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You are here: Home / Archives for there are good things

“Breaking News: NSA Hacks Reynolds Wrap, Tinfoil Hat Will No Longer Will Protect You”

January 12, 2014 by Iskra 1 Comment

Pandora
Pandora, charcoal dust and digital modification © Iskra Johnson

                  “Maybe stories are just data with a soul.” –Brené Brown

This Friday I went out to my neighborhood bar to celebrate the first week of the new year. I took my journal and my favorite pen and my phone, and sat next to another person dining solo. She had her phone propped up on her martini glass and never raised her eyes from it, even as she consumed her dinner and dessert and a second martini. I thought about how if she had a book at hand it would be the most natural thing in the world to ask her what she was reading, or to say, I’ve read that, it was great, even if I had no idea what the book was. And yet for a long time, though our elbows were four inches apart, I felt compelled to observe the mores of Seattle social etiquette: the closer you are to a stranger, the less you say.

Finally I could not resist my curiosity, and I asked if she was reading the news. This compelled her to raise her eyes and to list off her news feed, which included all the mainstream media plus “Mumbai, for some reason. My favorite is the BBC, I trust them.” I asked her if she ever read the indie news sources like Truthout or Common Dreams and she pursed her lips and shook her head.”I would never read something like that.” Conversation over. A few minutes later she raised her head again and reported, “Arkansas Lieutenant Governor accused of misconduct,” and went back to chewing her fries with aioli.

As the daughter of a newspaper publisher and a political activist, I will be the first to acknowledge an abject obsession with news, the worse the better. Trying to reconcile the big world and the little world, to parse the truth and find some meaning in making art in the middle of the apocalyptic mediafeed is a constant daily activity around here, which if you follow this blog you have read about before (sorry!). As part of my New Years resolutions I had vowed to be more mindful of what it does to my brain to allow the news in unfiltered, and to have perhaps a little more choice (hah!). On Friday as I browsed my phone in chastened silence and waited for dinner I came across a link on Facebook to Brené Brown’s brilliant Ted Talk about Vulnerability. Which of course made me think immediately about the NSA and the comment from our President after the first set of leaks to the effect that “perhaps some way would be found to work on encryption to make data safe.” Which was followed shortly by a new set of leaks about how yes, in fact the NSA was developing backdoor ways to un-encrypt private data to make it safe for the NSA to read our private mail at its leisure.

In other words, we are now all vulnerable all the time. According to Brené “Vulnerability is the birthplace of innovation, creativity and change,” but I am not quite sure this is what she had in mind.

A few hops and skips led me to a truly outlier independent news source that mentioned casually that soon drones the size of fleas will be able to see into our homes and hear what we are saying. Sigh, there goes pillow talk. Pick the strangest science fiction you find, and soon we will be living in it. Really, I just want to go back to “normal.” I so wish we could shut the box of hysteria unleashed after 9.11 and confine eavesdropping to the secret lives of plants.

There is always a flower in Pandora’s box, and the key to smelling its scent is, yes, vulnerability. It is raining here in Seattle, and spring is soon to come. There are good things. And if anybody is listening in, that’s all you’re going to hear today. “There are good things, there are good things……..”

Flower Drawing
Origins of Spring, powdered pigment and graphite on paper © Iskra Johnson

 

Filed Under: Uncategorized Tagged With: Brene Brown, eaves dropping, flower drawing, New Years Resolution, newsfeed, NSA, Pandora Drawings, there are good things

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The photography show opening Friday, October 9th a The photography show opening Friday, October 9th at Slip Gallery is curated by my friend and fellow photographer, Scott Wipperman. This seemed like a good time to share his work and the story of our friendship on the road. Half the photographs are his and half are mine. This is an excerpt, and you can read the rest of it on my blog, see link tree in bio:

One of the rarest gifts in the life of an artist is finding a creative muse: someone who truly sees your work, and better yet, has a similar vision that is just enough different that you can collaborate without competing. In the often solitary studio life these connections can be difficult to find, but during pandemic, Instagram brought a new creative companion into my life. I do not know who started following who first. But in May 2020 I found myself sharing instant messages with a photographer working under the name “Concrete spaces“— a handle that immediately piqued my interest. Concrete has been one of my obsessions for years. Miraculously, there was someone out there who understood why I was working on a book called Parking Lot Floors Of North America. . .

©️Scott Wippermann

©️Scott Wippermann

©️Scott Wippermann

©️Scott Wippermann

©️Iskra Johnson

©️Iskra Johnson

©️Iskra Johnson

©️Scott Wippermann

©️Iskra Johnson
I am excited to be part of a show opening Friday, I am excited to be part of a show opening Friday, October 9th featuring eight Seattle  photographers and curated by Scott Wipperman @concretespaces at Slip Gallery. The theme of this show is complex and interesting: Intimate Structures. How the human body and human emotions connect with the built environment. And how the structures in our environment shape our lives, our relationships, and our possibilities. I will be showing industrial landscape as well as six pieces from the series “Immersions” based on tableaus of human relationship captured at Seattle’s waterlines. A diving platform is a stage, and the summer season a riveting drama of ever-shifting players. Most of these pieces have not been shown before.

I’m fascinated by the work of the seven other photographers, each one approaching the theme of the show from a completely different perspective, using both traditional photography and contemporary experimental techniques. Alienation, sublimation, meditation, connection:
Annie Regerson
Dimitri Wessendorf
Gillian Peckham
Iskra Johnson
Janis Mathieson
Mack Greene
Nina Bolger
Scott Wipperman
I hope to see you there!

The runs until the end of October. 
Thursday – Friday: 1:00 PM – 6:00 PM
Saturday – Sunday: 1:00 PM – 4:00 PM

Slip Gallery
2301 First Avenue in Belltown

Two Divers ©️Iskra Johnson

Guardian ©️Iskra Johnson
Morning Pages: Doors The first thing I saw when I Morning Pages: Doors

The first thing I saw when I woke up this morning was shadows on a door. Last night, I dreamt of an old building, one I have visited in dreams for years. It is a co-op apartment in some imaginary Canadian city, on a long steep hill above which are what appear to be the Swiss Alps. It was built in the early 1900’s and has grand staircases and balconies, huge rooms, bronze doorknobs and leaded glass windows. In my dreams, I interview with the board, I make an offer and I even buy an apartment— and then suddenly the door of my new home opens into a parking lot or a garage or someone else’s basement and I wake up and check my bank account, mystified by the power of this particular place, and how opening a door universally signals a new chapter in the story. 

Doors and windows are the most metaphoric parts of architecture. 100 years ago builders understood the attention they deserved. Now I live in a city where we have torn down historic churches, dumped the stained glass into a landfill and replaced these devotional structures with stacked box apartment complexes covered with Hardie Plank. I’m watching million dollar houses go up in my neighborhood with the cheapest vinyl windows from Home Depot, no eaves and often no roof— simply a flat lid to seal the box — and no trim at all. It is architecture as expedience, and it degrades the experience of how we see and experience the commons, and our human values, because, as Churchill noted, “We shape our buildings and afterward our buildings shape us.” 

We don’t look twice at these new houses, whereas I can look at this particular building somewhere in England for hours. Whoever built this wall took great care. They used the art of subtraction to add rather than to diminish. The vast flat wall of stone, the curved lintels, make the windows and doors speak. The doors and windows are not grand, but curiously condensed. They are portals through which one must squeeze with effort, which makes a person pause, and wonder. Later, they may find themselves dreaming of what is behind the walls.
Westminster Mall deconstruction project. I had to Westminster Mall deconstruction project. I had to go to the Department of Licensing this morning and stand in line and it gave me an opportunity to watch the Sears building come down. Sears was the last place left in the Seattle area where you could buy a vacuum cleaner from a man wearing creased polyester slacks, a tucked in shirt and an engraved name badge making a commission on the number of vacuum cleaner bags you bought to go with the Electrolux. I fondly remember my conversations about uprights versus canisters. This building is where I bought a snowsuit for a child that just barely fit me the day we had the epic snow and I was caught unprepared. I walked a mile on ice to get to Sears and then left looking like a nine year-old robot trying to get my knees to bend and move swaddled in 4 inches of poly blend padding. But I was warm! I doubt that anything that goes up this year in the Westminster Mall will last as long as Sears did. And there will be no catalogue unless I create one.
Excited tonight for the opening of Art and Steel a Excited tonight for the opening of Art and Steel at Youngstown Cultural Center! This is primarily a painting show from the Plein Air Watercolorists Association of Seattle (although I don’t think any of us were actually painting inside the mill on our tour!) I have been included as a photographer and mixed media artist, see last image in carousel, “Glide.” 

An exhibition of paintings telling the story of steel fabrication at NUCOR mill, hosted by Delridge Neighborhood Dev Association.

Friday, September 18 | 6:30 PM - 9:00 PM
Join us for a special evening celebrating art, industry, and community.

This exhibition features original paintings that tell the story of steel fabrication at the NUCOR Mill, presented by the Delridge Neighborhood Development Association (DNDA).
The evening will include a panel discussion, light refreshments, and an opportunity to learn more about the intersection of art, labor, and local history.

All donations made during the event will be matched and directed to DNDA’s Art Education Programs, helping support creative opportunities in our community.
Friday was my birthday. 9.11 is a day of remembran Friday was my birthday. 9.11 is a day of remembrance and national tragedy, and it seems bizarre to claim some kind of importance for having been being born on that day in the context of the event. 

Several days after, I allow myself reflection on the passage of time. This is me 15 years ago, with my Canon Powershot, which offers an astonishing naive pre-Cabrian 6 Mb image. It was much more kind than today's 24 MP iPhone, which not only captures the older me but turns that version into a character from Shakespeare with hi-def Bertrand Russel thought lines above my eyebrows and unforgiving evidence of allergies and time. 

On reflection I realize that 2011 was a very good year. I am going to allow myself to be that person for the month, and remember what that was like. The love of my life from the 8th grade had come to stay with me that summer. He took terrible photos of me that I now realize were not so bad. 99% of of the corrosive social media influences had not been invented yet. Women over whatever age was deemed desirable were not subjected to an ad every minute telling us that a new part of our face or body had gone south, and offering us a (discounted! on sale! watch the entire 30 minute video!!) $165 remedy on a monthly subscription to fix it. 

Now every day I look at the thinking and brooding lines above my eyebrows (which are also the lines caused by considering how funny some things can be even when crying) and ask myself what Bertrand Russel would say. If you are too young to know that name, AI is your ever-friend and will tell you how you too can become a "towering British philosopher, logician, mathematician, and social critic" and also how to fix those lines that come from considering things with your face. 

I think my romance with the iPhone is coming to a partial close. I want to go back to the idea of “glass.” It costs serious wages. It is made by Germans— Lately, (subtract the umlaut) Sony, the wizards of sand and heat and bending light to high high focus. I need to return to optics, f-stop, aperture, focal length— words that require frowning. 61 megapixels seems like the bare minimum. There is no cosmetic cure to being a lens-based artist:))

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