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You are here: Home / Architecture & Sense of Place / In Defense of the Back Yard: Urban Density and Urban Eden

In Defense of the Back Yard: Urban Density and Urban Eden

May 13, 2015 by Iskra 5 Comments

Watering_can_spring

If I start this little essay with a Latin name will you stop reading? If I say “cornus controversa” for instance? I could say “dogwood” of course, but since this piece is not about dogs and only indirectly about “wood” why not go bold, if obscure? Common names can be so misleading, rather like those movie reviews which prevent you from weeping at the heroine’s tragic fate because in the back of your mind you keep hearing the movie was just a “tear-jerker.” I sometimes catch myself wondering if my favorite tree is really as beautiful as I think, or if it is in fact just a frantic panting mess, a dog slobbering on my knees and ripping up the Irish Moss. But then I go back to rolling its proper title under my tongue.

As in, “the other morning I had my back turned to the cornus controversa when I heard a sound of wings.” And even with my back turned and my eyes looking at the weeds in my hand I could tell that this particular wing sound belonged to a new bird, something with color. I turned around to see a flash of red – and in fact it was true: the finches had arrived. My heart skipped. Red will do that. I love my chickadees and my wrens and even, sort of, the sparrows, but basically they are all just some variety of dirt and twigs on wings. The finches have a lilt, and a song, and a cheekiness that makes me want to follow them everywhere.

They were just testing, and I didn’t see them again for a week, when they decided to stay and make a home. But in that week I reflected many times on the moment of turning around, and of how even though I have never consciously listened and categorized all the wing sounds of the birds in my garden, even though I am a city girl who does not forage for nettles or shoot squirrels for lunch, some primal part of me knows how to hear wings with my eyes shut and tell the color of the bird from the sound.  I am still a human animal with knowledge born in Eden.

Bird_Habitat_Seattle_garden

This is what gardens, (common term: “yards”) offer us in the city: a chance to keep one foot in the animal kingdom and remember where we came from. Those who keep gardens provide necessary refuge for the bees and the birds and the dragonflies and all the other indigenous citizens so readily sent to slaughter in the mania towards urban “density.” As I watch what is happening to Seattle in the building boom I see not just the drastic revision of our architectural landscape, but a war on nature. When I step into the urban conversation I often find myself in the position of having to defend nature, as density visionaries and “sustainability” activists go into powerpoint frenzies proving the crimes against density provoked by “single-family residential zones.” I try to point out that every yard-less über-green gray-water-recycling blue-jeans-insulated tower of clustered humanity makes yet another impediment to the cross-town traffic, and survival, of nature. You need landing places, watering holes, blooming oases, not just for the citizens of the natural world to survive, but for the nature to survive in us.

I get a universally blank stare: nature isn’t in the equation. If you want some of that, that luxury amenity not provided for in the lease, you can get in your SUV and go hiking twenty miles out of town, or ride a bike on the Burke-Gilman trail, or go to a “park,” ie. a cordoned-off refugee camp surrounded by concrete barricades where nature is quaranteed for our viewing pleasure. As the buildings rise and the idea of view corridor is ruled against in courts we not only lose the garden, but the view: the majestic distance becomes a micro distance, where unless you have a penthouse, the Olympics and the Cascades are but a screen-saver on your device, as you bend your head ever downward through the silent corridors of Amazon City. But that’s probably ok, because on screen it says the mountains are there, somewhere, and their care has been outsourced to the Sierra Club – hasn’t it?

This leads to a form of cultural, linguistic and species poverty culminating in the kind of conversation I had yesterday with representatives of One of Seattle’s Two Internet Providers (pick just one!) (then start screaming!). I had a connectivity issue, and in the process of getting help with my problem I had to reveal the name of my wifi network. In keeping with the nature meme that word was “nasturtium.” In conversations with three individuals well-versed in the modern world of device and artifice, over the course of one hour with at least 25 repetitions of this word on my part, not one person managed to pronounce it. Note, I didn’t say Tropaeolum. I said, that flower you eat, the most common garden flower of summer, the ones the aphids farm and ultimately destroy in August, the one with honey at the end you can bite off. “Nashrum” was the closest anybody came. And so finally I said, I’ll bet your grandmother knew this word, it’s a flower. Do you remember flowers? Or grandmothers?

Nasturtium_seeds
These are seeds. N A S T U R T I U M. They will grow up to be flowers. You can eat them.

I hung up the phone and wept. There goes the knowledge base. The coming generation of people will only know flower names by looking through a flower app.  Or pointing at a florist shop at “that yellow one.” As we lose the names for things we lose the un-named knowledge of things. They say information doesn’t matter any more, only story, but you have to have language to tell the story. The naming matters as does the knowing of things in your body. Gardeners learn the names. They learn the dirt and the water and the right mixes of compost and lime.  They learn how to care, and they learn to tend, a verb not unrelated to the adjective “tender” as in “gentleness and concern or sympathy.” When modern assumptions begin to thwart a gardener’s sympathies this practice of tending can set them back on track.

Last summer I stood barefoot in my lawn and noticed that it had turned to clover. My immediate uncensored thought, inspired by the Lowe’s garden circular and a lifetime of hearing about how to keep your lawn free of weeds, was “I could spray it with something.” And then I noticed nearly a dozen honeybees, all drinking from the clover. I have signed approximately fifteen petitions this year about the bees and bee-killing pesticides—I had no real intention of spraying my lawn. But that automatic thought was the industrial advertising complex speaking inexorably through me, and it jolted me that I could have that thought, even as bees were inches from my feet. With all the reflexive demonization of lawns as suburban indulgence it had never dawned on me that they actually host bees. I will be growing more clover, needless to say.

After the red finches came and settled in, in a nest I have never been able to locate, something astonishing happened. It was as though word got out to all the other bright birds that my garden was now a rainbow safe-zone. And so now each morning I wait in hapless wonder, (knowing that waiting is the sure way to be missed by grace) for the two new golden finches and the mysterious greengold bird that I think is a vireo. They always arrive in the cornus, and from there they flit from tree to pot to bamboo, sometimes stopping to tiptoe along the rocks to the edge of the pond and wet their feathers. When I designed the garden a friend from Audubon told me to think like a bird, and make many intermediate heights, as perches. The bird knows that a cat or an eagle or a crow…. or a bulldozer and a proposed use sign, could come at any moment, and they seek refuges in places with layers of safety. Think of that next time you look at the burgeoning city: imagine that you are a goldfinch or a shy wren or a vireo –– where would you land? And then maybe think again about the neighborhoods, and all that “wasted” green space between houses. It is there for the continuity of  life, to keep it, and us, connected.

Cornus_Controversa_Bird_home
Listening for wings.

Urban Density and Nature: A Few Thoughts on Solutions

“Yes but–the people are coming, in droves, and the goldfinches can go somewhere else. Be practical.” It is the curse of the beautiful places that the people are, in fact, coming, and beauty may not survive them. I don’t have all the answers, but my part has been to build a tiny addition onto a cottage in my backyard and in this way create density without displacement of the wild. Two more people live here, and we have twice as many birds, thanks to careful densification of the landscaping to create privacy for the humans. It was not easy, as although Seattle in theory supports ADU’s (accessory dwelling units) they made it hellishly difficult. The requirement for parking was draconian–you can build a multistory unit on Capitol Hill with NO parking, and out in the part of the city with no sidewalks and no parking scarcity you have to design your project around cars parked onsite–even though there is plenty of room on the street. I’d recommend to the city to go easy on us, folks, encourage this kind of infill.

Seattle_backyard_cottage_ADU
Secluded backyard cottage–room for birds and for people.

The inner core of the city is not the only place you can find cultural diversity. Backyard cottages allow people of different phases of life and income to live in proximity, in a way that mass gentrification and monolithic apartment complexes may not. Across the country cities are looking at how to best do this. Much has been written about the cottage movement in the Bay Area and in Berkley. In Seattle a great resource for backyard housing information is the backyard cottage blog.

Meanwhile, the population of North American birds is crashing, as reported in National Geographic: “A National Audubon Society report called “Common Birds in Decline,” for instance, shows that some widespread species generally thought to be secure have decreased in number as much as 80 percent since 1967, and the 19 others in the report have lost half their populations. The figures reflect an array of threats faced by birds throughout North America.” And in an article from the University of Washington Conservation Magazine, “while parks and preserves are important refuges for urban wildlife, the so-called matrix – which they describe as the “mosaic of land uses between habitat patches” – is equally important.”

Let’s look at development in a more truly organic way, beyond the buzzwords of “sustainability,” “density” and “green” to what is really going on on the ground. Let’s consider the perspective of the wildlife among us, our fellow citizens, –– before they disappear. I’d like to end with a word from the dogwood, excerpted from a lovely article about the history of the common name for this tree. I can’t guarantee the origins of this, but I would love to think it is true:

“The Cherokee also had a legend concerning the Dogwoods. They believed that a tiny race of people lived in the forest and watched over them. They were called The Dogwood People. They taught them how to live in harmony with the land, and watched over the elderly and the infants. The Dogwood People believed in doing good deeds for others for the simple acts of kindness, not for personal gain, or to have someone indebted to you.”

Filed Under: Architecture & Sense of Place, The Garden Tagged With: ADU Seattle, backyard cottages, birdlistening, Birdwatching, city garden, cornus controversa, dogwood, gardeners, goldfinch, literacy, nasturtium, open space, Seattle Gardens, sustainability, urban density, urban preservation, urban wildlife refuge

Comments

  1. Rebecca Rickabaugh says

    May 15, 2015 at 4:29 pm

    Your article is superb and spot-on. I am in total agreement with your premise, your observations and as well, so impressed with your perseverance! And what a beautiful garden you have surrounded yourself with.
    I am about to have to give up my single-family existence here in Seattle, but hope to be able to find an oasis as you describe wherever I land.
    Thank you, Iskra!

    Reply
  2. cindy says

    May 19, 2015 at 5:12 pm

    Iskra, this is one of the most lovely and moving testaments to the love of, and need to cultivate our deep connections with the natural world…daily, wherever we find ourselves. Your eloquent writing captures my relationship to my gardens beautifully and with such heart. Thank you!

    Reply
  3. Seattle Neighbor says

    July 28, 2015 at 5:41 pm

    Thank you. I’m weeping. I’m weeping for the large cherry tree in the parking strip that was still providing us all with bumper crops and was needlessly removed. I’m weeping that all I see now is crows and robins.

    Twenty-five years of redevelopment in my ‘multi-family’ zone, luckily with parking strips, and we are finally getting bees and hummingbirds. I dream of the cardinals, woodpeckers, chick-a-dees and wrens of my childhood home.

    Let’s do this the way people should live — with the earth.

    Reply
  4. Iskra says

    July 28, 2015 at 8:52 pm

    Thank you Seattle Neighbor for commenting on my blog piece this morning. Please pass the link along and share with whomever might benefit from the message here. It seems like an uphill battle with the forces of “new urbanism” and “pavement architecture” on steroids right now.

    Reply
  5. Mike Arst says

    August 12, 2015 at 4:57 pm

    Well said and eloquently written. Every time I hear someone chanting the “sustainable density” mantra I want to howl something about being careful what you wish for — but they wouldn’t know what I meant and at worst would view that sentiment as simply typical of a selfish single-family NIMBY. It _is_ a war on nature and it seems the sustainable-density folks would prefer that nature lose. “Density” has become the good guy, the hallmark of progress and progressive thinking, and trees the necessary collateral damage in the war. I’ll go to my grave not understanding that mind-set. What they imagine is the urban-density paradise seen in their well-executed sketches of the “urban village” of the future. What they’ll get — what they’re already getting — is nothing like that. We’re not at the point of living in a Le Corbusier-esque world (not yet, anyway). But during the mercifully short time that I worked downtown, where trees are as rare as hen’s teeth, I thought: I’ll bet Le C is smiling at least a little bit from beyond the grave.

    Reply

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The photography show opening Friday, October 9th a The photography show opening Friday, October 9th at Slip Gallery is curated by my friend and fellow photographer, Scott Wipperman. This seemed like a good time to share his work and the story of our friendship on the road. Half the photographs are his and half are mine. This is an excerpt, and you can read the rest of it on my blog, see link tree in bio:

One of the rarest gifts in the life of an artist is finding a creative muse: someone who truly sees your work, and better yet, has a similar vision that is just enough different that you can collaborate without competing. In the often solitary studio life these connections can be difficult to find, but during pandemic, Instagram brought a new creative companion into my life. I do not know who started following who first. But in May 2020 I found myself sharing instant messages with a photographer working under the name “Concrete spaces“— a handle that immediately piqued my interest. Concrete has been one of my obsessions for years. Miraculously, there was someone out there who understood why I was working on a book called Parking Lot Floors Of North America. . .

©️Scott Wippermann

©️Scott Wippermann

©️Scott Wippermann

©️Scott Wippermann

©️Iskra Johnson

©️Iskra Johnson

©️Iskra Johnson

©️Scott Wippermann

©️Iskra Johnson
I am excited to be part of a show opening Friday, I am excited to be part of a show opening Friday, October 9th featuring eight Seattle  photographers and curated by Scott Wipperman @concretespaces at Slip Gallery. The theme of this show is complex and interesting: Intimate Structures. How the human body and human emotions connect with the built environment. And how the structures in our environment shape our lives, our relationships, and our possibilities. I will be showing industrial landscape as well as six pieces from the series “Immersions” based on tableaus of human relationship captured at Seattle’s waterlines. A diving platform is a stage, and the summer season a riveting drama of ever-shifting players. Most of these pieces have not been shown before.

I’m fascinated by the work of the seven other photographers, each one approaching the theme of the show from a completely different perspective, using both traditional photography and contemporary experimental techniques. Alienation, sublimation, meditation, connection:
Annie Regerson
Dimitri Wessendorf
Gillian Peckham
Iskra Johnson
Janis Mathieson
Mack Greene
Nina Bolger
Scott Wipperman
I hope to see you there!

The runs until the end of October. 
Thursday – Friday: 1:00 PM – 6:00 PM
Saturday – Sunday: 1:00 PM – 4:00 PM

Slip Gallery
2301 First Avenue in Belltown

Two Divers ©️Iskra Johnson

Guardian ©️Iskra Johnson
Morning Pages: Doors The first thing I saw when I Morning Pages: Doors

The first thing I saw when I woke up this morning was shadows on a door. Last night, I dreamt of an old building, one I have visited in dreams for years. It is a co-op apartment in some imaginary Canadian city, on a long steep hill above which are what appear to be the Swiss Alps. It was built in the early 1900’s and has grand staircases and balconies, huge rooms, bronze doorknobs and leaded glass windows. In my dreams, I interview with the board, I make an offer and I even buy an apartment— and then suddenly the door of my new home opens into a parking lot or a garage or someone else’s basement and I wake up and check my bank account, mystified by the power of this particular place, and how opening a door universally signals a new chapter in the story. 

Doors and windows are the most metaphoric parts of architecture. 100 years ago builders understood the attention they deserved. Now I live in a city where we have torn down historic churches, dumped the stained glass into a landfill and replaced these devotional structures with stacked box apartment complexes covered with Hardie Plank. I’m watching million dollar houses go up in my neighborhood with the cheapest vinyl windows from Home Depot, no eaves and often no roof— simply a flat lid to seal the box — and no trim at all. It is architecture as expedience, and it degrades the experience of how we see and experience the commons, and our human values, because, as Churchill noted, “We shape our buildings and afterward our buildings shape us.” 

We don’t look twice at these new houses, whereas I can look at this particular building somewhere in England for hours. Whoever built this wall took great care. They used the art of subtraction to add rather than to diminish. The vast flat wall of stone, the curved lintels, make the windows and doors speak. The doors and windows are not grand, but curiously condensed. They are portals through which one must squeeze with effort, which makes a person pause, and wonder. Later, they may find themselves dreaming of what is behind the walls.
Westminster Mall deconstruction project. I had to Westminster Mall deconstruction project. I had to go to the Department of Licensing this morning and stand in line and it gave me an opportunity to watch the Sears building come down. Sears was the last place left in the Seattle area where you could buy a vacuum cleaner from a man wearing creased polyester slacks, a tucked in shirt and an engraved name badge making a commission on the number of vacuum cleaner bags you bought to go with the Electrolux. I fondly remember my conversations about uprights versus canisters. This building is where I bought a snowsuit for a child that just barely fit me the day we had the epic snow and I was caught unprepared. I walked a mile on ice to get to Sears and then left looking like a nine year-old robot trying to get my knees to bend and move swaddled in 4 inches of poly blend padding. But I was warm! I doubt that anything that goes up this year in the Westminster Mall will last as long as Sears did. And there will be no catalogue unless I create one.
Excited tonight for the opening of Art and Steel a Excited tonight for the opening of Art and Steel at Youngstown Cultural Center! This is primarily a painting show from the Plein Air Watercolorists Association of Seattle (although I don’t think any of us were actually painting inside the mill on our tour!) I have been included as a photographer and mixed media artist, see last image in carousel, “Glide.” 

An exhibition of paintings telling the story of steel fabrication at NUCOR mill, hosted by Delridge Neighborhood Dev Association.

Friday, September 18 | 6:30 PM - 9:00 PM
Join us for a special evening celebrating art, industry, and community.

This exhibition features original paintings that tell the story of steel fabrication at the NUCOR Mill, presented by the Delridge Neighborhood Development Association (DNDA).
The evening will include a panel discussion, light refreshments, and an opportunity to learn more about the intersection of art, labor, and local history.

All donations made during the event will be matched and directed to DNDA’s Art Education Programs, helping support creative opportunities in our community.
Friday was my birthday. 9.11 is a day of remembran Friday was my birthday. 9.11 is a day of remembrance and national tragedy, and it seems bizarre to claim some kind of importance for having been being born on that day in the context of the event. 

Several days after, I allow myself reflection on the passage of time. This is me 15 years ago, with my Canon Powershot, which offers an astonishing naive pre-Cabrian 6 Mb image. It was much more kind than today's 24 MP iPhone, which not only captures the older me but turns that version into a character from Shakespeare with hi-def Bertrand Russel thought lines above my eyebrows and unforgiving evidence of allergies and time. 

On reflection I realize that 2011 was a very good year. I am going to allow myself to be that person for the month, and remember what that was like. The love of my life from the 8th grade had come to stay with me that summer. He took terrible photos of me that I now realize were not so bad. 99% of of the corrosive social media influences had not been invented yet. Women over whatever age was deemed desirable were not subjected to an ad every minute telling us that a new part of our face or body had gone south, and offering us a (discounted! on sale! watch the entire 30 minute video!!) $165 remedy on a monthly subscription to fix it. 

Now every day I look at the thinking and brooding lines above my eyebrows (which are also the lines caused by considering how funny some things can be even when crying) and ask myself what Bertrand Russel would say. If you are too young to know that name, AI is your ever-friend and will tell you how you too can become a "towering British philosopher, logician, mathematician, and social critic" and also how to fix those lines that come from considering things with your face. 

I think my romance with the iPhone is coming to a partial close. I want to go back to the idea of “glass.” It costs serious wages. It is made by Germans— Lately, (subtract the umlaut) Sony, the wizards of sand and heat and bending light to high high focus. I need to return to optics, f-stop, aperture, focal length— words that require frowning. 61 megapixels seems like the bare minimum. There is no cosmetic cure to being a lens-based artist:))

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