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In Memoriam: Richard Kehl, Artist, Scout, Eternal Inspiration

August 30, 2026 by Iskra Leave a Comment

In the Dream I was holding On the parachute collage
In the Dream I was holding on, For Richey Kehl ©Iskra Johnson

A year ago today Richard Kehl left the earth. It was unexpected. Earlier in the week he had sent me an email with a treasure chest of collage images, but including a rare picture of himself, looking at the camera as though directly into the storm, the cosmos, the self, the i/thou of human connection— as well as a portrait of his beloved. One has to wonder if he had a premonition. He included two sentences about presence, and art and love, and I carry them with me like amulets in moments of doubt.

This week I have been haunted by loss, companioned by the parachute we are sometimes offered by those who see into us, and know what we need. I had studied with Richey at the University of Washington when I was getting my BFA in painting. He was universally the teacher most likely to inspire this one-sentence review: Richey Kehl saved me! 

He was the one who saw into each student and asked them to step into themselves, not to copy someone else, not to get an A, not to be fawned over with praise, but to go forth.  And yes, I was one of those would would say, “he saved me.” I still have the visual notebook he required we keep and add to each day, and it still contains my DNA. The pages are burnt with the acid of time and wood pulp, the magazine photos have the unmistakable tint of bad color separations that Adobe now tries to sell us as vintage filters on an annual subscription.

And I am still the gambler’s daughter.

The gambler's daughter
The Gambler’s Daughter

It was not until I re-met Richey in 2012 and visited his studio that I became acquainted with the idea of “Scout.” Over a decade later the idea continues to gather resonance. The essential solitude that I have experienced as an artist and a seeker often feels suspect: why don’t you have grandchildren? Why aren’t you at a party? Why are you taking pictures of some broken down dumpster or the bleached grass and bramble ridge of Kite Hill when there is neither wind nor kites?

If you are a Scout you brush the questions off. Your job is to be on the ridge, peering through the duck blind, catching the meteor, questioning the agate, or parsing the ordinary with a tuning fork and making conversation that leaves your companions either laughing or unforgettably puzzled.

It is comforting, this idea of the Scout. We are alone, but not alone, because to be a Scout is to be part of The Scouts— there are others out there.

Scout on the Blue Beach
Scout on the Blue Beach, ©Iskra Johnson

Richey, you are so loved, and not forgotten.

xox,

all of us

 

Filed Under: Uncategorized Tagged With: collage life, in memoriam Richard Kehl, Richard Kehl, teachers and mentors

The Fragility Project in Bracken Poetry Journal

July 12, 2026 by Iskra Leave a Comment

Portal, Graphite pencil on Moleskine
Portal, Graphite pencil on Moleskine

One thing I love about having a studio sale is that I never know what good things will happen! During Spotlight North Open Studios the editors of Bracken Poetry Journal stopped by to take a look at my recent drawings in The Fragility Project. I am honored to have the series featured this month, in the latest issue of this beautiful publication of poetry and art. Accompanying the drawings is a short essay I was invited to contribute about the process of drawing. I hope you will take time to visit and enjoy the summer’s collection of fine contemporary poets.

Bracken Issue XV cover

It is a summer of exploration along the borders of photography and painting. As I move back and forth between media each influences the other. The photography becomes more painterly, and the paintings take on the intensity of atmosphere and mystery embedded in film. I have been steeped in memory of my father’s darkroom in the basement of the farmhouse where I spent a good part of each summer. There, no matter how hot the fields or the huge hay-filled barn, the air was cool. I loved tagging along at my father’s side in the drama of the red light and velvet darkness. Paper was precious, and at any moment there could be a mistake. Dust, light leaks, entire rolls of film gone mysteriously black and a soft stream of sighs and curses, until an image emerged from the bath of chemical chiaroscuro just right. These are for you, Dad. [Read more…]

Filed Under: Drawing, Photography Tagged With: Bracken Poetry Journal, iskra drawings, My father's Darkroom, painting and photography, retro photography, the fragility project

Spotlight North Studio Tour Preview Part 2 + New Spring Stationery

May 7, 2026 by Iskra 2 Comments

Ballast of Light pencil drawing by Iskra
Ballast of Light, pencil and graphite drawing

 Spotlight North Studio Tour Preview Part 2

As the studio tour approaches I am framing the last pieces, a task which always takes far longer than anticipated. It seems there is often something that could be revised, and before I know it it is 1 AM and I am blowing graphite dust off of plexiglass. Falling graphite easily becomes a fingerprint, which might be my new signature. Insert facepalm.

The 3 small egg drawings are all egg-sized, matted and framed in polished glass and clips ready to slip into an 8×10 frame. One has pre-sold, and I hope to have one more completed by end of week. My hope is that they are hung above the frying pan, just out of reach of splattering grease. . .

I have also framed three sequences created with washes of ink, graphite and colored chalk. These are miniatures, roughly 2×3″, matted with glass and backing to fit an 8×10 frame. I think of these as quiet conversations. They happen late at night, when images emerge from experiments in media, my new favorite being water soluble graphite. They have the scale and feel of etchings or lithographs, although they are one of a kind. [Read more…]

Filed Under: Drawing, Iskra Shows, Upcoming and Past, Mixed Media, Prints Tagged With: egg drawings, Iskra graphite drawings, Iskra Open Studio, Spotlight North

Save the Date! Spotlight North Artist Studio Tours 2026

April 15, 2026 by Iskra Leave a Comment

Petal and Cloud, graphite and pencil drawing
Petal and Cloud, graphite and pencil drawing © Iskra Johnson 2026

 

I am excited to announce the 2026 Spotlight North Studio Tour May 16-17. I have been hard at work preparing for this event, which is an opportunity for neighbors, friends, and a wider community to meet North Seattle artists in their native environment. What I love about the open studio environment is that I can show work from every phase of my career: the finished, the unfinished, and the experimental. I like nothing better than talking to people about process and media and seeing how people respond to new directions.

Each artist will have their individual studio open from noon to five. The map will go live on the Spotlight North website in May, and there will will be another post coming in May with additional previews of work I will be showing. This time I will be offering framed and semi-framed drawings (protected with glass and clips) as well as my ongoing print series, framed miniatures ranging from botanical to abstract, and a new card line just introduced this week. [Read more…]

Filed Under: Drawing, Iskra Shows, Upcoming and Past Tagged With: Iskra Fine Art Shows in Seattle, Iskra Johnson pencil drawing, seattle open studios, Spotlight North Studios Tour 2026, the fragility project

New Graphite Drawings: The Fragility Project

February 16, 2026 by Iskra Leave a Comment

The Nest ( Fragility No.1)
The Nest (Fragility No.1)

 

During Pandemic and during the crash of 2008 I turned to drawing as a form of psychic survival. Our current times echo the sense of upheaval I experienced then, and I have once again gathered my pencils and opened my Moleskine journals. In 2008 I drew tulips and convicted bankers, in Pandemic I drew locks, doors, and a tiny lightbulb made large, as though to clear a way through the darkness. The constant barrage of headlines from the Epstein files has created a sense of a world with too much malevolence to bear. And so I am drawing fragile things, the most fragile I can find: the shells of eggs, and nests. These subjects are phenomenally challenging, and symbolically healing. While I draw I must forget everything except the shape of light and how a line becomes a real thing, woven into a place of safety.

If you visited me now without warning you might think I had gone feral, as there are egg shells everywhere, placed so I can study how light moves across them throughout the day. Each time I draw I think I have never drawn before, and am convinced I have no idea how to do it. Each time I draw I am stunned that the pencil itself knows something, and it’s a matter, more than anything else, of pure, sensory observation: What is the sound of lead when it hovers above reflected light? What is the sound when it is pressed too hard and violates the grain of the paper? What happens when I step away and come back a day later? These drawings are made in very slow time. Each one evolves over several days, and as much happens when I am walking in the forest studying the shapes of trees as when I am appear to be “working.” [Read more…]

Filed Under: Botanical Art, Drawing Tagged With: Iskra Johnson graphite drawings, realistic pencil drawing, the fragility project

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Iskra Fine Art Blog

the creative process | conversations with artists | the contemplative impulse in art

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Feeling the need for color today. "Corrugation Str Feeling the need for color today. "Corrugation Structures in Aqua and Orange." Industrial architecture is sometimes pure sculpture. And sometimes the sculpture asks for a theater treatment, as pure color. These look quite amazing on German Etching paper. The last one is a detail from a different piece." See link in bio for the whole Nucor Steel Portfolio.
The secret life of buildings, late summer edition. The secret life of buildings, late summer edition. Tarps and curtains and shadows and trees all let a building hide just a bit from the public eye. There are rooms in this city that hold more secrets than other rooms and they are designed that way. Architects used to know this before they discovered that you could make a plate of glass that stretched from floor to ceiling without interruption. The art of the story is always the art of interruption. Framing, what gets blurred in the corner, what gets blasted with late afternoon light. 

The woman behind the curtain is answering her phone and she is the girl with the pearl earring transported outside of the museum to stand on Fourth Avenue looking into her reflection. If your listener is truly listening, they will tap on the glass and ask why you left that part out, the blurred corner. The Mayflower Park is where you go if you want interruptions like these. You can talk to the man arranging a lemon rind on the edge of a glass so it looks just like a scene from Last Year at Marienbad and you can learn that he grew the hydrangeas and the roses backlit by curtains in his garden and you can have a long discussion about the evolution of hydrangeas through time and interior design. And if I had more time, I would tell you about last year at Marienbad and why I had to watch it twice, the first time sleeping and the second time awake.
The Golden Chain.Nucor Steel. The Golden Chain.Nucor Steel.
Nucor Steel: These are not bytes, and if you get i Nucor Steel: These are not bytes, and if you get injured, it could be a lot worse than a mild case of carpal tunnel syndrome. Swipe to see the workbench and what appeared to be very large dice, but might have some other function. I could not decide between black and white or duo tone so I printed both.
Corrugation,light,form: Nucor Steel, industrial ph Corrugation,light,form: Nucor Steel, industrial photography
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