Iskra Fine Art

  • Prints
    • The Tarmac Residency: Airport Landscapes
    • Immersions | At The Shore
    • ColorBath: Images of the Harbor
    • The Floating World
    • Industrial Strength | Urban Industrial Landscape
    • The Scaffold
    • Industrial Pastorale: The Rural/Urban Landscape
    • Botanical Prints | The Natural World
    • Construction | Reconstruction : Urban Landscape
    • Infrastructure
  • Drawings
    • Pencil Drawings: Pandemic Pause
    • Drawings in Dust 1
    • Signs & Symbols (Archive)
    • Botanical Drawings (Archive)
  • Photography
    • Seattle Waterfront Park Photography
    • Architectural Photography | Construction Sites
    • American West Landscape Photography
  • Mixed Media
    • Modern Botanical | Mixed Media on Plaster
    • From the Sea | Water Paintings
    • Sleep Studies
  • Wabi Sabi Abstract
    • Minimalist Modern
    • Ink Painting Abstractions
  • Shop
  • About
    • Contact
  • Blog
You are here: Home / Iskra Shows, Upcoming and Past / Industrial Strength Update: Show Hours and More

Industrial Strength Update: Show Hours and More

September 17, 2017 by Iskra 1 Comment

Iskra Industrial art at SAM Gallery
“Blanchard Street” and “Salmon Bay,” limited edition mixed media prints on canvas, 40×40″ (electrical outlet shown for scale.)

Hi Friends,

Thank you to everyone who came out to the opening at SAM Gallery last Thursday! It was a great time, and I so appreciate the support from the community, patrons and friends. It was really wonderful to meet some of my collectors and to hear the stories behind their connection to my work. (And some of the conversations may have inspired a Social Practice project: stay tuned for #engineerslookingatart. . . . who knew it would be the biologic engineer who found brassieres in my abstraction of scaffolds?)

Many people have asked me how long the show will be up, and since SAM Gallery has a different model than most galleries I thought I should send out a quick note to let you know the best window for seeing the work in its original installation. One of the things that makes SAM such a great place to show is that they place art through both sales and rental. For a very affordable cost companies and individuals can rent artwork or rent to own. This means that often after a week much of a show is reconfigured, as work flies out the door. Already one of my favorite pieces is off to its new home and a new one is in its place. So if you would like to see the installation in something close to its original arrangement (and Jody, the esteemed curator of the gallery did an beautiful job), I urge you to try to stop by before this Thursday. I will have work up for the rest of the month, but it will likely be reconfigured, and I love how it looks right now (17 pieces!). Gallery hours are:

MONDAY CLOSED
TUESDAY CLOSED
WEDNESDAY 10 AM – 5 PM
THURSDAY 10 AM – 9 PM
FRIDAY 10 AM – 5 PM
SATURDAY ​10 AM – 5 PM​​​​
SUNDAY ​10 AM – 5 PM​​​​

The phone number for the gallery is 206.343.1101 and the entrance is through the gift shop on the lower level at 1300 First Ave Seattle, WA 98101. Work that is available can be seen on my artist page.

Here are a couple of other shots of the installation I took this week, and I will post links to a few more on social media of opening night.

SAM Gallery Industrial Strength
Work by Iskra Johnson on the left and Kellie Talbot on the right
Industrial Strength SAM Gallery
Industrial Strength with Saturday sitters. The man on the right is mesmerized by a painting by Kate Protage, hidden behind the wall.
Eventide 2 print by Iskra Johnson
“Eventide,” 30×30″, went home with a new collector. This is a limited edition of 10, and 9 remain
Counterweight, limited edition print byIskra
“Counterweight,” 15 x 15,” part of a series about the Chittendon Locks. I loved hearing the story from the couple who purchased this about their experience going under this bridge on a boat. My work is about sense of place, and it makes my day when people can find their own memories in what I see. Nine prints remain in this edition.

It’s been a very exciting year of art making. I have so many ideas it is overwhelming. Fortunately I have been offered a solo show in the spring at a wonderful gallery in Mt. Vernon, where I can expand into new directions and see these ideas emerge. Tentatively titled “Industrial Pastorale,” the new series will look at the Northwest landscape and the borderlands between city and country. Follow me on Instagram and on Facebook to see my work in progress and follow my scouting missions into the northern landscape.

Filed Under: Iskra Shows, Upcoming and Past Tagged With: art openings, Industrial Strength, Kate Protage, Kellie Talbot, SAM Gallery, Seattle art exhibits

Comments

  1. Suzanne says

    September 18, 2017 at 3:56 pm

    I am so happy for you. Will be there Wednesday.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Join Iskra’s Mailing List

Don't miss a thing! Subscribe to receive show announcements, first peek at new work and my semi-monthly blog by email. I primarily use the blog for news and updates but by signing up you will also receive the occasional newsletter and special offers for items in my shop.

Iskra Fine Art Blog

the creative process | conversations with artists | the contemplative impulse in art

Instagram

Morning pages. Reading Wallace Stevens’ ‘13 wa Morning pages. Reading Wallace Stevens’ ‘13 ways of looking at a blackbird’ for the thousandth time and finding it completely new.
Hello solo travelers….are we odd to love the sol Hello solo travelers….are we odd to love the solitude of taking in a place with every one of our senses, unmitigated by the relational bypass legislated by the need to tend to whether the Other is: okay/happy/comfortable/entertained etc…? Tonight I’m sharing notes on my (new) dedicated weekly visit to the travel state of mind, in which I go somewhere in public as though I was a tourist and read and write and armchair travel. 

I love company, don’t get me wrong. I have traveled with, and without. Evenings are not always at ease. In 1990 I went to a Typography Conference in Oxford. Dropped my luggage a week ahead and took a train to the Lakes. Me and every honeymooning couple of the year, in 19th century bed and breakfasts (all booked by pre-internet postal and phone call.) Horsehair mattresses, pineapple-carved bedposts. Two other non-honeymooning people were allowed into the 40-mile square Lakes that month. They did not make eye contact. 

So it was me and Beatrix Potter, and the “jacket potato”, an unfortunate menu staple that involved baked beans + baked potatoes (in far too close proximity) alone with our observations writing letters home to whichever boyfriend it was left behind. (Here I gracefully omit the grand ball under the tent on the Thames back at the conference and everything that happened after. . .) The Thames is why the British invented elipses. 

I had told myself on some errant Tuesday that England was the size of Whidbey Island. It was a rare lapse, in which I completely forgot: world history? Oh, wait, the Beatles. + King Arthur. Stones and tables and swords. Forgive me while I go re-watch the intro to #Outlander….

Daunting to study the guidebook and realize I should have started this project when I was 11. I have been to England three times. I cannot fathom how I thought I could go again and not want to see everything: every cathedral, flea market, moody moor, outsider mural and Arabic bakery, cinematically filtered through a modern mashup of Virginia Woolf and Peaky Blinders.
Amid the clamor and noise of our online lives I fi Amid the clamor and noise of our online lives I find myself sometimes seeking very simple places to land. What better place to land then water? In the series of architectural works in progress one of my subjects is the Chittenden Locks. You can’t have the locks without the water that lives to be raised and lowered. These subtle tethers between invisible guide posts and unseen actors offstage speak to me not just of infrastructure and industry, but of our connections to one another. 

I live in a city that has decided resolutely that Zoom is the same as actual conversation. The model embraced here is “if it looks good, as a facsimile, it’s probably good enough.” What a loss for all of those who have spent a lifetime in a craft perfecting real things. Serif, proportion, texture, text— all made visible through touch. One tug of a rope, one breath of wind, and this whole image redesigns itself. With photographic art I can make images without ever smearing paint or lifting out. I touch with my eyes and mind. What makes it human is metaphor. What keeps you tethered to this world, and to others?
Work in progress: Seattle icons of place and archi Work in progress: Seattle icons of place and architecture. This piece harkens to another time. Old world rotogravure, lithography, the specimen studies of explorers first seeing the tropics, or the to-them “new world.” Also to the early psychedelic history of Seattle, where if your UW professor was missing in class he might be sitting in one of the mythic cedars at Volunteer Park, or cactus gazing in the steamy other-world of the conservatory. It was a magical time, and the park was the incandescent center. 

The way I work is by deconstructing the real into many subtle layers of color and tint and tone, and then recomposing as though each piece of photographic information was a plate. In my architectural images and botanical work a piece like this can go back-and-forth for a long time between realism and atmosphere and I never know until the very last step exactly where it will land.
Best way to contemplate landscape and travel is by Best way to contemplate landscape and travel is by candlelight.
Study of place, Volunteer Park Conservatory. I sta Study of place, Volunteer Park Conservatory. I start my morning pages with barely formed questions: 

What is a dream? Is a glass house safe or waiting to be broken? What is the effect of layering and repetition, a note repeated more and more softly without elaboration?

Featured Posts

  • How to Purchase Artwork from Iskra Fine Art
  • About This Blog
  • New Directions in Contemplative Art: Conversations with Artists
  • What is a Transfer Print? (Artist Statement)

Categories

  • Abstract Calligraphy
  • Architecture & Sense of Place
    • Construction/Reconstruction
    • The Alaska Way Viaduct
    • The Water Tower Project
  • Art Reviews
  • Artist Studio Visits
    • The Mystic Muse: Artists Working in the Contemplative Traditions
  • Botanical Art
    • Botanical Art Cards
  • Collage
    • Digital Collage
  • Commissioned Art
  • Drawing
  • Essays
    • Object Lessons: Essays and images inspired by "A History of the World in 100 Objects."
  • Iskra Shows, Upcoming and Past
  • Iskra Sketchbooks & Journals
  • Living With Art
  • Meditation & Buddhism
  • Mixed Media
  • Painting
  • Photocollage
  • Photography
    • American West Landscape Photography
  • Prints
    • Transfer Prints
  • Social Media for Artists
    • The 100 Day Projects
  • The Garden
    • The Gardener's Almanac of Irreproducible Phenomena
  • The Spiritual in Art
  • Travel
    • Road Trips
  • Uncategorized

Archives

Search

Connect on Facebook

Iskra Fine Art Facebook Page

Creative Inspiration

  • Alternative Photography
  • An Artist's Retreat
  • Anonymous Chinese Textile Genius: Moo Won
  • Chocolate Is A Verb
  • Contemplative Art Process: Danila Rumold
  • Eva Isaksen
  • Old Industrial Japan
  • The Altered Page
  • The Heart Sutra Loop
  • The Patra Passage

Galleries for Contemplative Art

  • ArtXchange Gallery
  • Seattle Asian Art Museum

Links

  • CollageArt.org
  • Iskra at SAM Gallery
  • Iskra Fine Art on Houzz
  • Seattle Art Museum Blog
  • Seattle Artist League
  • Seattle Print Arts
  • Seeing Fresh: Contemplative Photography
  • The Painter's Keys

What I'm Reading: Online Magazines and Books I Love

  • 16 mi.
  • Essays by David Whyte
  • Evening Will Come: Poetry
  • Hyperallergic
  • Painter's Table
  • Shu: Reinventing Books in Contemporary Chinese Art
  • Streetsy
  • The Original Van Gogh's Ear Anthology
  • Tricycle Magazine
  • Unincorporated Persons in the Late Honda Dynasty
  • Vanguard

Let’s Connect

  • Contact Iskra
  • How to purchase artwork
  • Iskra Fine Art Blog : The creative process, conversations with artists, the contemplative impulse in art

Join Iskra’s Mailing List

Don't miss a thing! Subscribe to receive show announcements, first peek at new work and my semi-monthly blog by email. I primarily use the blog for news and updates but by signing up you will also receive the occasional newsletter and special offers for items in my shop.

  • Facebook
  • Instagram
  • Pinterest
  • Twitter

All Images Copyright © 2023  Iskra Johnson · Site by LND · WordPress