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You are here: Home / Archives for magnolia

New Art from The Garden, or, How I Learned to Get Over Myself and Love Flowers

August 29, 2016 by Iskra 3 Comments

What kind of fool plants flowers in late July, when the temperature is scalding and the dirt has become so dry it has closed like a fist and refuses even the longest kiss of the sprinkler? That would be someone who comes late to the love affair of flowers, someone who held out until the last minute against their invitation. That person would have said, “I hate orange and pink together.” “Flowers are banal.” “Flowers are so obvious, and they have no bones in winter. I’m a winter person.” And lastly, “Flowers will break your heart.”

This is very true. Just now I have been standing in the pungent dust with my garden hose wondering how many more times I will have to water the ailing flock of pink cosmos and orange rudbeckia until they stop falling over. I have snapped off countless dry husks from the daisies as I embrace the ruthless ritual of “dead-heading.” I have wept at the delicate hydrangea that refuses to thrive no matter how much shade and water and worry I offer. Yet every time I open the front door my heart is flustered all over again by the canna, the petunia and the dazzling blue lobelia. True: your heart breaks, again and again, but that doesn’t seem to matter once you fall into this kind of love.

 

cannalilly-garden [Read more…]

Filed Under: Prints, The Garden Tagged With: artist's garden, botanical prints, flower gardening in the northwest, iskra shows in September, magnolia, mixed media art

A Meditation on August as Drought Comes to the Pacific Northwest

August 20, 2015 by Iskra Leave a Comment

I have recently begun writing on Medium. Today I have published a piece about the garden, and what it is like to be a caretaker of Eden when global warming turns everything upside down. Here is an excerpt, with new artwork done in homage to the magnolia.  I hope you will visit Medium to read the entire essay and share with friends, gardeners, and anyone looking for ways to think about living in this time of drastic change.  

magnolia mixed media on plaster by Iskra Fine Art
Magnolia, mixed media on plaster © Iskra Johnson

 

 

What is resilience? This is the question I ask myself hourly in the summer the West is on fire.

It is August. Poppies and cosmos intermingle, their ungainly stalks eye-high and lassooed with string. The distance shimmers in incense. The air is thick, and sound travels and bends slowly around corners. Even airplanes seem different, with the lazy small propeller sounds of a slower century. August defies the laws of breathing. You can exhale and stay there, moving neither forward nor back. Look at the dogs, and the lawn, indistinguishably golden and bleached, panting, lolling, wordless. Be like them. Walk barefoot into the garden at dawn in a long white dress and feel the stubble against your toes. There will be only one cool moment before evening and it is now.

I stand for hours with the garden hose, saving what trees I can before rationing begins. The ground dampens quickly but after months of heat I am no longer fooled. I can sink my fingers into the dirt and know it will be bone dry. When dirt changes character and no longer knows how to receive, the scientists call it hydrophobic. The garden hose and watering can, these symbols of all things fecund and generous and regenerative, have met their match. [Read more…]

Filed Under: The Garden Tagged With: gardening, Global Warming, inspirationdrought, lessons from the garden, magnolia, Pacific Northwest, resilience

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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