotype and lead slugs falling to the floor. Myrtle wrote the society page and she never once misspelled. She would have kept African violets on her windowsills, and when no one was looking she went through a pack of Marlboros every day, and hid the ashtrays under the sink.

She’s my girl, I said to the young man at Trader Joe’s. And then I carried my Valentine very carefully to my car. 

This week, as things you took for granted thaw and then freeze and then melt again, and every few minutes some new continent or body of water or civilization is renamed, deaccessioned, or auctioned off to a 25 year-old with a hard drive; this week, before you run off to Portugal or some other small nation that may not recognize your passport or your country, consider celebrating Valentine’s Day. Tell everyone you meet you love them, in some unexpected way.

And remember to love yourself, whatever your name is.

XOX
Iskra

Filed Under: Object Lessons: Essays and images inspired by "A History of the World in 100 Objects." Tagged With: artists who write, generational explainer, Lyric essay, object lessons, The old names, Valentines Day, why I love Trader Joes

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A metaphysical idea waiting to become a drawing. A A metaphysical idea waiting to become a drawing. All day I have been studying graphite, the most evanescent of mediums. Fragility. Once you break the egg, scatter the nest, leave the children without family on an abandoned beach, what then? 

I have spent the day drawing. In the background, which becomes foreground with one click, is the news of the rounding up of another thousand or so human beings by bounty hunters given a quota, thrown into concrete cages and disappeared because someone decided that America is no longer the home of the #huddledmasses.

The plaque on the Statue of Liberty says:

“Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Noem and Holman have not, apparently, run their hands over these words.

How do you continue making art at a time like this? You chase the metaphor. There is always a constant truth beneath the chaos.
Media studies. Addition and subtraction. Media studies. Addition and subtraction.
Somehow, between checking the news and the usual d Somehow, between checking the news and the usual distractions I managed to complete a drawing. Going back to the beginning: drawings in dust. 9.5 x 12” Charcoal powder, compressed charcoal, charcoal pencil on Moleskine. I feel peaceful for the first time in weeks.
The train tracks that go along Golden Gardens and The train tracks that go along Golden Gardens and pause briefly at the locks create a rupture in the city landscape. When the trains go by, the roar and squeal is like a thousand wild animals let out of their cage, and the ducks in the pond at the edge of the park shudder and dive under the water. A little farther north at Carkeek there is someone every year who steps in front of the train and whoever witnesses that is never the same. 

Sometimes the cargo containers are filled with coal, uncovered, and I have been part of demonstrations, which included polar bears and Orcas, objecting to that. Now, as we are being asked to casually accept nuclear reactors on every block as the price of having artificial intelligence, coal and its simple visible dust might look a little more friendly. The train brings with it economics and politics and life and death and class and all the people on the beach are just trying to have a moment in the sun. And the boaters at the marina, if they have finished polishing and descaling and mending the sails are lying back with a guitar and getting lost in the mountains. If you are willing to live right next to the train tracks, you can pay a much lower price for your home, but your dreams will change. I have lived next to the train tracks when I was very, very small and every night I woke up screaming and ran across the floor in the beams of the streetlight looking for safety. I have woken up in a train yard on a bed of cardboard and gotten on the train in the dark. Only when you do that, do you know just how hard metal is.

I’ve been drawing recently from life and this study was done from a photograph. It drove me crazy trying to see details that I couldn’t really see and feel them with the pencil. I’ve abandoned the drawing for now, but I learned a great deal about perseverance and obliteration and re-perseverance. Also how machines pretend that they are perfectly symmetrical and are not. And when you don’t draw them with perfection, they look just plain wrong so you have to make them more perfect than they are, at least when they are in perspective.
Tonight’s abandoned bird. The next one will be bet Tonight’s abandoned bird. The next one will be better. I’ve never tried to draw a Robin before. I’ve been obsessed with them since David Lynch sent them over to my childhood house, where they spent day and night getting drunk on the holly berries outside the kitchen window. And if you don’t know what I’m talking about google Laura Dern, Blue Velvet. And the Robin. It’s a hymnal to the good and the normal, done absolutely abnormally. I am learning all kinds of amazing things about how Robins build their nests. They start with mud. I did not know this. And in a drought, they will drag straw into a birdbath to get it wet and then drag the straw over a wormhole. Robins build their nests in the most unlikely places: drain spouts, highway overpasses, really bad motel parking lots. It’s kind of like how people find third place in community, even in the bleakest places. A franchise McDonald’s where people become regulars and always get the fries and just the fries because that’s all they can afford is a similar statement of naive valor: people talking to strangers and becoming known and taking shelter where they can. And if they leave a shredded napkin out there by their car, it will end up woven in with the straw and the leaves and the cigarette butts perched up there in the nest on the backside of the billboard.
Waking up. Waking up.

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