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You are here: Home / Archives for Caregifted

Sonnet/Sonata, An Evening with Robert Hass, Jonathan Biss, and Heather McHugh

November 23, 2012 by Iskra Leave a Comment

Piano And Butterfly WingsRecently I had the pleasure of attending an elegant soiree at the Seattle Asian Art Museum as a guest of Heather McHugh. McHugh, in case you are unfamiliar with her, is a poet and MacArthur fellow, as well as recipient of a Stranger Genius award. Part of McHugh’s genius manifests as generosity. This evening’s offering of intensely beautiful culture came in the service of Caregifted, her charitable organization devoted to offering relief and deep respite to the exhausted and over-extended caregivers among us.

Many of us know someone, (or we may ourselves be) in the position of giving care to a permanently disabled person. Often this job is a 24 hour commitment and unpaid, as the person is a loved one, relative, child or spouse of the caregiver. The job is life-long, and it can be unrelenting. Each year Caregifted gives some of these people a week of time and inspiration and rest in a beautiful location. The program is a pilot at this time and it is McHugh’s hope that the idea will spread and that other organizations will form to do the same thing.

Among all the thousands of charitable organizations in the world, this cause could seem small–until you consider just what the unpaid life-long volunteer contributes to the greater social fabric by doing this. Imagine, for a moment, all of the disabled, in whatever capacity, mental or physical, suddenly without a caretaker, how we would function as a society. Most of us do not have the skills, much less the compassion, to care for people we do not know with autism, or alzheimers, or wheelchair bound– and those who step in and step up provide a sometimes invisible, powerful and indispensable thread in the fabric of our society. Caregifted’s week of time says, “We see you. Thank you! And may you restore your spirit.”

Robert Hass Reading

Only a poet with an unusual mind would conceive this project, and then present an evening of such enchantment in its service. Robert Hass took the stage to read both his own work and poems about art and music. I have searched in vain online for his conversation with Modigliani–startling, eloquent, and please somebody tell me when it is published! Following him, Jonathan Biss played the Steinway and convinced me I may never have heard the piano played before. I sat ten feet from the stage, and my tendency towards cultural narcolepsy did not have a chance. I quite literally felt chills up and down my spine.

The PianistPhotographs © Iskra Johnson (i-phone)

A documentary film (“Undersung”) about Caregifted is in the works, portions of which we viewed at the end of the evening. If you would like to know more (and see film clips) please visit the Caregifted site or donate through Children’s Hospital Foundation.

 

Filed Under: Uncategorized Tagged With: Caregifted, Heather McHugh, Jonathan Biss, Robert Haas reading, Seattle Asian Art Museum

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I have been obsessed for well over a decade by the I have been obsessed for well over a decade by the line between the photographic and the drawn. This is simply a media test, or an “under drawing“ for something else, but it gave me pause. It suggests so many different qualities of mood: Foreboding, calm, dichotomy, a family photo poorly developed, the cloudy skies of the Pacific Northwest, or the fugue state one falls into after turning the pages of our days as a failing empire. “Our“ refers to those of us who live in the USA although now it should be called the DU USA, as in disunited United States. That disunity is a powerful disruptive pain that I feel daily. Also, as we phase out medicine, research, medical care, and with that presumably self-care, this was created, for those who are curious, with a cotton ball by #JohnsonAndJohnson (my father’s Swedish ancestors) on a Talens sketchbook. As I said, I’m testing. How much of the world can I take in before I shut the door and become an art nun and don’t look up until the last minute?
Sunday concentration drawing, testing a new notebo Sunday concentration drawing, testing a new notebook( and my attention span. . .)
Today’s mood, from the morning walk. Today’s mood, from the morning walk.
A metaphysical idea waiting to become a drawing. A A metaphysical idea waiting to become a drawing. All day I have been studying graphite, the most evanescent of mediums. Fragility. Once you break the egg, scatter the nest, leave the children without family on an abandoned beach, what then? 

I have spent the day drawing. In the background, which becomes foreground with one click, is the news of the rounding up of another thousand or so human beings by bounty hunters given a quota, thrown into concrete cages and disappeared because someone decided that America is no longer the home of the #huddledmasses.

The plaque on the Statue of Liberty says:

“Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Noem and Holman have not, apparently, run their hands over these words.

How do you continue making art at a time like this? You chase the metaphor. There is always a constant truth beneath the chaos.
Media studies. Addition and subtraction. Media studies. Addition and subtraction.
Somehow, between checking the news and the usual d Somehow, between checking the news and the usual distractions I managed to complete a drawing. Going back to the beginning: drawings in dust. 9.5 x 12” Charcoal powder, compressed charcoal, charcoal pencil on Moleskine. I feel peaceful for the first time in weeks.

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