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You are here: Home / Archives for Lynda Lowe

The Patra Passage Opens to the Public, Museum of Glass February 15

February 6, 2015 by Iskra Leave a Comment

It’s hard for me to believe, but it has been a full year since I attended the launching of the Patra Project and received the gift of the patra, the exquisite bowl gifted to me and 108 other people on condition that within three months we pass it along to someone else. The past year been a time of big changes for me, and the energy of this extraordinary project by artist Lynda Lowe has permeated my life in many ways. (You can read about my experience of the patra here.) I passed my patra on to photographer Rosanne Olson, and this is what she did with it:

Photograph copyrighted by Rosanne Olson.

She also took it down the Grand Canyon on a raft: [Read more…]

Filed Under: Living With Art, Meditation & Buddhism Tagged With: Lynda Lowe, Michael Meade, museum of glass, Patra Passage, phil cousineau, rosanne olson

Object Lessons: The Patra Passage

February 8, 2014 by Iskra 1 Comment

“The word patra refers to the name of alms bowls that monks carry in various cultures to receive their portion for the day, an act that creates an understanding of interdependence with community and openness to the cycle of receiving and giving. The word’s origin in Sanskrit translates as “the vessel that never goes empty”. Whatever is received in the bowl is enough for the day, a reminder of the offerings of the present moment.” –The Patra Passage

Patra, Imagined © Iskra Johnson, charcoal dust and pigment on paper
Patra, Imagined © Iskra Johnson, charcoal dust and pigment on paper

You don’t see a vessel here. You must imagine it, as I did, leaving it in its box for the first month it came into my possession as part of the Patra Passage. I was honored to be part of the project.  I thought the vessel was very beautiful.  And yet I wanted to leave it in the dark for awhile, parked almost casually by the door, as though poised between coming and going. In fact, inherent in the Patra Passage is the idea of impermanence: yes, you take “possession” of this beautiful object for four months, but then you let it go and pass it on, and at the end of the year it will be sold and the proceeds contributed to charity. As much as I am someone who loves objects, and devotional objects in particular, I found myself resistant. I didn’t want to fall in love, and I didn’t want to give up an object of love. I would rather close my eyes in the morning and imagine it.

I would sit and start my meditation thinking of gold light, and the gold leaf within the bowl. I would run my fingers along the torn clay edge, and marvel at the indecipherable language placed flawlessly on its burnt arc. And then I would exhale and think about my email and how many dolphins had washed up on the shore of the Huffington Post and the sweater that had pilled after one washing and the annoyance of whether I should join the Cloud and why the milk kept going bad.  The usual non sequitur burden of having a mind that has a mind of its own and never wants to be truly empty. When I took the bowl out of its box and placed it where I sit each morning it made no difference. My attention was not on the bowl. I tried. I thought about generosity and giving and monks and alms and having and not-having and I concluded that I am selfish. I lived with that thought like a very annoying fly. It is still there, and I cannot say that I have become in any noticeable way more sainted.

What I carried with me from the very first moment of the project was not the vessel, but a sentence, rather not even a sentence, just the phrase: “enough for the day.” In those four simple words is a [Read more…]

Filed Under: Meditation & Buddhism, Object Lessons: Essays and images inspired by "A History of the World in 100 Objects." Tagged With: alms bowl, Don Quixote, gift economy, Lewis Hyde, Lynda Lowe, modern ritual, Patra Passage, The Gift

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I have been obsessed for well over a decade by the I have been obsessed for well over a decade by the line between the photographic and the drawn. This is simply a media test, or an “under drawing“ for something else, but it gave me pause. It suggests so many different qualities of mood: Foreboding, calm, dichotomy, a family photo poorly developed, the cloudy skies of the Pacific Northwest, or the fugue state one falls into after turning the pages of our days as a failing empire. “Our“ refers to those of us who live in the USA although now it should be called the DU USA, as in disunited United States. That disunity is a powerful disruptive pain that I feel daily. Also, as we phase out medicine, research, medical care, and with that presumably self-care, this was created, for those who are curious, with a cotton ball by #JohnsonAndJohnson (my father’s Swedish ancestors) on a Talens sketchbook. As I said, I’m testing. How much of the world can I take in before I shut the door and become an art nun and don’t look up until the last minute?
Sunday concentration drawing, testing a new notebo Sunday concentration drawing, testing a new notebook( and my attention span. . .)
Today’s mood, from the morning walk. Today’s mood, from the morning walk.
A metaphysical idea waiting to become a drawing. A A metaphysical idea waiting to become a drawing. All day I have been studying graphite, the most evanescent of mediums. Fragility. Once you break the egg, scatter the nest, leave the children without family on an abandoned beach, what then? 

I have spent the day drawing. In the background, which becomes foreground with one click, is the news of the rounding up of another thousand or so human beings by bounty hunters given a quota, thrown into concrete cages and disappeared because someone decided that America is no longer the home of the #huddledmasses.

The plaque on the Statue of Liberty says:

“Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Noem and Holman have not, apparently, run their hands over these words.

How do you continue making art at a time like this? You chase the metaphor. There is always a constant truth beneath the chaos.
Media studies. Addition and subtraction. Media studies. Addition and subtraction.
Somehow, between checking the news and the usual d Somehow, between checking the news and the usual distractions I managed to complete a drawing. Going back to the beginning: drawings in dust. 9.5 x 12” Charcoal powder, compressed charcoal, charcoal pencil on Moleskine. I feel peaceful for the first time in weeks.

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