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You are here: Home / Collage / Digital Collage / Pandemic Angel Art from Iskra

Pandemic Angel Art from Iskra

November 27, 2020 by Iskra Leave a Comment

Painter's Angel with Moon

Painter’s Angel (with Moon), © Iskra Fine Art 

The Story of the Pandemic Angels

In September, the week of 9.11, I took a brief trip to Whidbey Island to escape the smoke from the California fires. For the first day the weather was balmy, with a perfectly clear blue summer sky. I wandered the beaches, filled my pockets with shells, and felt the euphoria of the traveler, a feeling I have missed acutely during the pandemic. Later that night the smoke came in. The horizon vanished, and whether to risk the outdoors became a calculation fraught with hazard. On my last day on the island, restless from being housebound, I went for a morning walk in nearby Woodsman cemetery. The air held a strange amber light, and pink smoke veiled the grave markers at the edge of the forest. I was captivated by the aura of the place, with its moss-covered headstones and weathered statuary dating from pioneer days. As I walked through the dry grass the angels seemed to emerge from the smoke like emissaries from another time. I began to study them and take their portraits.

I am a student of angels, and I had not seen these before. The faces of the little ones captured a blend of innocence and gravity that seemed both timeless and completely of our time. Beauty, grief, mourning, serenity, loss, longing for another time: the combined cataclysm of the fires and the pandemic require a vocabulary all its own. The phrase “smoke elegies” seemed to describe the mood in the air and the bigger moment. I decided then to do a series about the angels, (which got delayed by a journey to Tieton and the beginning of a photographic series of landscapes of the America West – but that’s another story!) Perhaps it is the coming of December, with its dark weather and mystic illuminations, but I woke up a few weeks ago possessed by the image of a winged statue. I decided to drop everything else on my plate and see where this body of work might go.

The archetype of the angel is far from my usual subject matter. Angels for many evoke religious associations, and as a result, for a contemporary artist it can feel precarious to go into this territory. For me angels do not represent religion, but instead act as a universal icon offering comfort, protection, rescue and transcendence. Their form is a devotional shape into which I can pour the unironic emotions of this time of isolation and worldwide loss. The pandemic has taken nearly 1.5 million lives world wide, and for many of those deaths there has been no ceremony of mourning, no bedside visitation, no funeral. A cemetery and the sense of ritual that accompanies it looks very different in the light of this new reality.

Homage to Faiyum angel print by Iskra

Homage to Faiyum, © Iskra Fine Art

Working on these images has been a contemplative and personally transformative process. The angels are built from a slow, painstaking method of collage that has led me on a path to rediscover what it was I saw in the smoke, at the edge of the woods. In the process I have researched the pictorial treatment of angels and marveled at the long fascination they have held for people through history, from ancient Crete to Victorian England all the way up to today’s video gamers in VR headsets. Some of these pieces reference the mourning theorems of American folk art, and others the shrouds of Faiyum. Others embrace Victorian intricacy and that era’s unabashed romance with sorrow. As I have been living with the faces of the angels I have also been living with history, and putting the present difficult moment into a deeper sense of time.

Pandemic Angel Iskra Print

Pandemic Angel, ©Iskra Fine Art

Devotional practice often focuses on one image and repeats it again and again. In my years as a calligrapher and student of Buddhism I might do one character from the Heart Sutra for weeks. In that tradition, I have chosen only a few images, and worked with them in sequence, finding more to understand each time I look at subtle differences in color, texture and context. The result is a series of prints in variant editions. They are created through my unique process of digital assemblage, built up with layer upon layer of subtle surface and color from my photographs and ink painting.  All of the prints are available in my shop, in a variety of sizes and prices. For the holiday season, everything in my shop is 20% off through January 2nd with a minimum purchase.

The collection to date is included here, as the resolution for retina display on WordPress is best in the blog rather than the portfolios. Click on any image to be taken to the listing.

Blue Angel Cherub Print by Iskra

Blue Angel

Sun Angel print by Iskra

Sun Angel, ©Iskra Fine Art

Smoke Angel print by Iskra

Smoke Angel, ©Iskra Fine Art

Forest Meditation, ©Iskra Fine Art

Angel in Chiaroscuro print by Iskra

Angel in Chiaroscuro, ©Iskra Fine Art

Angel in Silver Sky print by Iskra

Angel in Silver Sky, ©Iskra Fine Art

I will end with the incandescence sequence. As I worked on this piece I asked myself, late into the night, “What is the shape of the saints? How much do you say? What is the universal in the particular?” A Walk in Eden is the last print I have completed in the Angels series. It is far more ornate than my usual work, and it was created as an anthem of hope for rebirth after the pandemic ends. The patterning was captured on walks in Llandover Woods near my home, and the other elements come from observations of my garden. The solitudes have had a powerful silver lining. In the absence of people, nature has come forward. It is in the trees that I have found the inner illuminations that keep me hopeful for our future.

A Walk in Eden print by Iskra

A Walk in Eden, ©Iskra Fine Art

The Shape of the Saints Iskra-Print-1200

The Shape of the Saints, ©Iskra Fine Art

Framing Works on Paper

Works on paper require framing, and I have begun to work with a wonderful company called Framebridge. They offer exquisite styles of moulding especially suited to this body of work. More on framing to come in a future post, but I highly recommend them for a seamless experience. Send them the art, they send it back beautifully framed! In this low-contact time that’s hard to resist. If you want to frame locally I can recommend my personal framer here in Seattle, just drop me a note. I am happy to consult with you on how to size and frame my work for your particular interior. Throughout my listings I have taken the time to show how different presentations of images can work in differing styles of interiors. It is very satisfying to bring everything in an interior together around a work of art.

Please sign up for my newsletter (discounts!)

Yes, I am now offering the occasional coupon to loyal subscribers above and beyond holiday sales. Subscribe to my newsletter between now and November 30 and I will send you a time-sensitive coupon for a discount above the holiday sale now going on. And as always, keep up with the latest in the studio at my Instagram or on Facebook.

Happy holidays!

Filed Under: Digital Collage Tagged With: angel art, art in pandemic, cherubs and angels in art, contemplative art, fine art prints, Iskra holiday sale, mystic art, smoke elegies

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At 18, in my first year in class at Cornish, Charl At 18, in my first year in class at Cornish, Charles Stokes said: “To be an artist, first you must learn to visualize. Your assignment is to go home, close your eyes, and visualize an apple. Rotate it and observe how it looks from every direction, as though you were God and you had just designed this fruit. Then imagine cutting it into pieces and turn each piece in your mind’s eye. If you need to get in the bathtub, do.” A year later, my skin had turned permanently pink from baths, but I was beginning to be able to See. That moment when I really could imagine the apple from above, below, the side, and visualize the slices falling away was a revelation. The cherubim cheered. Today I can shut my eyes in any moment of boredom and see the apple rotate like a muffin on a dim sum tray, round and round, the highlights glinting.

Apples also nearly killed me. When I was 19, I worked for a month in the orchards of Orondo, and slept under the trees in a sleeping bag and little else. Each morning I woke to the drone of crop dusters and the pale white incandescence of pesticides sifting through the leaves. My water came from a galvanized pipe fed directly by the irrigation ditch. Me and Caesar Chavez? Solidaridad. I came back from the orchard with a stomach malady that defeated every doctor I saw. Over the ten years following I lost 32 pounds, and I had been slender to start. At 27 I came within three weeks of death. Over that decade I was tested for everything, and my body claimed an allergy to every food except the pinto bean. No amount of antibiotics or enzymes or the primitive curatives of those days worked. After this inexplicable and punishing siege on my health it took years to get back to food as a good idea. I lived on boiled carrots and rice. The one possible argument to inexplicable: every alternative medicine healer found indications of arsenic, a prime ingredient of pesticides and known disruptor of the digestive tract. (Continued in next comment, complete essay at link in bio.)
Exquisite work by @christinegedye @fountainheadgal Exquisite work by @christinegedye @fountainheadgallery.
Experiments in juxtaposition. Yesterday I worked Experiments in juxtaposition. 

Yesterday I worked in the studio to some kind of divine mix of Raga and drone and hand pan drum and returned to the state of mind I’m here for. 

This study of an eggshell is only incidentally an eggshell; it is any fragile thing regarded with love. I think of the days when there was an antique shop on every block and I would haunt them and find among the watering cans and spoons and rusted winches a lace handkerchief starched and embroidered with imagined daisies by some woman crossing the country in a covered wagon with a packet of seeds. I held the cloth up and watched clerestory light fall from the rafters and transform its quiet folds into something burning, heard the sounding bells of ships in the harbor, the train rumbling in the tunnel, people stumbling and laughing on the boardwalk. 

Light is the keeper of history. As we walked out of the steel plant last week, steam mingled with clouds and enveloped the massive structures around us in softness. Just before my camera died, I took this picture of a steel door. On its face, the flag of an imagined country, stripped of warp and weft and left with only traces. As the world hangs on the edge, held by the flimsiest of props, each day aims another missile at certainty. We still have memory, and that may save us.

#TheFragilityProject
Slow Art. The beat helps tune out the Everything E Slow Art. The beat helps tune out the Everything Else Going On. . .#graphitepencil
I am excited to be part of the annual open studio I am excited to be part of the annual open studio tour for 
Spotlight North 2026, Noon to 5 May 16+17! 
Meet the artists of Shoreline, North Seattle, 
and Lake Forest Park in their native habitat: 

Robin Arnitz, Anna Wetzel Artz, Laura Brodax, Shruti Ghatak, Eva Isaksen, Amanda Knowles, Sarah Norsworthy, Paul Leavitt, Paul Lewing, Iskra Johnson, Dale Lindman, and Shoko Zama.

I will be showing new drawings and paintings influenced by nature and place, as well as ongoing print work, and several new card series. Many people have told me they would love to collect more but their walls are full, or they are moving into smaller spaces. In response, I have created new tiny works you can set on your desk or slip into the spice rack between the oregano and the thyme. I have always loved the intimacy of small work: It is the quietest most personal of conversations. These three pieces are from the hundreds of media studies I do to see “what happens if,” in an experimental state of mind. They are made with a combination of liquid graphite, pencil and paint, and presented like tiny one-of-a kind etchings. Contact me if you are interested in pre-purchase.
Link in bio to the Spotlight North Website. The map will be posted soon!
First glimpse of the Nucor Steel Plant. Probably t First glimpse of the Nucor Steel Plant. Probably the most amazing photo shoot I have ever been on. It will take me months to know what to do with the hundreds of images from this amazing day. Thank you Seattle plein air painters for this rare opportunity. Thank God we had dedicated minders to keep us from falling off the stairs and to help us adjust to the three layers of gear, hard hat, ear coverings, goggles, vest (hint: you need all of them!)

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