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You are here: Home / Artist Studio Visits / Summer Print Sale!

Summer Print Sale!

July 27, 2017 by Iskra Leave a Comment

The Crimson Monarch print by Iskra“The Crimson Monarch,” 15.5 x 15.5 ” 1/20, available during the Summer Print Sale

I have been super busy this summer finishing the body of work for Industrial Strength, a three-woman show opening at SAM Gallery on Wednesday September 13th. Something about wrapping up a set of work and being “done” just seems to lead to more ideas. I keep coming back to The Floating World as a source of inspiration, and each time I find something new. Sometimes all I see is the sky and the water, and sometimes I see the shore, the anchor and the fine tethers that keep one from floating away. The great ship the Crimson Monarch was moored beneath the Elliott Bay grain elevators a few months ago. By May it had rained for eight months and on the first sunny Sunday of the year I could not wait to get out to the waterfront with my camera. I fell madly in love with this ship and the way it faced the sun, owning the bay. I use real names in my ship portraits. If you want to kick back with a beverage that puts you in a nautical frame of mind and a pair of binoculars, you can follow the Crimson Monarch on shipspotting.com.

The area around the grain elevators is a rare convergence of nature and industry. The train tracks run just a few feet from a fenced-in meadow. In late afternoon a golden light catches the tops of the grass, and flocks of starlings and swallows sweep back and forth from the meadow to the elevators, while red poppies run wild in the paths above the shore. From the bridge you can see a full panorama of the mountain and the port and it is breathtaking. I made this other new print, “Two Icons,” from that day’s glimpse of the Pacific Northwest’s iconic landscape.

Two Icons, print by Iskra“Two Icons,” available in two sizes, 22 x 33″ and 13 x 20,” on sale through the end of August.

Here is a selection of the other prints available through the end of August at half price. From The Floating World, all of these feature water and shades of blue or green.

Summer Print Sale from Iskra Fine ArtSummer Print Sale in my shop from now until August 31.

Iskra in the News

I am honored to have been featured in “On the Verge” in the beautiful web magazine of the Uncommon Union, in collaboration with Seattle Art Source. Photographer Ben Calhoun and designer Lauren Caron put me at ease in a way I did not expect and I actually had fun with people looking at me through a lens while I painted. I always prefer to be behind the camera, but with this crew I was easily moved out of my comfort zone into another place – and I actually used some of the paintings in finished prints later! I hope you will make a visit to the magazine and read the complete interview here. Ben took dozens of great pictures. Here are a few outtakes to give a sense of the day. All photos © Ben Calhoun.

And……coming up, please join me for the opening of the Centennial Celebration art exhibit at the Locks Third Thursday, August 17, from 6-8pm in the Administration Building (the grand old building closest to the water.) I will have two new mixed media prints in this show.

For reminders of show openings and to see the latest from my studio please follow me on Instagram or Facebook. To receive my blog and longer updates in your inbox sign up for my newsletter here.

Thank you for your support!

Iskra

Filed Under: Artist Studio Visits, Iskra Shows, Upcoming and Past, Prints Tagged With: artist process, Ben Calhoun, Chittendon locks, Crimson Monarch, industrial art, nautical, Northwest artist, print sale, uncommon union, water prints

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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