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Morning Pages | Contemplative Drawing Practice

September 20, 2016 by Iskra 1 Comment

metaphysik-mixed-media-iskra
Vocabulary Practice, Mixed Media Drawing © Iskra Johnson

“Procrastination and mourning are tied tightly together: for to procrastinate is to mourn the precariousness of your creation even before you bring it into the world.

We should perhaps spend more time dwelling on the rich virtuality that precedes the fall into existence. That is, after all, what true contemplation must be about: a commerce with the irreality of things, a learned habit to see them from the privileged perspective of their pre- and nonexistence. Rather than get caught up in the misleading appearance of the material world, we transport ourselves back to a moment when the world, with all its holes and imperfections, hasn’t happened yet.”

— Costa Bradatan, From The Stone, New York Times, September 17, 2016

When I read “Why Do Anything? A Meditation on Procrastination” this weekend I wept with recognition. Accompanied by an exquisite illustration by Leigh Wells, the piece cuts right through to the contradictions and poetry of the  contemplative state. [Read more…]

Filed Under: Drawing, Meditation & Buddhism, Mixed Media Tagged With: contemplative drawing, costa brandatan, mixed media, morning pages, natalie goldberg, procrastination, the stone

“Any Day: Artists on Death” | August Exhibit at Gage Academy

August 7, 2014 by Iskra 2 Comments

Gage Academy hosts an unusual exhibit this month guest-curated by talented artist Elana Winsberg:

“Any Day is dedicated to the sensitive exploration by artists who are compelled to make work illuminating the many facets of death, life before death and life after death.” The exhibit runs through September 19th, and the opening is Thursday August 14, from 6-8 PM.

Gage Academy of Art

1501 10th Avenue E.
Seattle, WA 98102
(206) 323-4243

When I was asked to be part of the exhibit I initially told Elana I had nothing to offer on the subject. Ha. This must be denial at a pretty strong level, since I have done several bodies of work on the theme, both from a personal and political perspective. With a little bit of coaxing I submitted a piece from “What Does Heaven Look Like” and two others of a more personal nature from “Drawings in Dust.” This is a great opportunity to show among artists I admire greatly. Participants include Mitch Albala, Josie Furchgott Sourdiffe, Sam Hamrick, Emma Jane Levitt, Kathy Liao, Greg Lundgren, Memuco, Pamela Durga Robinson, Kurt Vance, Margaret Swanson Vance and Elana Winsberg. Greg Lundgren will present a lecture on ritual, legacy, memorial and the role of the contemporary artist Thursday, September 18 at 7:00PM. Greg is an innovator in the field of contemporary memorials and monuments and this will be a lecture not to be missed.

You will have to attend the show to see my three drawings, (suspense….) but here are some additional ones from the series I did on mourning and loss, using the vehicle of the decoy as a resonant object.

Cygnet_charcoal_dust_pigment_drawing
Cygnet, charcoal dust and powdered pigment, 13″ x 21″

[Read more…]

Filed Under: Drawing, Iskra Shows, Upcoming and Past Tagged With: Any Day Artists on Death, cygnet drawing, decoy, Drawings on death, Gage Academy exhibits, iskra upcoming shows, metaphor in art

The Parrot Tulip, a Drawing for Easter

March 31, 2013 by Iskra 1 Comment

Tulips For Easter Mixed Media Drawing
“Parrot Tulips, Easter,” pencil and powdered pigment © Iskra Johnson

Last night I went for a long walk on Easter Eve. I came home at dusk and sat by the pond in the near dark to watch the dogwood tree. It has just this year fulfilled its promise. Every branch but one holds the shape of embrace so characteristic of cornus, and at the end of each twig is the spring-shaped tear which doubles as a single hand, reaching towards the sky. If I were more Japanese I might fret over the wrong branch that sprouts with no awareness of proper social skills or courtesy or the long tradition of arboreal beauty straight up in the midst of graceful arcs. I might know what to do with it and stand for an hour with my honed shears and change this tree’s life.

But the beauty of sitting in the dark is that there is no work to do. At dusk I have no pruning shears, no hoe and no spade. All I can do is sit helpless surrounded by a garden being its untamed self. In one ear the gargoyle spouts a water melody and in the other traffic starts and stops and purrs the comfort and annoyance of civilization. Between the two a flock of some kind of bird drifts overhead with the sounds of ripples beseeching. I cannot locate these birds by continent or season; their mysterious v-shaped song makes a wake between pond and highway and leaves me in a place of perfect peace.

This morning light dazzles every wall. I will set the table with ceremonial bowls and offer bright colors to the day.

Easter Bowl

Filed Under: Drawing, The Garden Tagged With: easter drawing, easter invocation, parrot tulip, Tulips drawing

Poem for Waiting (Just Hours Before the Proposed End of the World on 12.21.12.)

December 20, 2012 by Iskra 3 Comments

 

 The History Of Counting Charcoal Drawing

 

Counting Time in Sticks (For My Ancestors)

 

People I never met but who must have known I was coming

have dreaded winter just as I do.

They too would ask release

and count perverse blessings

of lighter days as the air grows colder

the ground harder whiter harder

and fear itself envelopes,

being a real thing.

 

Before I was born they were

counting time in sticks

bundling the seconds

minutes

hours

days

weeks

months

though not knowing these divisions

only knowing without divisions

there are no endings and no beginnings

and sometimes you need both.

 

They had no mittens and no books or catalogs of mittens

and no down throws with lofted ticking

and no monogrammed leashes because the dog himself

had not been invented and the wolves could and gladly would

eat your children (count them).

 

Which great-grandfather lying in the tired dirt of late November

invented the four strokes and then the slash

while looking at his hand

perhaps missing a finger?

 

Did a woman break twigs into equal lengths and line them up equidistant

to measure the days since last she bled?

(Each tilting stick a small death,

a reprieve

a slanting wedge of light above her.)

 

In the Book of Hours

the man

sits at forest’s edge

and dries his boots above the fire.

The ghosted chapters on reverse

whisper August, harvest, maidens surely

and in the margins gold

laid by monks

drunk equally on purpose and absurdity

flickers like summer

in the heatless monastery.

 

How earnestly they lay the leaf and burnish,

my Irish cousins

their breath the perfect warmth

to resurrect

The Word.

Yet in the museum

of the darker pages

in the basement where the docents never go

there you’ll find the wooden plank

where scratched the days

with a gilding knife,

in sets of five chased always by a ragged few,

the prisoners.

___________________________________________________________

Poem and drawing © Iskra Johnson

Above, charcoal and pencil, “The History of Counting”

Filed Under: Drawing Tagged With: apocalypse poetry, before the end of the world, illustration of time, poem about counting, Solstice poem, the history of counting

Drawing. Remembering, Studying. Thank you Michael Graves.

September 3, 2012 by Iskra Leave a Comment

Today I am cleaning up my studio and preparing to draw. Ok if I say that, I really will put the stacks of odd-shaped ideas away and neatly label them as “Misc.” (Or the dreaded “Sub-divisions of Misc.”) I will clear five square feet of table and find some hiding place for what was on the tables and be able to walk through the room waving my hands freely. Maybe I will find that lost scrap of paper under the thumb-tacked clippings from a year ago that says something wise.

Meanwhile, one last hour of procrastination on the porch (in the sun) (with hummingbirds) led to a wonderful article in the New York Sunday Times on “Architecture and the Lost Art of Drawing.” Thank you Michael Graves for making me want to get up in the middle of this beautiful Labor Day afternoon and go to work.

“…But can the value of drawing be simply that of a collector’s artifact or a pretty picture? No. I have a real purpose in making each drawing, either to remember something or to study something. Each one is part of a process and not an end in itself. I’m personally fascinated not just by what architects choose to draw but also by what they choose not to draw.”

I did this piece to remember what it is to lose someone, and to know, to study, the shape of that feeling completely. You are in between water and shore. An anchor would be in some other kind of drawing.

 

Adrift_mixed media drawing
Adrift, powdered pigment and graphite on paper, © Iskra Johnson

 

I believe that scrap of paper said something about boats, about how “one’s life is the project of building the boat. At times there are no oars, until you make those too.” Good to recall this from a fine moment on a sunny day when the tools for construction seem well at hand.

 

Filed Under: Drawing Tagged With: adrift, boat drawing, drawings about emotional states, graphite and powdered pigment drawing, Michael Graves on drawing, mixed media drawing

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the creative process | conversations with artists | the contemplative impulse in art

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Yesterday, Memorial Day, I took on the dreaded tas Yesterday, Memorial Day, I took on the dreaded task of shopping for hiking boots for walking the border of Wales and England and roaming around Ireland. I have the kind of feet that were born to complain. I was once on an 8 mile hike in heavy leather boots I had not truly broken in and they did that thing with a crease right on the main joint of your big toe. This was approximately 1 million years ago, with 7 miles to go before I could take them off and I can still feel the throbbing. So I tried to live in slippers for the rest of my life, but this will not work on 7 to 10 mile treks through bogs and scree. There were approximately six suitors in the shoe arena, each of them screaming Ouch! Ugly! Why me and my feet! And then I found these boots and it was a heart throb of love at first sight. Please direct your hearts and prayers that are not being spent on more important things —of which there are many— towards my feet and making it through the first flush of love to actually being able to wear these shoes 10 miles a day. If things don’t go well, I may just sit in my room in Killarney or Hay-and-Wye and paint watercolors of my boots. I will take romance in whatever form it arrives.
New project in the works: Nucor Steel Plant. . . New project in the works: Nucor Steel Plant. 
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#newmediaartists #techspressionism #photographicart #nucorsteel #industrialphitography
WAKING UP WAKING UP
Thank you everyone who came out to Spotlight North Thank you everyone who came out to Spotlight North! It was wonderful to host people in my home and share the garden. Saturday morning a Golden Kinglet appeared. This is a truly magical yellow bird — so fast and so shy that I have never been able to take a good photograph. This bird only comes two days a year, first stopping in the branches of the tree above the pond and then briefly examining the moss. Before I can grab my camera, it has flown. However brief the visit, it always feels like a blessing. 

I was happy to see a range of work go to new new homes, much of it inspired by the garden and the visiting birds. This morning I am sharing images going back 20 years, of my life with birds and the garden. When I bought my home, it sat on a long mangy lawn contained by chain-link and concrete and a picket fence. It is now a wildlife sanctuary: Protect what you love.✨

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