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You are here: Home / Archives for the film to digital conversion

Capitol Hill 60 Minute Photo Closes

January 30, 2013 by Iskra Leave a Comment

I read this beautiful if sad elegy to one of Seattle’s last film photo labs at PetaPixel today. I went to Capitol Hill 60 Minute Photo for the first twenty years of my photo-life. They were four blocks from my apartment, and developed every picture I took. Some of my most recent photocollages are made from scanning and enlarging their 4×6 prints from my archives, and the grain and “authentic analog noise” of the actual print beats anything I can do purely digitally. Photographer Andrew Waits has done a wonderful homage to this institution and the forces of change that have led to its closing. The comments are worth reading also, as a capsule portrait of social attitudes towards technology and change. I thought this one was particularly well put:

“When my local one hour lab closed a few years ago, I lost an advisor, a mentor a collaborator and friends. The lab staff was involved in every project that I was and took a real and heartfelt interest in what I was doing. They were partners. I really looked forward to seeing them on a Monday morning. The jingle of the door bell, the strange aroma mix of coffee and stop bath, the rhythmic hum and whir of the machines and a hearty “good morning, what have you got for us today?” can’t be replicated. Here I sit, in front of my computer screen, excited about what has been downloaded from my SD cards, beautiful Nikon DSLR on the counter, printer all inked up and ready, alone.”

Whew. So true. We can all be masters of our digital universe now, if we have the money and the equipment, and it can be real quiet.

AndrewWaitsPhotoOFilm
This photo of a film strip by Andrew Waits says it all.

Filed Under: Photography Tagged With: Andrew Waits, Capitol Hill 60 Minute Photo, Petapixel, the film to digital conversion

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I have been obsessed for well over a decade by the I have been obsessed for well over a decade by the line between the photographic and the drawn. This is simply a media test, or an “under drawing“ for something else, but it gave me pause. It suggests so many different qualities of mood: Foreboding, calm, dichotomy, a family photo poorly developed, the cloudy skies of the Pacific Northwest, or the fugue state one falls into after turning the pages of our days as a failing empire. “Our“ refers to those of us who live in the USA although now it should be called the DU USA, as in disunited United States. That disunity is a powerful disruptive pain that I feel daily. Also, as we phase out medicine, research, medical care, and with that presumably self-care, this was created, for those who are curious, with a cotton ball by #JohnsonAndJohnson (my father’s Swedish ancestors) on a Talens sketchbook. As I said, I’m testing. How much of the world can I take in before I shut the door and become an art nun and don’t look up until the last minute?
Sunday concentration drawing, testing a new notebo Sunday concentration drawing, testing a new notebook( and my attention span. . .)
Today’s mood, from the morning walk. Today’s mood, from the morning walk.
A metaphysical idea waiting to become a drawing. A A metaphysical idea waiting to become a drawing. All day I have been studying graphite, the most evanescent of mediums. Fragility. Once you break the egg, scatter the nest, leave the children without family on an abandoned beach, what then? 

I have spent the day drawing. In the background, which becomes foreground with one click, is the news of the rounding up of another thousand or so human beings by bounty hunters given a quota, thrown into concrete cages and disappeared because someone decided that America is no longer the home of the #huddledmasses.

The plaque on the Statue of Liberty says:

“Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Noem and Holman have not, apparently, run their hands over these words.

How do you continue making art at a time like this? You chase the metaphor. There is always a constant truth beneath the chaos.
Media studies. Addition and subtraction. Media studies. Addition and subtraction.
Somehow, between checking the news and the usual d Somehow, between checking the news and the usual distractions I managed to complete a drawing. Going back to the beginning: drawings in dust. 9.5 x 12” Charcoal powder, compressed charcoal, charcoal pencil on Moleskine. I feel peaceful for the first time in weeks.

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