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You are here: Home / Archives for #covidcollaboration

Iskra Fine Art #100DayProject and the Garden Show at Museo

March 30, 2020 by Iskra Leave a Comment

The Space Between Train Collage

(See the Motion version on Instagram.)

It has been only 20 days since I last wrote here, and yet in that time the world is completely changed. Millions of people across the globe are now confined to their homes as modern life as we have known it shuts down in the face of the corona virus. The profound sense of isolation in the studio, combined with the media’s constant drumbeat of dystopia pushed me for several weeks close to despair. Forced to look at the books on my shelves (and consider reading them) I came across Milan Kundera’s The Unbearable Lightness of Being. In it, the draft of a calligraphic treatment of a quote: A single metaphor can give birth to love.

With galleries closed and shows delayed or cancelled, and with a sense of life or death urgency and helplessness heavy in the air, motivation for working in the studio has been in question. But the quote, and its tissue paper flourishes, lingered in my mind. I think it was its echo that led me to realize that this is the time, after years of thinking about it, to take on #The100DayProject. Under house arrest in my pajamas, there is no escape. And certainly nothing to lose.

The One Hundred Day Project was first introduced in 2007 by designer Michael Bierut as a challenge to his graduate students at Yale. The outlines were simple: “Do a design operation that you are capable of repeating every day. Do it every day for one hundred days.” The project was brought onto social media by Elle Luna in 2014 and has become a platform for reinvention with global reach through Instagram.

[Read more…]

Filed Under: Botanical Art, Collage, Drawing, Iskra Shows, Upcoming and Past, Iskra Sketchbooks & Journals, The 100 Day Projects Tagged With: #Artinisolation, #covidcollaboration, #social distancing, #the100DayProject, Iskra shows, Museo Gallery 2020, The Unbearable Lightness of Being

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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