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You are here: Home / Archives for cherubs and angels in art

Pandemic Angel Art from Iskra

November 27, 2020 by Iskra Leave a Comment

Painter's Angel with Moon

Painter’s Angel (with Moon), © Iskra Fine Art 

The Story of the Pandemic Angels

In September, the week of 9.11, I took a brief trip to Whidbey Island to escape the smoke from the California fires. For the first day the weather was balmy, with a perfectly clear blue summer sky. I wandered the beaches, filled my pockets with shells, and felt the euphoria of the traveler, a feeling I have missed acutely during the pandemic. Later that night the smoke came in. The horizon vanished, and whether to risk the outdoors became a calculation fraught with hazard. On my last day on the island, restless from being housebound, I went for a morning walk in nearby Woodsman cemetery. The air held a strange amber light, and pink smoke veiled the grave markers at the edge of the forest. I was captivated by the aura of the place, with its moss-covered headstones and weathered statuary dating from pioneer days. As I walked through the dry grass the angels seemed to emerge from the smoke like emissaries from another time. I began to study them and take their portraits.

I am a student of angels, and I had not seen these before. The faces of the little ones captured a blend of innocence and gravity that seemed both timeless and completely of our time. Beauty, grief, mourning, serenity, loss, longing for another time: the combined cataclysm of the fires and the pandemic require a vocabulary all its own. The phrase “smoke elegies” seemed to describe the mood in the air and the bigger moment. I decided then to do a series about the angels, (which got delayed by a journey to Tieton and the beginning of a photographic series of landscapes of the America West – but that’s another story!) Perhaps it is the coming of December, with its dark weather and mystic illuminations, but I woke up a few weeks ago possessed by the image of a winged statue. I decided to drop everything else on my plate and see where this body of work might go.

The archetype of the angel is far from my usual subject matter. Angels for many evoke religious associations, and as a result, for a contemporary artist it can feel precarious to go into this territory. For me angels do not represent religion, but instead act as a universal icon offering comfort, protection, rescue and transcendence. Their form is a devotional shape into which I can pour the unironic emotions of this time of isolation and worldwide loss. The pandemic has taken nearly 1.5 million lives world wide, and for many of those deaths there has been no ceremony of mourning, no bedside visitation, no funeral. A cemetery and the sense of ritual that accompanies it looks very different in the light of this new reality.

Homage to Faiyum angel print by Iskra

Homage to Faiyum, © Iskra Fine Art

Working on these images has been a contemplative and personally transformative process. The angels are built from a slow, painstaking method of collage that has led me on a path to rediscover what it was I saw in the smoke, at the edge of the woods. In the process I have researched the pictorial treatment of angels and marveled at the long fascination they have held for people through history, from ancient Crete to Victorian England all the way up to today’s video gamers in VR headsets. Some of these pieces reference the mourning theorems of American folk art, and others the shrouds of Faiyum. Others embrace Victorian intricacy and that era’s unabashed romance with sorrow. As I have been living with the faces of the angels I have also been living with history, and putting the present difficult moment into a deeper sense of time.

Pandemic Angel Iskra Print

Pandemic Angel, ©Iskra Fine Art

Devotional practice often focuses on one image and repeats it again and again. In my years as a calligrapher and student of Buddhism I might do one character from the Heart Sutra for weeks. In that tradition, I have chosen only a few images, and worked with them in sequence, finding more to understand each time I look at subtle differences in color, texture and context. The result is a series of prints in variant editions. They are created through my unique process of digital assemblage, built up with layer upon layer of subtle surface and color from my photographs and ink painting.  All of the prints are available in my shop, in a variety of sizes and prices. For the holiday season, everything in my shop is 20% off through January 2nd with a minimum purchase.

The collection to date is included here, as the resolution for retina display on WordPress is best in the blog rather than the portfolios. Click on any image to be taken to the listing.

Blue Angel Cherub Print by Iskra

Blue Angel [Read more…]

Filed Under: Digital Collage Tagged With: angel art, art in pandemic, cherubs and angels in art, contemplative art, fine art prints, Iskra holiday sale, mystic art, smoke elegies

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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