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You are here: Home / Iskra Sketchbooks & Journals / Artist Retreat in Mexico

Artist Retreat in Mexico

January 28, 2010 by Iskra Leave a Comment

This December I really wanted to get away and feel warm, get some sun on my face and my soul and make art in a different environment. I found the ideal retreat at Casa de los Artistas about half an hour south of Puerto Vallarta in Boca de Tomatlan  I signed on for the quiet week between Christmas and New Years, and found myself with the rare luxury of the whole Casa studio to myself, under the benign tutelage of Bob Masla, proprietor, teacher and painter extraordinaire.

Bob and his family have built a wonderful three story retreat in the middle of the fishing village of Boca. A river runs directly below and outside the gate. As the river is the main highway, with two other streets on either side, you have the experience of being part of the village on a 24 hour basis, starting with the roosters and church bells and ending with the moon and the surf.

My room had its own balcony overlooking the river under the protective canopy of a huge Amapa tree.  I could sit here and watch the sun rise over the hills and follow the fishing boats’ passage to the sea and feel perfectly content… although I did in fact wander upstairs to the 1,000 square foot studio overlooking the river and paint every day for a week. I worked in watercolor and Bob painted in oils, but the difference in our two media had no bearing on the quality of his advice. Whatever he had to say about my various projects proved unfailingly useful and insightful from a technical standpoint, and he is a natural teacher in that more intangible way of simply knowing how to make you feel encouraged.

The food was exceptional, whether it was the home-cooked gourmet Mexican cuisine by Ruby at the Casa or “dining out” at the lovely and informal palapa across the river (just take your flipflops).  There I would have fish or shrimp caught that day, finished off by home grown Ricia, a brew smokier and smoother than tequila and made by the proprietor of the palapa from his own agave. I remain convinced that Ricia is somehow…medicinal, even though it is reportedly sold at Mexican hardware stores.

I would love to return and encourage anyone thinking of taking an artist/spirit retreat to Mexico to consider Casa de los Artistas. Bob and his family are gracious and welcoming, and the house is exquisite.  Retreats are held on a regular basis on a range of topics,  from painting to Mexican cooking to psychotherapy and spirituality, and guest teachers are welcomed. Here is a page from my journal begun while I was there:

Watercolors-Of-Mexican-Tiles

Filed Under: Iskra Sketchbooks & Journals, Travel Tagged With: artist retreat, Artist retreat in Mexico, Bob Masla, Casa Artistos, Christmas retreat in Mexico

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
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I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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