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You are here: Home / Archives for fine art stationary

Spring Tulip Suite Stationary and New Rural Landscapes

April 3, 2025 by Iskra Leave a Comment

Pink Tulip Arabesque colored pencil drawing
Spring Tulip Arabesque, from an original drawing in colored pencil on Moleskine

It’s Tariff Week, and the stock ticker has gone missing from Fox News today, presumably to indicate what a special moment this is. It’s beginning to feel a lot like 2008. That was the spring I sat stunned at my kitchen table watching the securities auctions fail, the securities that TD Ameritrade had said “were as safe as a money market but better.” My kitchen table became my oasis for reinventing sanity and meaning through drawing. There was no internet, only a radio and a tape cassette. Silence, doom, music, repeat. The silence was at first excruciating, but as I drew, it became an enveloping calm and helped me through a time of instability and fear I had not known before. The blog post of that moment has come in handy several times since. Kitchen tables stand the test of time.

In honor of that memory I have returned to the work created then and refined the drawings as the Spring Tulip Suite in my stationary collection. It has been a quiet revelation to pick up a pencil and to go back into work done 17 years ago. As part of my TariffWeek sale, subscribers to my newsletter receive a 10% discount on items in my shop (excluding stationary.) If you would like to receive a discount code I would love to welcome you as a subscriber!

Tulip Suite Stationary
The Spring Tulip Suite, from originals in colored pencil on Moleskine, available as fine stationary cards in my shop.
Tulip Leaves Fine Art Stationary
Tulip leaves are pure sculpture…As a leaf emerges it turns on its axis towards the light, and each turn creates a ripple of subtle greens and earth shades, at times picking up the blue of the sky.

In other print news, Seattle Art Museum Gallery has added a selection of unframed work from gallery artists, which you can peruse in the front of the gallery by the painting racks. I am excited to have a rotating collection of my limited edition prints there!

Farm Structures sketchbook
Farm structures, acrylic on prepared ground
Sky waiting for cloud form

As in 2020, the eerie lack of rails on society and the economy has brought the opportunity of time to explore and develop new ideas without external pressures. It is a great comfort to go “back to the land” and the farm structures and pastoral patterns of rural life that surrounded me as a child. If, at the end of the next four years, I can paint a convincing barn I’ll be happy. Here are a few quick glimpses of work in the studio: surface, abstraction, atmosphere and architecture.Farm Building 7

Regardless of the weather ahead, the sun today is lovely. I hope you can find the time to take a walk, gather camelias, and admire the incorruptible beauty of spring.

Filed Under: American West Landscape Photography, Botanical Art, Botanical Art Cards, Painting Tagged With: colored pencil botanicals, fine art stationary, rural expressionism, rural landscape, spring tulip greeting cards, tariff week art sale

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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