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Studio Visit with Muralist and Teacher Jennifer Carrasco

September 4, 2015 by Iskra 3 Comments

The Ruins mural, cougar painting, by Jennifer Carrasco
The great cougar, with shy otter and kingfisher. The Ruins. © Jennifer Carrasco

If you have ever attended a soiree at The Ruins, Seattle’s most exclusive and mysterious supper club, you may have looked up for a moment across the gilt rim of your absinthe and locked eyes with The Cougar. As your gaze moved from the patterning of leaves to the shy otter and then to the majestic drape of the big cat’s paws you may have found yourself wondering about the artist, and the style, which is an uncanny blend of ornament and botanical exactitude. The Cougar is but one panel in an epic mural that goes from ceiling to floor, creating an atmosphere of timeless excess and contemplation. Hearing the artist’s name was “Carrasco,” you might have assumed the work was done by some Italian guy imported from The Old Country to put a polish on the Northwest.

You would be right that the artist was imported, but he is a she, and she comes from the Inland Empire town of Pomeroy, next door to the Palouse. Jennifer Carrasco got her start in the dry scree and lazy rivers of the American west. There she fell in love with landscape and learned the stillness that comes of wandering quiet empty places. The oldest of four daughters, she was raised going to mass every Sunday and singing Gregorian chants. A close-knit town with deep roots, Pomeroy embodies the best of family, connection and continuity, but it’s also the kind of place an imaginative person might yearn to leave, just to see what’s beyond the hills. After getting her BA degree in art and education at WSU Jennifer took off for the big world.

She has led many lives, far beyond her small-town roots, as part of the Peace Corps in the Phillipines, as a mother, a poet, and as a painter and teacher in Japan, Alaska, and the deep South. By the time she landed back on the West Coast she had a wealth of artistic influences to draw from. Her assignment for the Ruins was to create a style of “Northwest Rococo,” and every detail of fauna and flora is researched and authentic, drawing on a year of research into painting styles, ornament, and museum artifacts and diaries from the early days of the Northwest Territories. [Read more…]

Filed Under: Artist Studio Visits Tagged With: artist studio visits, Jennifer Carrasco, muralist, seattle art classes, seattle art teacher, the ruins, watercolor teacher

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
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I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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