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You are here: Home / Archives for Architecture & Sense of Place / The Water Tower Project

The Water Tower Project from Iskra Fine Art

July 12, 2020 by Iskra Leave a Comment

All that is Solid print by Iskra
“All That is Solid….” limited edition archival pigment print ©Iskra Johnson

The Water Tower Project

It might have been enough to face off with a pandemic. But the center does not hold, “all that is solid melts into air,” and across the world cities are aflame with protest and an expanding movement for social justice. As structures of order crumble, as statues are de-platformed and sprayed with graffiti, as the jails and hospitals overflow, we huddle in isolation, transfixed by news that is alternately exhilarating and disturbing. Can you blame a person for looking for something to hang onto?

In the chaotic urban environment, the water tower shines for me as a beacon. I think of it as the German Shepherd of architectural structures: noble, tastefully proportioned and faithful to its purpose, which is to gather the heavens in a bucket and gift it back to us glass by glass. It sits high atop the city, merged at times with the clouds, and calling down from the heavens a very practical benediction. It is a usually hand crafted vessel, built from wood, using a method little changed from the 1800’s. Water towers are rarely defaced by graffiti, but any totem of neutrality invites our projections.

The Water Tower Project looks at this iconic structure from many different perspectives. In some cases I have located the tower in an imaginary landscape, complete with horizon line. At other times it serves as an emotional vessel to express the clamor and heartbreak of the streets. I am offering this series through the #ArtistSupportPledge, which is a global initiative to broaden the circle of art appreciators and create a circle of generosity. The first two prints in each edition of 35 are priced at $150, half the usual price of $300. When I have earned $1,000 from the sales I will then purchase the work of another artist for up to $200. At the end of this post you will find the collection of 16 gathered as a jpg that may be downloaded for reference. In the week since I have been posting these to social media I have sold three, so if you are interested in the PandemicPrice you may want to move quickly. The blog software allows me to show images at their best quality, so I will post the entire set here (click below the fold) for the time being rather than my portfolio. I am offering these through direct sales rather than through my shop, so please reach me through email if you are interested.

Each Water Tower has a story, and if you are interested in the narratives I suggest following along on Instagram.

Angle of Repose Water Tower by Iskra
“Angle of Repose,” limited edition archival pigment print ©Iskra Johnson

 

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Filed Under: Architecture & Sense of Place, The Water Tower Project Tagged With: architectural prints by Iskra, Artist Support Pledge, New prints by Iskra, Urban landscape, Water Towers

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I am getting ready to start a new photographic-bas I am getting ready to start a new photographic-based series that I’ll be working on for the next six months. A friend here on Instagram gave me these praying hands years and years ago. They are quietly gaudy, and awful and simultaneously completely wonderful. I see them every day when I wake up in a house that I will confess is filled with devotional objects. This image is composed of two photographs, the sculpture and a street kiosk. When I walk down the streets, I cannot resist documenting kiosks, particularly when they are empty. The shredded strange paint residues and the battered metal frames are just waiting to be re-purposed as though the entire street was my personal goodwill junk department. Or you could call it a library. My cross training for the series is reading Virginia Woolfs stream of consciousness, novel, Mrs. Dalloway. Virginia Woolf’s writing gives an artist permission to own their interior world. Of course, letting the exterior world in on the secret can be quite a task. That is, what studio time is for…
I am thankful today for the symmetries of friendsh I am thankful today for the symmetries of friendship, even when they are asymmetric; for the guidance of those in the temple, who have practiced for years and send us their notes and their breathing lessons; thankful for the leaf that my friend saved for me of all the leaves in her neighborhood and thankful to the man who came yesterday when my back had laid me flat to sweep and to blow, as he noted in his documentation, 95% of the leaves in my garden, into piles then compressed with military precision into small liftable bundles stacked like muffins under the eaves. Now we can look out at the spare empty spaces. Feel the freedom of silence and space between branches. Rest, as growth goes quiet and invisible in the best growing season of the year.

May your Thanksgiving be bright✨
Artist Reception at SAM Gallery tomorrow, Seattle Artist Reception at SAM Gallery tomorrow, Seattle Art Museum First Avenue level, 2-4! Hope to see you there for our group show celebrating 50 years(!) This piece is called Water Kimono, a reverie on the ever-changing patterns of light on water.
My Narnia My Narnia
Last night I tried to get through more than 20 min Last night I tried to get through more than 20 minutes of the Golden Bachelor. It was Pickleball-date afternoon. The Golden Bachelor, truly a lovely man to observe and listen to under normal circumstances delivered this line: “Pickleball is a regular part of my life. Any woman who is going to share my life must also share Pickleball.” 

God help us. I’ve never been able to hit a ball with a paddle or a sock or a bat or anything else. Combat sports, like music, are abstract. No matter how much I pre-visualize the zen moment, the ball somehow remains in the air unrelated to my weapon of choice. I want to see the next Golden Bachelor rewritten for painters. “He said, fingering the smear of cadmium on his eyebrow, “Painting is a very big part of my life, and any woman who marries me is going to have to live with Painting.” Will he also say “I hope she paints too?” And we’ll have a full time maid and cook? Or will he say “She must be able to bring me my pipe and my slipper at the end of the day. And take the dogs for long walks alone while I try to decide the color of the sky?”

Feel free to write the script below.
A time and memory experiment. Photography captures A time and memory experiment. Photography captures a moment in light. You put the moment away for 30 years, lose the album several times, and then it resurfaces, the old analog print in perfect form. What happens if the small print is then scanned and enlarged? And revisited as the half-forgotten? This image from Koyasan was printed small in the first run and did not look like much of anything. On 17 x 22 it is lovely, and at full size of 24 x 36 it is something else altogether. Unlike enlargements of digital photographs analog images are simply soft, without the artifacts of pixel interpolation. How curious that what was originally 4x6 looks best at least 400% larger.

Photography is such a powerful tool to explore memory and what it means to forget and remember. The idea that we must live authentically in the “Now” (or that there IS a “now” unfiltered by the past) is perplexing for a meaning seeker. I always have a memory, no matter how small and distant, crumpled in my back pocket. Perhaps like homeopathic tinctures the smaller the memory the more space it can fill.

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