I fell in love with the bones, the rafters, the beams and the sky in-between.
In Neutral: The Gray Muse of Ebey’s Landing
“The point is, not to resist the flow. You go up when you’re supposed to go up and down when you’re supposed to go down. When you’re supposed to go up, find the highest tower and climb to the top. When you’re supposed to go down, find the deepest well and go down to the bottom. When there’s no flow, stay still. If you resist the flow, everything dries up. If everything dries up, the world is darkness.”
― Haruki Murakami, The Wind-Up Bird Chronicle
I think there is no better place for me to understand equanimity than the slender borderline between land and sea. To walk the shore on a gray day, with a warm wind in my hair and clouds low on the horizon, to become completely lost in the large rocks and the pebbles and the sand, finer and finer gradations of gray and brown and white and coral that the sea tosses up and time burnishes. It’s the middle path. No chasing after sunsets or epiphanies, [Read more…]
The Green Ladder | Variant Edition
I have been experimenting today with color. Lurid wild-child Aurora color, for an image that captured me as I was wandered the bleaker spaces of this territory last week. Hot midday sun, a lot of dirt, and the glory of green. Aurora, AKA Highway 99 is a riot of color theory once you get over bad taste, disregard, and what I used to think of as ugliness. Now it’s all just material, and life on the edge is looking good.
I am thinking of a new approach to digital printmaking. Instead of focusing on editions of 20 in which every print is identical, I am returning to the ancient analog idea of the “variant edition” in which the plate (the basic “file” or photo/image composite) is the same, but one makes subtle shifts to each print. The editions will be very small, perhaps 3 or 5. Here are some takes on the newest piece done in this mode. I am still proofing, so I am not sure yet what scale will suit these best.
Studio Visit with Paula Gill, Bremerton Tilemaker, Printmaker, Artist
Once a month I meet with a very special group of creative entrepreneurs to critique art in progress, celebrate completed projects and share spectacular food. Over the 14 years we have been meeting two of our members have moved out of Seattle to the Kitsap Peninsula, and so twice a year we caravan on a ferry to meet at their studios.
Last month we met in Bremerton, at the tile studio of Paula Gill. Paula works surrounded by a rambling country garden exploding with vegetables and bouquets. Everywhere you look there is something to make you smile. It was a beautiful day in an environment designed to nourish the spirit. [Read more…]
Art & Solitude
“Here in my isolation I can grow stronger. Poetry seems to come of itself, without effort, and I need only let myself dream a little while painting to suggest it.” ~ Paul Gauguin
“Because she favours solitude and indwelling, an artist can live a significantly more claustrophobic life that she had ever intended.” ~ Eric Maisel
“The ecstatic state of wholeness is bound to be transient because it has no part in the total pattern of ‘adaptation through maladaptation’ which is characteristic of our species… the hunger of imagination, the desire and pursuit of the whole, take origin from the realization that something is missing, from awareness of incompleteness.”
― Anthony Storr, Solitude: A Return to the Self
Sometimes I look back on all of my relationships and am tempted to conclude that the longest and most powerful one, my “primary relationship” has been with solitude itself. It is in the accumulated years of a life alone in a room with work, or in the fields or the streets, wandering, that I have always felt most “my self.” Alone, there is no one to entertain or impress –– only impressions themselves and the gathering of them. If I am lucky there is not even a gatherer, just the verb itself, and some editing hand does the work without my being aware of paying attention, resulting in a collected sense of “coming to my self” ie. experiencing “meaning.” [Read more…]
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