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You are here: Home / Archives for The Garden / The Gardener's Almanac of Irreproducible Phenomena

Memorial Day Letter (to a Fellow Gardener)

May 27, 2024 by Iskra Leave a Comment

I am sitting in my garden, appreciating the beauty of the layered leaves. The cloud cover is that particular shade of Memorial Gray, neither dingy nor celebratory, but softly understanding of all griefs, personal or military. In just four weeks the air will be perfumed with firecrackers yet now, with similar flags flying and jets crisscrossing overhead it is wistful with the scent of suntan oil still confined to its bottle and smoke from rain-dampened barbecue.

Earlier I took a walk along the shore where low tide exposed 5 feet of  barnacles white as tombstones and rank with rotting seaweed. Golden Gardens had been strung with nets and swarmed with the hopeful and half-dressed leaping and shouting and willing the ball to land on the right side. The glory of the season’s first bare feet, and sand rising in slow motion like salt spray around the players. Along the edge families shivered and fussed with potato salad and waited for heat to reach the searing stage, impatient for plates to fill and for conversation to become interesting. Miles away in a sea of asphalt the Veterans of Foreign Wars handed out red poppies and tried to explain poetry.

Flanders Field
Now, becalmed from half a mile of stairs and the discipline of the walk I do think I could spend a month or so just gazing at the Stewartia as it peels its bark and offers the miraculous evolution of blossom from polished green pearl to alabaster brooch to intricate ink-black pod. Right now it has almost everything on it at once except for the white flowers. When they fall they are purely nuisance. When they bloom it is a five-petaled rondeau that stops all thought but wonder. 

[Read more…]

Filed Under: Photography, The Garden, The Gardener's Almanac of Irreproducible Phenomena Tagged With: coppiced smoke bush, letter to a gardener, memorial day, Seattle Icons from The Atlas of Memory, the gardener's almanac of irreproducible phenomena

The Hellebore Suite: New Botanical Prints and Cards from Iskra

March 20, 2022 by Iskra Leave a Comment

New, from the Gardener’s Almanac of Irreproducible Phenomena, The Hellebore Suite, available as prints and blank greeting cards.

The Meadow, archival pigment print landscape by Iskra

The hellebore is a complicated flower. Appearing in late winter, it rises up from drifts of snow and bracken, with leaves that unfold like carved marble. The blossoms hang from delicate arched stems, often hidden in shadow. When the hellebore looks up at you, you see a face both innocent and knowing, and you understand why this flower has been a key player in the world of potion and myth. This is a flower you should admire — but never eat. I have many varieties of these in my garden scattered among the ferns and hostas. They also grow wild in the woods nearby, where I captured the pale lavender specimen above, in a print called The Meadow. 

I did the first portrait of a hellebore as part of a series called “Sweet Old World” that came about as I sorted family papers and photos going back to the 1800’s. The style of this work is inspired by vintage tintype. I love the ragged borders and soft organic focus of photography in the early days of its invention. These pieces are a modern interpretation of tintype’s vintage haze and inexactitude, using watercolor, photography and digital printmaking. Click on any image to be taken to my shop.

Hellebore in Victorian Style botanical greeting card
Hellebore in Victorian Style ©Iskra Fine Art 2022
Spring Hellebore cards by Iskra 1200
Spring Hellebore Cards

[Read more…]

Filed Under: Botanical Art Cards, The Garden, The Gardener's Almanac of Irreproducible Phenomena

Botanical Stationary and Prints from The Gardener’s Almanac of Irreproducible Phenomena

March 1, 2022 by Iskra Leave a Comment

 

Wheelbarrow in garden photo by Iskra
Winter Muse

Since the last entry from my garden The Gardener’s Almanac of Irreproducible Phenomena has published a series of botanical stationary and prints. The response has been wonderful, and I am grateful for the support of friends and new patrons from around the country. I am beginning to hear from people who share how they have used the cards, sending them as thank-you’s, condolence, letters and in sets as gifts. There are now ten in the series, with more to come each month. Here are a few glimpses of what’s in the shop.

Anemone in the Field Botanical Card by Iskra
Anemone in the Field
Victorian Anemone

[Read more…]

Filed Under: Botanical Art, Botanical Art Cards, The Gardener's Almanac of Irreproducible Phenomena Tagged With: botanical greeting cards, Botanical stationary by Iskra, Contemporary Botanical Prints, Gardener's Almanac art, The art of correspondence, The Wheelbarrow Suite

The Gardener Takes a Walk Under the Full Moon | A Valentine

February 14, 2022 by Iskra Leave a Comment

Moon and cloud courtship

They tell you the moon is cold, if you read the studies.

It’s just some kind of silt made of shredded stars and forgotten planets burnished and abraded by cosmic winds without any feeling at all. It is purely accident, a slip of a cartoonist’s pen, that causes us to see things that don’t exist.

Man, Goddess, pick one, or pick both. It may pull the tides, it may make women crazy and men confused, but it is, in fact,

scientifically proven to be genderless:

the moon is an It.

Tell that to the Redwood and the Elm, Cedar, Spruce, their ink-black armature against the hyacinth sky designed to curtain the clouds and moon in courtship.

Moon in Trees

Knowing that last month’s Janus-faced equivocations had slipped into history and that now was unequivocally coming; seeing the tulip break from its monotonous green gloves and say (this very day,) Red, the Gardener knew the situation was urgent. [Read more…]

Filed Under: The Gardener's Almanac of Irreproducible Phenomena, The Spiritual in Art Tagged With: Lyric essay, Moon and cloud, St. Valentine essay, Valentines Day

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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