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You are here: Home / Archives for autumn in seattle

Heat and Motion Research: Watching the Leaves

November 20, 2011 by Iskra Leave a Comment

This morning the hard frost has arrived. What this means for people in Seattle is that it is not raining. The word “transfixion” was created for mornings such as this. There is a serious danger that I will do nothing for the rest of the day but sit on the porch in a quilt robe watching. A cat has it easy–it is their JOB to sit above the heat register on the windowsill and follow the leaves one by one, and no one thinks they are lazy or undermotivated.

In my backyard the sun comes through the last yellows of the plum and the maple, silhouetted against my neighbors’ giant firs. As the sun rises and warms the branches, one by one they let loose their leaves. They fall,  like feathers, slowly, randomly, jubilantly,  I wish I had such grace in letting go.

Leaves_Gouache_Painting
Looking at Leaves, gouache on paper, © Iskra Johnson

This study is from long ago, when I first discovered David Hockney and started sleeping with his complete works under my pillow.

 

Filed Under: The Garden Tagged With: autumn in seattle, designing leaves, Painters influenced by David Hockney, watercolors of leaves

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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