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You are here: Home / Archives for hydrant silkscreen

Silkscreen Experiment 1: The Hydrant

May 26, 2012 by Iskra Leave a Comment

SilkscreenAndDigitalHydrantPrint
© Iskra Johnson

I am fascinated by all the ways you can do silkscreen wrong. You spend several hours preparing and burning a screen and then in a fit of complete stupidity you reach for a bottle of “something” and spray the screen and the “something” turns out to be…. emulsion remover. (It does, in fact, say something about emulsion on the bottle, you just don’t bother to notice the word “remover.”) Before completely throwing up my hands in frustration I sprayed the screen with water, and lo, it turned out I had a very interesting mistake on my hands.

I came home from the print studio at Pratt, (where I am in theory learning “how-to”), and threw some ink in a tray and started wildly printing. Or painting. I am not sure which this is, and am happy not to. Why hydrants, you might ask? I don’t, actually, I just follow them, as if led inexorably by a leash.

But there is this business of artist “statements” and knowing why it is you do what you do. I was talking with a friend and collaborator yesterday about obsessions, and his currently is dams. Yes, he will drive 300miles to find a small obscure dam in order to document its existence. The common theme here is water, and the majesty of infrastructure. As the world teeters bit by bit I do love a piece of metal I cannot lift, put together with a flawless arrangement of bolts and screwplates and circles and cones in a way handed down through hundreds of years from men with rough hands and wrenches. Not only are these articles of urban engineering marvels to look at, but we depend on them to spew water where we want it and to keep it under the ground when we don’t. I imagine a huge force under the earth, the water always there with many-headed ferocity, and only the stalwart little hydrant to keep it in check. I have my own brilliant yellow hydrant in front of my house, and it makes me happy every time I come home and see it there, surrounded by equally yellow dandelions. I feel safe.

HydrantsInBlueSilkscreen
Hydrants in Blue, silkscreen © Iskra Johnson

This last one is technically silkscreen and digital but in describing it I am being optimistic. I have not yet dared to print the actual blue tint in silkscreen across the top and am testing colors in Photoshop before I jump to the screen.

Filed Under: Uncategorized Tagged With: city images silkscreen, digital and silkscreen combinations, hydrant silkscreen, silkscreen

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I have been obsessed for well over a decade by the I have been obsessed for well over a decade by the line between the photographic and the drawn. This is simply a media test, or an “under drawing“ for something else, but it gave me pause. It suggests so many different qualities of mood: Foreboding, calm, dichotomy, a family photo poorly developed, the cloudy skies of the Pacific Northwest, or the fugue state one falls into after turning the pages of our days as a failing empire. “Our“ refers to those of us who live in the USA although now it should be called the DU USA, as in disunited United States. That disunity is a powerful disruptive pain that I feel daily. Also, as we phase out medicine, research, medical care, and with that presumably self-care, this was created, for those who are curious, with a cotton ball by #JohnsonAndJohnson (my father’s Swedish ancestors) on a Talens sketchbook. As I said, I’m testing. How much of the world can I take in before I shut the door and become an art nun and don’t look up until the last minute?
Sunday concentration drawing, testing a new notebo Sunday concentration drawing, testing a new notebook( and my attention span. . .)
Today’s mood, from the morning walk. Today’s mood, from the morning walk.
A metaphysical idea waiting to become a drawing. A A metaphysical idea waiting to become a drawing. All day I have been studying graphite, the most evanescent of mediums. Fragility. Once you break the egg, scatter the nest, leave the children without family on an abandoned beach, what then? 

I have spent the day drawing. In the background, which becomes foreground with one click, is the news of the rounding up of another thousand or so human beings by bounty hunters given a quota, thrown into concrete cages and disappeared because someone decided that America is no longer the home of the #huddledmasses.

The plaque on the Statue of Liberty says:

“Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Noem and Holman have not, apparently, run their hands over these words.

How do you continue making art at a time like this? You chase the metaphor. There is always a constant truth beneath the chaos.
Media studies. Addition and subtraction. Media studies. Addition and subtraction.
Somehow, between checking the news and the usual d Somehow, between checking the news and the usual distractions I managed to complete a drawing. Going back to the beginning: drawings in dust. 9.5 x 12” Charcoal powder, compressed charcoal, charcoal pencil on Moleskine. I feel peaceful for the first time in weeks.

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