Iskra Fine Art

  • Prints
    • The Tarmac Residency: Airport Landscapes
    • Immersions | At The Shore
    • ColorBath: Images of the Harbor
    • The Floating World
    • Industrial Strength | Urban Industrial Landscape
    • The Scaffold
    • Industrial Pastorale: The Rural/Urban Landscape
    • Botanical Prints | The Natural World
    • Construction | Reconstruction : Urban Landscape
    • Infrastructure
  • Drawings
    • Pencil Drawings: Pandemic Pause
    • Drawings in Dust 1
    • Signs & Symbols (Archive)
    • Botanical Drawings (Archive)
  • Photography
    • New Work Inspired by England
    • Seattle Waterfront Park Photography
    • Architectural Photography | Construction Sites
    • American West Landscape Photography
  • Mixed Media
    • Modern Botanical | Mixed Media on Plaster
    • From the Sea | Water Paintings
    • Sleep Studies
  • Wabi Sabi Abstract
    • Minimalist Modern
    • Ink Painting Abstractions
  • Shop
  • About
    • Contact
  • Blog
You are here: Home / Photography / The Light of December

The Light of December

December 4, 2013 by Iskra Leave a Comment

The Light of December Devotional Altar

This is the time of year I begin to realize that my meditation practice has devolved into drinking coffee slowly, rather than quickly, and looking out the window at robins. This is fine — the robins love an audience — but it isn’t quite the same as a practice. In November you can’t drag me out of bed before dawn. Yet by the first week of December something changes. My eyes fly wide at six AM. I want to sit in the early hour and listen closely to this very particular and resonant silence that leads to the darkest day, the longest night, and the beginning of the light. I want to be awake for each moment of passage to the winter solstice, and the ceremony of a sitting practice once again takes hold.

This year I signed on to a three day retreat with Kate Lila Wheeler.  I have been a follower of Wheeler’s writing since 1997, when I read her first collection of stories, Not Where I Started From. She is the rare meditation teacher who also has a serious art practice, in this case as novelist and essayist, and I have been looking for a chance to sit with her for years. This retreat is well positioned after the official holiday of Thanksgiving. The focus will be on mudita, the appreciation of the good fortune and well being of others. I would usually much rather focus on “worry”, (from the German, wurgen: “to strangle,” with no Pali translation) which is my acknowledged default setting, so this will be a welcome shift of gears. I suffer in cold weather (they predict snow?), so the weekend could be less an experience of transcendence and more of an extended Lands End Catalog fantasy in which I visualize the entire world swaddled in down bathrobes, with extra specially thick snowpants for me. To get ready for the retreat I have been re-reading some of my favorite books on Buddhism and meditation.

From Philip Moffitt, a variation of loving kindness meditation that always speaks to me:

     May you be safe from internal and external harm.

     May you have a calm, clear mind and a peaceful loving heart.

     May you be physically strong, healthy, and vital.

    May you experience love, joy, wonder, and wisdom in this life, just as it is.

 

Filed Under: Photography, The Spiritual in Art Tagged With: December light, Kate Lila Wheeler, loving kindness meditation, meditation, mudita, retreat, shell photo, winter light, winter solstice

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Join Iskra’s Mailing List

Don't miss a thing! Subscribe to receive show announcements, first peek at new work and my semi-monthly blog by email. I primarily use the blog for news and updates but by signing up you will also receive the occasional newsletter and special offers for items in my shop.

Iskra Fine Art Blog

the creative process | conversations with artists | the contemplative impulse in art

Instagram

Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

Featured Posts

  • How to Purchase Artwork from Iskra Fine Art
  • About This Blog
  • New Directions in Contemplative Art: Conversations with Artists
  • What is a Transfer Print? (Artist Statement)

Categories

  • Abstract Calligraphy
  • Architecture & Sense of Place
    • Construction/Reconstruction
    • The Alaska Way Viaduct
    • The Water Tower Project
  • Art Reviews
  • Artist Studio Visits
    • The Mystic Muse: Artists Working in the Contemplative Traditions
  • Botanical Art
    • Botanical Art Cards
  • Collage
    • Digital Collage
  • Commissioned Art
  • Drawing
  • Essays
    • Object Lessons: Essays and images inspired by "A History of the World in 100 Objects."
  • Iskra Shows, Upcoming and Past
  • Iskra Sketchbooks & Journals
  • Living With Art
  • Meditation & Buddhism
  • Mixed Media
  • Painting
  • Photocollage
  • Photography
    • American West Landscape Photography
  • Print Sale
  • Prints
    • Transfer Prints
  • Seattle Iconic Landscape Prints
  • Social Media for Artists
    • The 100 Day Projects
  • The Garden
    • The Gardener's Almanac of Irreproducible Phenomena
  • The Spiritual in Art
  • Travel
    • Road Trips
  • Uncategorized

Archives

Search

Connect on Facebook

Iskra Fine Art Facebook Page

Creative Inspiration

  • Alternative Photography
  • An Artist's Retreat
  • Anonymous Chinese Textile Genius: Moo Won
  • Chocolate Is A Verb
  • Contemplative Art Process: Danila Rumold
  • Eva Isaksen
  • Old Industrial Japan
  • The Altered Page
  • The Heart Sutra Loop
  • The Patra Passage

Galleries for Contemplative Art

  • ArtXchange Gallery
  • Seattle Asian Art Museum

Links

  • CollageArt.org
  • Iskra at SAM Gallery
  • Iskra Fine Art on Houzz
  • Seattle Art Museum Blog
  • Seattle Artist League
  • Seattle Print Arts
  • Seeing Fresh: Contemplative Photography
  • The Painter's Keys

What I'm Reading: Online Magazines and Books I Love

  • 16 mi.
  • Essays by David Whyte
  • Evening Will Come: Poetry
  • Hyperallergic
  • Painter's Table
  • Shu: Reinventing Books in Contemporary Chinese Art
  • Streetsy
  • The Original Van Gogh's Ear Anthology
  • Tricycle Magazine
  • Unincorporated Persons in the Late Honda Dynasty
  • Vanguard

Let’s Connect

  • Contact Iskra
  • How to purchase artwork
  • Iskra Fine Art Blog : The creative process, conversations with artists, the contemplative impulse in art

Join Iskra’s Mailing List

Don't miss a thing! Subscribe to receive show announcements, first peek at new work and my semi-monthly blog by email. I primarily use the blog for news and updates but by signing up you will also receive the occasional newsletter and special offers for items in my shop.

  • Facebook
  • Instagram
  • Pinterest
  • Twitter

All Images Copyright © 2025  Iskra Johnson · Site by LND · WordPress