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“Bleak Beauty” at Prographica Opening this Week

January 31, 2013 by Iskra Leave a Comment

Bleak Beauty At Prographica

 Invitation courtesy of Prographica

January and February can be harsh times in the turning of the year. The New York Times just had an article titled “January is the Cruelest Month” about our internal clocks and the moon and how we can blame it on the world, the moon and the weather, and it’s all real and not just human weakness. (What a relief. I thought it was just me…..) This exhibit takes bleakness and turns it on its head to show you its stark, resilient and imaginative beauty. As well as a work in charcoal, above, I will be showing five prints in various degrees of contemplative and exuberant color. Hope to see you there!

Filed Under: Iskra Shows, Upcoming and Past, Uncategorized Tagged With: Bleak Beauty, galleries for works on paper, Prographica

Tom Hoffmann’s New Book on Watercolor Painting

November 29, 2012 by Iskra Leave a Comment

I was thrilled today to receive my copy of Tom Hoffmann’s new book on watercolor, “Watercolor Painting: A Comprehensive Approach to Mastering the Medium,” just out from Watson Guptill. You may know Hoffmann as a painter of incandescent skies and inimitable backstreets, an artist who takes “the unpaintable” and transforms it– he can make the most ordinary extraordinary. Over the course of his career his work has moved through many phases, but always it holds an indelible signature. His paintings are about paint and how it wants to be, combined with wonderful leaps of reduction and abstraction. His best work captures the air and the time of “place”, with a haunting sense of both immediacy and reverie.

This new book provides a valuable and fresh approach to understanding the medium. It’s a big picture view that will fill in what is missing from the volumes that teach you how to render kitten fur or use frisket to paint birch trees in the snow. (Not that these techniques aren’t valuable for any painter’s repertoire……) I am happy to be included in the book with a study for “From One Tree.”

From One Tree Botanical Watercolor Study
“From One Tree” watercolor of laurel leaves on hotpress Fabriano © Iskra Johnson

Hoffmann’s is the latest in a series of truly fine books written by instructors at Seattle’s Gage Academy of Art. Collectively they are setting a new standard for instructional books, many of which are becoming best sellers in their area of expertise. A list of other books by Gage instructors is included at the end of this post. Stay tuned for a book launch party and show at Gage in January. And if you would like to see more of Tom Hoffmann’s work you may visit him at his website.

A selection of books from Gage Academy instructors:

“Landscape Painting: Essential Concepts and Techniques for Plein Air and Studio Practice,” by Mitch Albala

“Classical Painting Atelier: A Contemporary Guide to Traditional Studio Practice,” by Juliette Aristides

“Contemporary Drawing, Key Concepts and Techniques,” by Margaret Davidson

“Lessons in Classical Drawing: Essential Techniques from Inside the Atelier,” by Juliette Aristides

“The Artist’s Complete Guide to Facial Expression,” by Gary Faigin

 

Follow the book and see more work by the contributors at the Hoffmann Watercolor Facebook page.

 

Filed Under: Uncategorized Tagged With: books by Gage Academy instructors, how to watercolor books, Tom Hoffman Watercolor Book, watercolor books

Sonnet/Sonata, An Evening with Robert Hass, Jonathan Biss, and Heather McHugh

November 23, 2012 by Iskra Leave a Comment

Piano And Butterfly WingsRecently I had the pleasure of attending an elegant soiree at the Seattle Asian Art Museum as a guest of Heather McHugh. McHugh, in case you are unfamiliar with her, is a poet and MacArthur fellow, as well as recipient of a Stranger Genius award. Part of McHugh’s genius manifests as generosity. This evening’s offering of intensely beautiful culture came in the service of Caregifted, her charitable organization devoted to offering relief and deep respite to the exhausted and over-extended caregivers among us.

Many of us know someone, (or we may ourselves be) in the position of giving care to a permanently disabled person. Often this job is a 24 hour commitment and unpaid, as the person is a loved one, relative, child or spouse of the caregiver. The job is life-long, and it can be unrelenting. Each year Caregifted gives some of these people a week of time and inspiration and rest in a beautiful location. The program is a pilot at this time and it is McHugh’s hope that the idea will spread and that other organizations will form to do the same thing.

Among all the thousands of charitable organizations in the world, this cause could seem small–until you consider just what the unpaid life-long volunteer contributes to the greater social fabric by doing this. Imagine, for a moment, all of the disabled, in whatever capacity, mental or physical, suddenly without a caretaker, how we would function as a society. Most of us do not have the skills, much less the compassion, to care for people we do not know with autism, or alzheimers, or wheelchair bound– and those who step in and step up provide a sometimes invisible, powerful and indispensable thread in the fabric of our society. Caregifted’s week of time says, “We see you. Thank you! And may you restore your spirit.”

Robert Hass Reading

Only a poet with an unusual mind would conceive this project, and then present an evening of such enchantment in its service. Robert Hass took the stage to read both his own work and poems about art and music. I have searched in vain online for his conversation with Modigliani–startling, eloquent, and please somebody tell me when it is published! Following him, Jonathan Biss played the Steinway and convinced me I may never have heard the piano played before. I sat ten feet from the stage, and my tendency towards cultural narcolepsy did not have a chance. I quite literally felt chills up and down my spine.

The PianistPhotographs © Iskra Johnson (i-phone)

A documentary film (“Undersung”) about Caregifted is in the works, portions of which we viewed at the end of the evening. If you would like to know more (and see film clips) please visit the Caregifted site or donate through Children’s Hospital Foundation.

 

Filed Under: Uncategorized Tagged With: Caregifted, Heather McHugh, Jonathan Biss, Robert Haas reading, Seattle Asian Art Museum

100-Year Flood Probability Diagram: The Rockaways

November 14, 2012 by Iskra Leave a Comment

100-Year Flood Preparedness Diagram
100-Year Flood Preparedness Diagram (Thinking About the Rockaways) © Iskra Johnson

 

Filed Under: Construction/Reconstruction, Photocollage, Uncategorized Tagged With: Disaster Probability Diagram, Flood Marker, The Rockaways

Urself: Yes, I voted

November 6, 2012 by Iskra 1 Comment

Graffiti Study 1
Graffiti Study 1, Digital Photo Collage, © Iskra Johnson
Grafitti Study 2
Grafitti Study 2, Digital Photocollage, © Iskra Johnson

Variations on a theme, after a long gray Sunday walking around thinking about New York, the election, the election, New York, hurricanes, floods, fires, and a Bird on a Wire. I couldn’t hear this one sing over the traffic on the bridge. I’m not sure he’s a singer.

I wonder if the author of “URSELF” intended a message about free will, or the importance of the individual vote, or if this is an advertisement for a new lifestyle brand soon to be launched on multiple platforms, the wall of this abandoned garage being the first. At any rate I think the walking man is heading for the polls. I hope he doesn’t have to wait in line for seven hours. Governor Scott, have mercy!

Filed Under: Uncategorized Tagged With: digital photo collage, graffiti collage, graffiti study, urself, vote art, walking man

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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