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The Poppies are the Last to Go

November 8, 2010 by Iskra Leave a Comment

Buddha-With-Poppies

 

Happiness-Chair-In-Autumn

How Many Minutes from Yesterday: Garden, Early November © Iskra Johnson

Filed Under: Photography, The Garden Tagged With: Garden Buddha, garden in Autumn, Seattle artist Garden, yellow poppies

The Ink Floor: Collaboration with Martin French

August 15, 2010 by Iskra Leave a Comment

Last month at the Icon 6 Illustration conference I met illustrator Martin French. We had seen each others’ work for years, but had never met in person. After a long talk about process, creativity and the pros and cons of working in solitude he challenged me to a day of experimental collaboration in the studio. Knowing Martin’s expertise with the figure and his enviable mastery of the calligraphic mark I was, shall we say, petrified. 

But the more I thought about it the more it seemed like we could learn a lot from working side by side. Martin works in the language of the figure in motion, but lately he has been creating letter forms. I usually work with the isolated symbol or the alphabet, but have been wanting to get back to the origins of calligraphic art: abstract marks, the field, composition, and a more expressive way of working than my usual projects require.  

August is the month for creative renewal and experimentation around here: the garden is at its peak, the days are warm and long, and most clients are at the Hamptons….or wherever it is that clients go.  Martin came up from Portland and we worked in my studio for a day. With apologies to Paul and Suzanne at Workbook, we painted on the back of my old reprints — hey, what else are you going to do with promo pages from 1995? Martin worked on the floor and I abandoned my usual slantboard, liberated to be working on a large flat table usually reserved for junk. We made tools out of unexpected materials, poured ink into trays, and turned on Thievery Corporation. Some of the results follow here. The second image is Martin’s, you can see more of his pieces at his blog linked above. The last pieces use fragments of my drawings, scanned and colorized.

IskraFloorTable
 

MFrenchFloorImages
 

IskraFloorBasket
 

Inktable1

InkTable2

Origins

Mohawk3 © 2010 Iskra Johnson  WordForm 1

GrayMohawk© 2010 Iskra Johnson  WordForm 2

Vocabulary1Orange-copy
  © 2010 Iskra Johnson  Vocabulary 1

Vocabulary2IFBlog © 2010 Iskra Johnson  Vocabulary 2

 

Mermaid1-copy
 © 2010 Iskra Johnson   
 First Mermaid

Filed Under: Uncategorized Tagged With: collaboration with Martin French, Collaborative calligraphy, ink composition, Iskra experimental work, mark making, Martin French, mermaid, new work from Iskra, summer in the studio

My Life In Leaves

August 11, 2010 by Iskra 1 Comment

In early August the garden tips from green to olive and then to ochre. With no help from the wind the magnolia drops its leaves. They dangle in the English privet like unmoored boats and drift down to form a dense impenetrable mat on the garden floor. Having put the moment off for weeks, I finally gather gloves and boots and rake and set to “clean up,” a phrase that makes me shudder with the full force of laziness. In moments my industry is interrupted by fascination; I am lost in looking, and remembering my life in leaves.

My-Life-In-Leaves-Photo
© Iskra Johnson


I lived for many years near an alley that had what I thought of as “the psychedelic laurel.” In the midst of this long, dense and mediocre shrub burned startling jewels. They fell into the dusty gravel and trash, and I collected them each morning on my walks. Soon I began recording them in watercolor, exploring how the variations in pattern and shape looked together in sequence. This marked the beginning of a long and obsessive affair with leaves as iconic specimens.

From-One-Tree
From One Tree, watercolor on hot-press paper, © Iskra Johnson

Each Autumn I am again struck dumb with fascination, although each year the tree of my affection may change, as does the light, the temperature of the air, and the method of capture. I may take photographs, make collages, or paint. When the effects of what is politely referred to a “climate change” first appeared in an alarming El Nino cresting in 1995 I made this journal page as I watched the fruit tree beneath my window experience the strange juxtaposition of relinquishment and bloom.

Leaves-in-Journal
© 2010 Iskra Johnson "That was the year when Spring and Fall came on the same day." Mixed media journal

One September I noticed the Golden Locust, its perfect ovals and graceful fronds ever present on the sidewalk beneath my feet. I pinned the leaves to a board as you would butterfly wings and raced to paint them before the lamp curled them in the heat.

Days-of-the-Locust-watercolor
Days of the Locust, watercolor on hot-press paper, © Iskra Johnson

Several years later I started my current garden beneath two ancient Black Locusts, a distinctly different and less gentle breed. I traced my moods by their seasons, the snaking arabesques of their branches and the pods, which seemed to hold everything in their silver emptiness and swirling winds. I discovered unwittingly that the life span of an urban locust tree is rarely more than 80 years, which these had reached.  Their lethal branches crashed down at random and terrifying moments, just missing my neighbors, and ripping the powerlines off my house. I had to take them down several years ago, and in the stumps we found pure powder at the core of one, and in the other a set of puzzle pieces, three trees in one growing away from each other and waiting to split off. For the three years since I have pulled out fifty young locust starts per day all summer. This tree, these pods, hold a relentless force.

Locust-Pods-Painting
The Winds, printing ink on prepared panel,© Iskra Johnson

This year the magnolia captures me, and the smoke tree. I know I should be stacking leaves in a bag, but I can’t stop looking….

Filed Under: The Garden

The Beloved Cosmos

April 14, 2010 by Iskra Leave a Comment

cosmos and bee drawing by Iskra
The Beloved Cosmos. Mixed media drawing © Iskra Johnson

The Cosmos is your basic “how to draw a flower-flower” with an upgrade. It has the round dot in the middle and the cheerfully radiating petals, but it has a subversive magic. Left to its own devices in a parking strip the stalks will grow five or six feet tall, their feathery leaves creating a diffuse haze that looks like smoke. The shade of pink transcends all others except perhaps the pink of sunset: it’s the good pink. I made this drawing the other day after studying the first one to bloom in my April garden. It’s good to see a bee show up and follow directions. Something is working in this world.

Filed Under: Drawing, The Garden Tagged With: artist garden, cosmos, drawings of flowers, flower and bee, flower drawing, mixed media drawing

Iskra at Artspace

March 31, 2010 by Iskra Leave a Comment

My work is included this month in the National Juried Printmaking and Photography Exhibition at Artspace Gallery. The show was curated by  Richard Waller, Executive Director, University of Richmond Museums, Richmond, Virginia.  Out of 567 images submitted 56 were selected. The physical show will be up from March 26 to April 18, 2010 and a gallery of the work can be seen online at the Artspace Picasa Gallery.

When-Is-Now
When is Now, transfer print on Lustr Dull Cover, © Iskra Johnson

Filed Under: Iskra Shows, Upcoming and Past, Transfer Prints, Uncategorized

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The photography show opening Friday, October 9th a The photography show opening Friday, October 9th at Slip Gallery is curated by my friend and fellow photographer, Scott Wipperman. This seemed like a good time to share his work and the story of our friendship on the road. Half the photographs are his and half are mine. This is an excerpt, and you can read the rest of it on my blog, see link tree in bio:

One of the rarest gifts in the life of an artist is finding a creative muse: someone who truly sees your work, and better yet, has a similar vision that is just enough different that you can collaborate without competing. In the often solitary studio life these connections can be difficult to find, but during pandemic, Instagram brought a new creative companion into my life. I do not know who started following who first. But in May 2020 I found myself sharing instant messages with a photographer working under the name “Concrete spaces“— a handle that immediately piqued my interest. Concrete has been one of my obsessions for years. Miraculously, there was someone out there who understood why I was working on a book called Parking Lot Floors Of North America. . .

©️Scott Wippermann

©️Scott Wippermann

©️Scott Wippermann

©️Scott Wippermann

©️Iskra Johnson

©️Iskra Johnson

©️Iskra Johnson

©️Scott Wippermann

©️Iskra Johnson
I am excited to be part of a show opening Friday, I am excited to be part of a show opening Friday, October 9th featuring eight Seattle  photographers and curated by Scott Wipperman @concretespaces at Slip Gallery. The theme of this show is complex and interesting: Intimate Structures. How the human body and human emotions connect with the built environment. And how the structures in our environment shape our lives, our relationships, and our possibilities. I will be showing industrial landscape as well as six pieces from the series “Immersions” based on tableaus of human relationship captured at Seattle’s waterlines. A diving platform is a stage, and the summer season a riveting drama of ever-shifting players. Most of these pieces have not been shown before.

I’m fascinated by the work of the seven other photographers, each one approaching the theme of the show from a completely different perspective, using both traditional photography and contemporary experimental techniques. Alienation, sublimation, meditation, connection:
Annie Regerson
Dimitri Wessendorf
Gillian Peckham
Iskra Johnson
Janis Mathieson
Mack Greene
Nina Bolger
Scott Wipperman
I hope to see you there!

The runs until the end of October. 
Thursday – Friday: 1:00 PM – 6:00 PM
Saturday – Sunday: 1:00 PM – 4:00 PM

Slip Gallery
2301 First Avenue in Belltown

Two Divers ©️Iskra Johnson

Guardian ©️Iskra Johnson
Morning Pages: Doors The first thing I saw when I Morning Pages: Doors

The first thing I saw when I woke up this morning was shadows on a door. Last night, I dreamt of an old building, one I have visited in dreams for years. It is a co-op apartment in some imaginary Canadian city, on a long steep hill above which are what appear to be the Swiss Alps. It was built in the early 1900’s and has grand staircases and balconies, huge rooms, bronze doorknobs and leaded glass windows. In my dreams, I interview with the board, I make an offer and I even buy an apartment— and then suddenly the door of my new home opens into a parking lot or a garage or someone else’s basement and I wake up and check my bank account, mystified by the power of this particular place, and how opening a door universally signals a new chapter in the story. 

Doors and windows are the most metaphoric parts of architecture. 100 years ago builders understood the attention they deserved. Now I live in a city where we have torn down historic churches, dumped the stained glass into a landfill and replaced these devotional structures with stacked box apartment complexes covered with Hardie Plank. I’m watching million dollar houses go up in my neighborhood with the cheapest vinyl windows from Home Depot, no eaves and often no roof— simply a flat lid to seal the box — and no trim at all. It is architecture as expedience, and it degrades the experience of how we see and experience the commons, and our human values, because, as Churchill noted, “We shape our buildings and afterward our buildings shape us.” 

We don’t look twice at these new houses, whereas I can look at this particular building somewhere in England for hours. Whoever built this wall took great care. They used the art of subtraction to add rather than to diminish. The vast flat wall of stone, the curved lintels, make the windows and doors speak. The doors and windows are not grand, but curiously condensed. They are portals through which one must squeeze with effort, which makes a person pause, and wonder. Later, they may find themselves dreaming of what is behind the walls.
Westminster Mall deconstruction project. I had to Westminster Mall deconstruction project. I had to go to the Department of Licensing this morning and stand in line and it gave me an opportunity to watch the Sears building come down. Sears was the last place left in the Seattle area where you could buy a vacuum cleaner from a man wearing creased polyester slacks, a tucked in shirt and an engraved name badge making a commission on the number of vacuum cleaner bags you bought to go with the Electrolux. I fondly remember my conversations about uprights versus canisters. This building is where I bought a snowsuit for a child that just barely fit me the day we had the epic snow and I was caught unprepared. I walked a mile on ice to get to Sears and then left looking like a nine year-old robot trying to get my knees to bend and move swaddled in 4 inches of poly blend padding. But I was warm! I doubt that anything that goes up this year in the Westminster Mall will last as long as Sears did. And there will be no catalogue unless I create one.
Excited tonight for the opening of Art and Steel a Excited tonight for the opening of Art and Steel at Youngstown Cultural Center! This is primarily a painting show from the Plein Air Watercolorists Association of Seattle (although I don’t think any of us were actually painting inside the mill on our tour!) I have been included as a photographer and mixed media artist, see last image in carousel, “Glide.” 

An exhibition of paintings telling the story of steel fabrication at NUCOR mill, hosted by Delridge Neighborhood Dev Association.

Friday, September 18 | 6:30 PM - 9:00 PM
Join us for a special evening celebrating art, industry, and community.

This exhibition features original paintings that tell the story of steel fabrication at the NUCOR Mill, presented by the Delridge Neighborhood Development Association (DNDA).
The evening will include a panel discussion, light refreshments, and an opportunity to learn more about the intersection of art, labor, and local history.

All donations made during the event will be matched and directed to DNDA’s Art Education Programs, helping support creative opportunities in our community.
Friday was my birthday. 9.11 is a day of remembran Friday was my birthday. 9.11 is a day of remembrance and national tragedy, and it seems bizarre to claim some kind of importance for having been being born on that day in the context of the event. 

Several days after, I allow myself reflection on the passage of time. This is me 15 years ago, with my Canon Powershot, which offers an astonishing naive pre-Cabrian 6 Mb image. It was much more kind than today's 24 MP iPhone, which not only captures the older me but turns that version into a character from Shakespeare with hi-def Bertrand Russel thought lines above my eyebrows and unforgiving evidence of allergies and time. 

On reflection I realize that 2011 was a very good year. I am going to allow myself to be that person for the month, and remember what that was like. The love of my life from the 8th grade had come to stay with me that summer. He took terrible photos of me that I now realize were not so bad. 99% of of the corrosive social media influences had not been invented yet. Women over whatever age was deemed desirable were not subjected to an ad every minute telling us that a new part of our face or body had gone south, and offering us a (discounted! on sale! watch the entire 30 minute video!!) $165 remedy on a monthly subscription to fix it. 

Now every day I look at the thinking and brooding lines above my eyebrows (which are also the lines caused by considering how funny some things can be even when crying) and ask myself what Bertrand Russel would say. If you are too young to know that name, AI is your ever-friend and will tell you how you too can become a "towering British philosopher, logician, mathematician, and social critic" and also how to fix those lines that come from considering things with your face. 

I think my romance with the iPhone is coming to a partial close. I want to go back to the idea of “glass.” It costs serious wages. It is made by Germans— Lately, (subtract the umlaut) Sony, the wizards of sand and heat and bending light to high high focus. I need to return to optics, f-stop, aperture, focal length— words that require frowning. 61 megapixels seems like the bare minimum. There is no cosmetic cure to being a lens-based artist:))

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