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You are here: Home / Archives for artist garden

The Beloved Cosmos

April 14, 2010 by Iskra Leave a Comment

cosmos and bee drawing by Iskra
The Beloved Cosmos. Mixed media drawing © Iskra Johnson

The Cosmos is your basic “how to draw a flower-flower” with an upgrade. It has the round dot in the middle and the cheerfully radiating petals, but it has a subversive magic. Left to its own devices in a parking strip the stalks will grow five or six feet tall, their feathery leaves creating a diffuse haze that looks like smoke. The shade of pink transcends all others except perhaps the pink of sunset: it’s the good pink. I made this drawing the other day after studying the first one to bloom in my April garden. It’s good to see a bee show up and follow directions. Something is working in this world.

Filed Under: Drawing, The Garden Tagged With: artist garden, cosmos, drawings of flowers, flower and bee, flower drawing, mixed media drawing

On Frozen Pond: The Heart of Winter

December 12, 2009 by Iskra 1 Comment

How are you supposed to concentrate on work when you have a gargoyle carving an ice sculpture in your front yard? When the freeze began a few days ago it looked like this shape might turn into an apple, but now there is no doubt: it’s a heart, with teeth. Every bird in the neighborhood has come to visit and stand on his head. The morning brought a Steller’s jay and a very large crow. Hysterical to watch a normally dignified crow trying to gain purchase on the gargoyle’s icy lips, slipping and slipping again, looking up to see if anyone had noticed, and finally bending in a sly yoga pose to get a sip of water. To see more images from this sequence go to On Frozen Pond at Facebook.

Filed Under: Photography, The Garden Tagged With: artist garden, birds drinking water, birds in winter, gargoyle, heart in ice, ice in winter, ice sculpture, On frozen pond

The Stick To Leaf Conversion

June 5, 2009 by Iskra Leave a Comment

I thought the privets were all dead. Completely. It wasn’t the long snows of December, but the cold followed by the slight warming followed by two more snows into mid April that seemed to push a normally even tempered species over the edge. As with romance, it is not the lover who leaves quickly and without ceremony who does the greatest damage but the one who says yes no maybe but then again hmmm who can leave you exhausted and unable to resurrect your heart.

I had planned grudgingly to replace them all.  (The privets, that is.) So I was stunned yesterday to find the gray and scabrous branches draped in filigree, hugged by dozens of amorous new leaves. It seemed no less a miracle than if the gray planked fence itself came to life. I could feel a Girl Scout lecture coming, something about fortitude, resolve, endurance. And it was all true. Adversity does breed character, or at least a lot more leaves and a stronger root system. April’s gray snows have been replaced with a carpet of jade and the exultant swords of dandelions. The malingering dogwood rudely transplanted five years ago has pink castanets among its leaves for the first time. The windmill palms which I thought would break under ice now wear long chains of golden seeds, and the vines I planted at their roots have leapt six feet and bloomed large and purple.

Why not be patient? And be surprised? The delphinium took four months last year to grow one foot, and then bloomed twice, once in November. I can humble myself to lessons from the dirt. Unlike Democritus of Abdera, who in 1621 put out his own eyes “the better to see” I am not overwhelmed either by the Anatomy of Melancholy or the relentless optimism of flowers. There is so much food here. Even as I feast my eyes the ants feast on the peony buds, and the bees drink from the geranium. One layer of impressions layers over the next, dappled light and hot light and slanted mornings and afternoons and I know there is something gathering.

Pondside

Ferns

Filed Under: Essays, The Garden Tagged With: artist garden, essays by artists, garden essays, Seattle Gardens, spring garden, writing about gardens

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Best way to contemplate landscape and travel is by Best way to contemplate landscape and travel is by candlelight.
Study of place, Volunteer Park Conservatory. I sta Study of place, Volunteer Park Conservatory. I start my morning pages with barely formed questions: 

What is a dream? Is a glass house safe or waiting to be broken? What is the effect of layering and repetition, a note repeated more and more softly without elaboration?
I am getting ready to start a new photographic-bas I am getting ready to start a new photographic-based series that I’ll be working on for the next six months. A friend here on Instagram gave me these praying hands years and years ago. They are quietly gaudy, and awful and simultaneously completely wonderful. I see them every day when I wake up in a house that I will confess is filled with devotional objects. This image is composed of two photographs, the sculpture and a street kiosk. When I walk down the streets, I cannot resist documenting kiosks, particularly when they are empty. The shredded strange paint residues and the battered metal frames are just waiting to be re-purposed as though the entire street was my personal goodwill junk department. Or you could call it a library. My cross training for the series is reading Virginia Woolfs stream of consciousness, novel, Mrs. Dalloway. Virginia Woolf’s writing gives an artist permission to own their interior world. Of course, letting the exterior world in on the secret can be quite a task. That is, what studio time is for…
I am thankful today for the symmetries of friendsh I am thankful today for the symmetries of friendship, even when they are asymmetric; for the guidance of those in the temple, who have practiced for years and send us their notes and their breathing lessons; thankful for the leaf that my friend saved for me of all the leaves in her neighborhood and thankful to the man who came yesterday when my back had laid me flat to sweep and to blow, as he noted in his documentation, 95% of the leaves in my garden, into piles then compressed with military precision into small liftable bundles stacked like muffins under the eaves. Now we can look out at the spare empty spaces. Feel the freedom of silence and space between branches. Rest, as growth goes quiet and invisible in the best growing season of the year.

May your Thanksgiving be bright✨
Artist Reception at SAM Gallery tomorrow, Seattle Artist Reception at SAM Gallery tomorrow, Seattle Art Museum First Avenue level, 2-4! Hope to see you there for our group show celebrating 50 years(!) This piece is called Water Kimono, a reverie on the ever-changing patterns of light on water.
My Narnia My Narnia

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