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You are here: Home / Archives for 10 perfect Days in New York

Ten Perfect Days in New York, with a Few Showers

May 15, 2013 by Iskra 4 Comments

Crossing The Brooklyn Bridge
Crossing The Brooklyn Bridge, with 10,000 other people. © Iskra Johnson

I have recently returned from ten incandescent days in New York City. Or rather, eight incandescent days and two with thunder and lightning and flash flood alarms. It’s that kind of world. Although I have been to New York many times it had been fifteen years since my last real visit of any length, and I had never committed that primal rite of passage, The Walk Across the Brooklyn Bridge. Over the years it had evolved in my mind into an epic solo journey with only myself, the wind, and ancestral vertigo as company.

Ahh, those 10,000 other people, what did I know? And all of them walking home from Manhattan against my little tide. I can’t say enough about the beauty of tarps, and tarps with boldly censored grafitti which, for a person who makes their livelihood decoding the alphabet, is very close to bliss. I traveled well-protected in this billowing crib, although several Brooklyn-bound bicycles nearly took out my camera arm.

Walking Man With Brooklyn Bridge Bicycle Locks
Brooklyn Bridge Pedestrian With Lost Bicycle Locks, © Iskra Johnson

I would like to thank my dear friend and talented photographer Teresa Morani for showing me the Wonders of DUMBO and in general guiding me through the circuit overload of this astonishing city. (“Why,” asked a new acquaintance on the tarmac at La Guardia, “do they keep re-naming parts of the city that we already know some other way? What the hell is Dumbo?” I feel her pain, but I can’t really resist an acronym that stands for “Down Under the Manhattan Bridge Overpass.” It pretty much lets you know that you are entering a city where people live steeped in place. They notice things. (And of course, once noticed, things become very expensive……) Here are a few of the 1,734 moments glimpsed as I mostly walked Manhattan and Brooklyn, avoiding Google maps and asking someone new every few blocks where I was and where I was going. Many of these images will be available as prints at a later date and will be posted in the prints or photography section of my website. (Click each image to see larger.)

Carousel At Dumbo
Carousel At Dumbo
The Bubble
The Bubble, © Iskra Johnson
Central Park Spring Sky
Central Park Spring Sky, © Iskra Johnson
The Player
Music at the Edge of the Park, © Iskra Johnson
Goddess Of Culture At The Met
So Much Culture, So Little Time (at the Met) © Iskra Johnson
 The Bridge From Dumbo
The Bridge From Dumbo, © Iskra Johnson
47 Angels
47 Angels, © Iskra Johnson
A Tree In Brooklyn
A Tree In Brooklyn, © Iskra Johnson
Three Windows
Three Windows, © Iskra Johnson
NOTICE
NOTICE, © Iskra Johnson
Manhattan Fire Escapes Morning
Manhattan Fire Escapes: Morning, © Iskra Johnson
The Chain
The Chain, © Iskra Johnson
The Tower
The Tower, © Iskra Johnson
Liberty from the Shore
The Statue, © Iskra Johnson
A Room OnThe Street
A Room On The Street, © Iskra Johnson
Looking Up
Looking Up, © Iskra Johnson
Intersection
Intersection , © Iskra Johnson
Crossing with Signal
Signal, © Iskra Johnson
Improvements
Veil with Tree, © Iskra Johnson
Orange Veil
Orange Veil, © Iskra Johnson
Chess-In-Washington-Square
Chess In Washington Square, © Iskra Johnson
Empire-At-Night-(From-the-Highline)
Empire at Night (From the Highline), © Iskra Johnson
AboveThe Clouds
Above The Clouds (Coming Home) © Iskra Johnson

Last night I went for a walk to see if I was happy to be home, and I was. This city is so quiet people whisper in restaurants and you can hear the clouds scrape against the sky. There is the occasional disturbance, if you look for it. As I walked towards the bay I heard a raucous shrieking and looked up to see nine crows chasing a bald eagle. They kept going until I lost sight of them far beyond the edge of the park. Here at the frontier there is time to think and recollect. Every night I am dreaming of buildings, and then I wake up and plant peas and divide the baby lettuce. If you would like to know some of the places I went while in New York and the things I recommend here is a short list:

The Highline (Oh Seattle City Council, please please please, can we do this with five feet of the viaduct??)

DUMBO

The Met, Most especially the exhibit of Civil War photography, best viewed after getting lost for a few hours in the Cycladic art collection, just for historical perspective

MOMA, especially Dieter Roth’s “Later this will be nothing.” Also, I suggest having lunch there in the cafe for several hours while reading a novel, perhaps Jennifer Egan’s “A Visit from the Goon Squad”. People will be having very interesting conversations one eighth of an inch away from your elbow, mostly in “foreign” languages, but you may hear about the custom fireplace that very nice looking man is installing for those people with the third home on Fire Island. It’s taken him two years and it’s not yet done.

Gagosian Gallery, Anselm Kiefer’s new exhibit “The Morganthau Plan” And while you are there will you please pick up the book for me? It wasn’t in stock the first week. The other book, Next Year in Jerusalem, is crazy wonderful so I have to assume this one is too. If you see the stereoscopic displays of the Civil War scenes at the Met first it will make these paintings look very different. I think anybody planning to wage a war might want to stop in to these two exhibits before firing up the drones.

Rosanne Olson’s “Rapture” at Robin Rice Gallery. Sublime.

Central Park on a sunny day. There is no greater bliss. Blow a bubble for me.

 

Filed Under: Photography, Travel Tagged With: 10 perfect Days in New York, artist's eye on Brookklyn, Brooklyn Bridge, Central Park on a sunny day, photography of New York, street photography New York, The Highline

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The photography show opening Friday, October 9th a The photography show opening Friday, October 9th at Slip Gallery is curated by my friend and fellow photographer, Scott Wipperman. This seemed like a good time to share his work and the story of our friendship on the road. Half the photographs are his and half are mine. This is an excerpt, and you can read the rest of it on my blog, see link tree in bio:

One of the rarest gifts in the life of an artist is finding a creative muse: someone who truly sees your work, and better yet, has a similar vision that is just enough different that you can collaborate without competing. In the often solitary studio life these connections can be difficult to find, but during pandemic, Instagram brought a new creative companion into my life. I do not know who started following who first. But in May 2020 I found myself sharing instant messages with a photographer working under the name “Concrete spaces“— a handle that immediately piqued my interest. Concrete has been one of my obsessions for years. Miraculously, there was someone out there who understood why I was working on a book called Parking Lot Floors Of North America. . .

©️Scott Wippermann

©️Scott Wippermann

©️Scott Wippermann

©️Scott Wippermann

©️Iskra Johnson

©️Iskra Johnson

©️Iskra Johnson

©️Scott Wippermann

©️Iskra Johnson
I am excited to be part of a show opening Friday, I am excited to be part of a show opening Friday, October 9th featuring eight Seattle  photographers and curated by Scott Wipperman @concretespaces at Slip Gallery. The theme of this show is complex and interesting: Intimate Structures. How the human body and human emotions connect with the built environment. And how the structures in our environment shape our lives, our relationships, and our possibilities. I will be showing industrial landscape as well as six pieces from the series “Immersions” based on tableaus of human relationship captured at Seattle’s waterlines. A diving platform is a stage, and the summer season a riveting drama of ever-shifting players. Most of these pieces have not been shown before.

I’m fascinated by the work of the seven other photographers, each one approaching the theme of the show from a completely different perspective, using both traditional photography and contemporary experimental techniques. Alienation, sublimation, meditation, connection:
Annie Regerson
Dimitri Wessendorf
Gillian Peckham
Iskra Johnson
Janis Mathieson
Mack Greene
Nina Bolger
Scott Wipperman
I hope to see you there!

The runs until the end of October. 
Thursday – Friday: 1:00 PM – 6:00 PM
Saturday – Sunday: 1:00 PM – 4:00 PM

Slip Gallery
2301 First Avenue in Belltown

Two Divers ©️Iskra Johnson

Guardian ©️Iskra Johnson
Morning Pages: Doors The first thing I saw when I Morning Pages: Doors

The first thing I saw when I woke up this morning was shadows on a door. Last night, I dreamt of an old building, one I have visited in dreams for years. It is a co-op apartment in some imaginary Canadian city, on a long steep hill above which are what appear to be the Swiss Alps. It was built in the early 1900’s and has grand staircases and balconies, huge rooms, bronze doorknobs and leaded glass windows. In my dreams, I interview with the board, I make an offer and I even buy an apartment— and then suddenly the door of my new home opens into a parking lot or a garage or someone else’s basement and I wake up and check my bank account, mystified by the power of this particular place, and how opening a door universally signals a new chapter in the story. 

Doors and windows are the most metaphoric parts of architecture. 100 years ago builders understood the attention they deserved. Now I live in a city where we have torn down historic churches, dumped the stained glass into a landfill and replaced these devotional structures with stacked box apartment complexes covered with Hardie Plank. I’m watching million dollar houses go up in my neighborhood with the cheapest vinyl windows from Home Depot, no eaves and often no roof— simply a flat lid to seal the box — and no trim at all. It is architecture as expedience, and it degrades the experience of how we see and experience the commons, and our human values, because, as Churchill noted, “We shape our buildings and afterward our buildings shape us.” 

We don’t look twice at these new houses, whereas I can look at this particular building somewhere in England for hours. Whoever built this wall took great care. They used the art of subtraction to add rather than to diminish. The vast flat wall of stone, the curved lintels, make the windows and doors speak. The doors and windows are not grand, but curiously condensed. They are portals through which one must squeeze with effort, which makes a person pause, and wonder. Later, they may find themselves dreaming of what is behind the walls.
Westminster Mall deconstruction project. I had to Westminster Mall deconstruction project. I had to go to the Department of Licensing this morning and stand in line and it gave me an opportunity to watch the Sears building come down. Sears was the last place left in the Seattle area where you could buy a vacuum cleaner from a man wearing creased polyester slacks, a tucked in shirt and an engraved name badge making a commission on the number of vacuum cleaner bags you bought to go with the Electrolux. I fondly remember my conversations about uprights versus canisters. This building is where I bought a snowsuit for a child that just barely fit me the day we had the epic snow and I was caught unprepared. I walked a mile on ice to get to Sears and then left looking like a nine year-old robot trying to get my knees to bend and move swaddled in 4 inches of poly blend padding. But I was warm! I doubt that anything that goes up this year in the Westminster Mall will last as long as Sears did. And there will be no catalogue unless I create one.
Excited tonight for the opening of Art and Steel a Excited tonight for the opening of Art and Steel at Youngstown Cultural Center! This is primarily a painting show from the Plein Air Watercolorists Association of Seattle (although I don’t think any of us were actually painting inside the mill on our tour!) I have been included as a photographer and mixed media artist, see last image in carousel, “Glide.” 

An exhibition of paintings telling the story of steel fabrication at NUCOR mill, hosted by Delridge Neighborhood Dev Association.

Friday, September 18 | 6:30 PM - 9:00 PM
Join us for a special evening celebrating art, industry, and community.

This exhibition features original paintings that tell the story of steel fabrication at the NUCOR Mill, presented by the Delridge Neighborhood Development Association (DNDA).
The evening will include a panel discussion, light refreshments, and an opportunity to learn more about the intersection of art, labor, and local history.

All donations made during the event will be matched and directed to DNDA’s Art Education Programs, helping support creative opportunities in our community.
Friday was my birthday. 9.11 is a day of remembran Friday was my birthday. 9.11 is a day of remembrance and national tragedy, and it seems bizarre to claim some kind of importance for having been being born on that day in the context of the event. 

Several days after, I allow myself reflection on the passage of time. This is me 15 years ago, with my Canon Powershot, which offers an astonishing naive pre-Cabrian 6 Mb image. It was much more kind than today's 24 MP iPhone, which not only captures the older me but turns that version into a character from Shakespeare with hi-def Bertrand Russel thought lines above my eyebrows and unforgiving evidence of allergies and time. 

On reflection I realize that 2011 was a very good year. I am going to allow myself to be that person for the month, and remember what that was like. The love of my life from the 8th grade had come to stay with me that summer. He took terrible photos of me that I now realize were not so bad. 99% of of the corrosive social media influences had not been invented yet. Women over whatever age was deemed desirable were not subjected to an ad every minute telling us that a new part of our face or body had gone south, and offering us a (discounted! on sale! watch the entire 30 minute video!!) $165 remedy on a monthly subscription to fix it. 

Now every day I look at the thinking and brooding lines above my eyebrows (which are also the lines caused by considering how funny some things can be even when crying) and ask myself what Bertrand Russel would say. If you are too young to know that name, AI is your ever-friend and will tell you how you too can become a "towering British philosopher, logician, mathematician, and social critic" and also how to fix those lines that come from considering things with your face. 

I think my romance with the iPhone is coming to a partial close. I want to go back to the idea of “glass.” It costs serious wages. It is made by Germans— Lately, (subtract the umlaut) Sony, the wizards of sand and heat and bending light to high high focus. I need to return to optics, f-stop, aperture, focal length— words that require frowning. 61 megapixels seems like the bare minimum. There is no cosmetic cure to being a lens-based artist:))

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