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You are here: Home / Archives for garden essays

The Stick To Leaf Conversion

June 5, 2009 by Iskra Leave a Comment

I thought the privets were all dead. Completely. It wasn’t the long snows of December, but the cold followed by the slight warming followed by two more snows into mid April that seemed to push a normally even tempered species over the edge. As with romance, it is not the lover who leaves quickly and without ceremony who does the greatest damage but the one who says yes no maybe but then again hmmm who can leave you exhausted and unable to resurrect your heart.

I had planned grudgingly to replace them all.  (The privets, that is.) So I was stunned yesterday to find the gray and scabrous branches draped in filigree, hugged by dozens of amorous new leaves. It seemed no less a miracle than if the gray planked fence itself came to life. I could feel a Girl Scout lecture coming, something about fortitude, resolve, endurance. And it was all true. Adversity does breed character, or at least a lot more leaves and a stronger root system. April’s gray snows have been replaced with a carpet of jade and the exultant swords of dandelions. The malingering dogwood rudely transplanted five years ago has pink castanets among its leaves for the first time. The windmill palms which I thought would break under ice now wear long chains of golden seeds, and the vines I planted at their roots have leapt six feet and bloomed large and purple.

Why not be patient? And be surprised? The delphinium took four months last year to grow one foot, and then bloomed twice, once in November. I can humble myself to lessons from the dirt. Unlike Democritus of Abdera, who in 1621 put out his own eyes “the better to see” I am not overwhelmed either by the Anatomy of Melancholy or the relentless optimism of flowers. There is so much food here. Even as I feast my eyes the ants feast on the peony buds, and the bees drink from the geranium. One layer of impressions layers over the next, dappled light and hot light and slanted mornings and afternoons and I know there is something gathering.

Pondside

Ferns

Filed Under: Essays, The Garden Tagged With: artist garden, essays by artists, garden essays, Seattle Gardens, spring garden, writing about gardens

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I have been obsessed for well over a decade by the I have been obsessed for well over a decade by the line between the photographic and the drawn. This is simply a media test, or an “under drawing“ for something else, but it gave me pause. It suggests so many different qualities of mood: Foreboding, calm, dichotomy, a family photo poorly developed, the cloudy skies of the Pacific Northwest, or the fugue state one falls into after turning the pages of our days as a failing empire. “Our“ refers to those of us who live in the USA although now it should be called the DU USA, as in disunited United States. That disunity is a powerful disruptive pain that I feel daily. Also, as we phase out medicine, research, medical care, and with that presumably self-care, this was created, for those who are curious, with a cotton ball by #JohnsonAndJohnson (my father’s Swedish ancestors) on a Talens sketchbook. As I said, I’m testing. How much of the world can I take in before I shut the door and become an art nun and don’t look up until the last minute?
Sunday concentration drawing, testing a new notebo Sunday concentration drawing, testing a new notebook( and my attention span. . .)
Today’s mood, from the morning walk. Today’s mood, from the morning walk.
A metaphysical idea waiting to become a drawing. A A metaphysical idea waiting to become a drawing. All day I have been studying graphite, the most evanescent of mediums. Fragility. Once you break the egg, scatter the nest, leave the children without family on an abandoned beach, what then? 

I have spent the day drawing. In the background, which becomes foreground with one click, is the news of the rounding up of another thousand or so human beings by bounty hunters given a quota, thrown into concrete cages and disappeared because someone decided that America is no longer the home of the #huddledmasses.

The plaque on the Statue of Liberty says:

“Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Noem and Holman have not, apparently, run their hands over these words.

How do you continue making art at a time like this? You chase the metaphor. There is always a constant truth beneath the chaos.
Media studies. Addition and subtraction. Media studies. Addition and subtraction.
Somehow, between checking the news and the usual d Somehow, between checking the news and the usual distractions I managed to complete a drawing. Going back to the beginning: drawings in dust. 9.5 x 12” Charcoal powder, compressed charcoal, charcoal pencil on Moleskine. I feel peaceful for the first time in weeks.

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