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You are here: Home / Abstract Calligraphy / New Forest Card Designs and Sketching the Future

New Forest Card Designs and Sketching the Future

January 17, 2024 by Iskra 2 Comments

Black and White Windows Sketchbook

The New Year has come in with a roar of ice, snow, rain and broken pipes. It seemed fitting to learn to mix the colors of January, although washing paint out of my brushes has been difficult with frozen pipes! Above is the first spread of my new industrial sketchbook, through which I hope to learn to paint some of my many obsessions: backs of trucks, kiosks, factories and scaffolds and the ever changing sky which they reflect. To move myself from the digital world fully into the work of paint I have joined the #InsightCreative30DayChallenge2024, brilliantly guided by Cheryl Taves. I met Cheryl about 4 years ago when I visited her studio with friends on Vancouver Island. Her studio and process was a revelation, and I knew I wanted to continue a connection. Through her coaching at Insight Creative, the Sketchbook Challenge brings together artists from all over the world to create audience and accountability for taking risks and finding ones own vision.

I have two books going, one for the botanical muse and one for industry. I live in a nature fairyland, but 6 blocks away is Highway 99, where civilization unravels in a tapestry of decline. Even while I’m crossing the street without a signal because residents in distress have ripped the walking man out by the screws I can admire the surface textures. Time and trace tell stories. I am always, it seems, between two worlds.

Urban detritus Sketchbook

Flora and field sketchbook

Seattle Icons

In my print studio I will be continuing a series of work about Seattle icons. The Smith Tower is a greatly beloved building, filled for me with childhood memories. When I drive the slope down Beacon Hill and look out over Seattle’s new-built landscape, it is the right-sized shapes and quiet tones of the Smith Tower and King Street Station that make everything else look tolerable. Hello design review, bricks do matter! Is there any room for wabi sabi in a high-tech world? Seattle art Museum Gallery will be carrying this series, the first of which is a new color tint of the Smith Tower.

Smith Tower in Vintage Light
Smith Tower in Vintage Light

This piece began with the idea of tintype and daguerreotype in a series called Sweet Old World. It blends watercolor and printmaking with digital darkroom tints to revisit another century. Other pieces are in process and will be released throughout the year.

Year in Review

This quiet creative time ahead is much needed after the past year, in which I participated in 5 shows. I was honored to join the stellar collection of artists curated in Like Mother with three collages showing the personal side of my very public mother. In the winter I was part of a 5-artist exhibit of abstraction at Art Spirit Gallery in Coeur d’Alene. The show was inspired by the book 9th Street Women, about 5 women artists who shook up the art world in New York of the 1950’s and ’60’s. The opportunity for this show jumpstarted the new calligraphic work shown this summer at Intersect at SAM Gallery in a two-person exhibit with Alfred Harris. In May I was a featured artist at Museo in Langley, with Landscape Revisited, followed by the group exhibit, Art and Flight at the Museum of Flight. In spring and summer The Tarmac Residency was shown at Seabiscuit on Whidbey Island. Upcoming, I will be showing new and ongoing work in the Spotlight North Studio tour in May. 

This piece, Garden Minuet in Orange, is one of the new calligraphic abstractions. It is available in three sizes, and the largest print, 1/1 at 30×30 inches, has just found a home through Saatchi Art.

Garden Minuet in Orange

New Forest Cards

My advocacy and organizing with Pacific Northwest tree preservationists has influenced the latest images  from The Gardener’s Almanac of Irreproducible Phenomena. It brings me great peace to make these artworks honoring the presence of trees in our landscape. These are now available in my shop or directly from my studio, and will be at the Spotlight North open studio in May. Click an image to go to the listing.

Forest and Leaf Fine Art Cards
River Light and Ascension
Ascension Golden Leaf Greeting Card
Solstice Blank Greeting Card tree landscape Solstice
Leaf Sequence Card
Leaf Sequence

It is never too late to send out greetings for the new year, or to begin again. Best wishes in 2024!

Filed Under: Abstract Calligraphy, Botanical Art Cards, Iskra Shows, Upcoming and Past, Iskra Sketchbooks & Journals Tagged With: #InsightCreative30DayChallenge2024, Artist Sketchbook, botanical greeting cards, Forest Prints, Iskra Fine Art Shows, Seattle artists, Spotlight North Studio Tour

Comments

  1. wowcrafts says

    January 29, 2024 at 8:22 am

    Your new forest card designs are absolutely enchanting! The attention to detail and the intricate sketches truly capture the beauty of nature. Each piece feels like a work of art that tells a unique story. I appreciate the talent and creativity that went into these designs, and I look forward to seeing more of your inspiring work in the future!

    Reply
    • Iskra says

      June 23, 2024 at 8:19 am

      I appreciate your looking and taking the time to comment.Thank you so much!

      Reply

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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