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You are here: Home / Painting / Existential Greetings! Ex Voto Paintings by Iskra

Existential Greetings! Ex Voto Paintings by Iskra

December 16, 2018 by Iskra 1 Comment

Ex-Voto painting by Iskra
“Ex-Voto for a Non-Believer,” from Sleep Studies. Available here.

It’s that existential season when structures reveal themselves, whether they are trees bare of leaves or beds bare of comfort. Winter can bring insomnia and questions of faith, along with powerful affirmation. Although December is a time of celebration, it is also often a time of passage, and anyone who has lost a parent or other loved one in this season knows the particular poignance of this confluence.

What better station to consider life, death, prayer, hope and all the indulgent remedies for these thoughts than the bed? Over the years I have had many requests for prints of the Sleep Studies series. These paintings, inspired by Mexican Ex Votos, are an interpretation of traditional arts of prayer and supplication. This month I put a selection of the remaining original paintings and archival reproductions in my shop. These are intimate works, meant to be hung in a quiet place. The originals range from 8×8 to 9×12 inches, and the prints are offered in two sizes, up to 15″ wide. I hope you will take a look at the collection and be in touch if you would like an original or a print.

Technically these works are a hybrid of printmaking and painting. In my search for non-toxic printmaking materials I had a brief but mad love affair with Daniel Smith water soluble printing inks (alas now discontinued.) I discovered that I could do the most extraordinary things with them using brayers, scrapers, water and brushes. They have the richness of oils, without the toxicity. I have been experimenting in the studio with Golden Open Acrylic, and hope to achieve some of the same magic with them in the next year as I begin work on a variety of new ideas. Here are a few of my favorites from Sleep Studies:

Baroque Morning painting by Iskra
“Baroque Morning,” archival print from an original painting. © Iskra Johnson
The Red Bed, Painting by Iskra
“The Red Bed,” archival print from an original painting © Iskra Johnson

Looking ahead to 2019 I hope to have an open studio sale, to make way for new things. I am working out the logistics for this, and have not yet decided how I will announce it. But if you are interested please do drop me a note by email and let me know you’d like to be included in the invitation. *A little housekeeping note on recent changes to gmail: More and more people use gmail, and I am finding that fewer people than ever actually see my newsletters, as they go into Google’s system for “promotions” and look like they belong with ads from Firestone and Target (non, non!) So if you want to be sure you get my updates please do adjust your settings.

In honor of the devotional mood I will leave you with these images from a recent concert I attended at St. Albans in Edmonds. A small ensemble featuring Irish flutist Brian Dunning, Jeff Johnson, Marc Gremm and Janet Chvatal played Celtic and traditional Christmas songs. I am not a crier over Christmas carols, but within a few moments of Stille Nacht I was in tears. A reminder of the transcendent power of music and the human voice, and an experience I will not forget:

 

Stille Nacht

Stille Nacht

Filed Under: Painting Tagged With: bed paintings, Edmonds arts, ex voto paintings, Paintings from Iskra Fine Art, sleep studies, Stille Nacht

Comments

  1. Marni Muir says

    December 16, 2018 at 12:15 pm

    and neither will I . . .

    Reply

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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