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You are here: Home / Archives for object lessons

Object Lessons: The Valentine

February 13, 2025 by Iskra Leave a Comment

As work in the studio moves in new directions not yet ready to surface, I offer you, in lieu of new paintings, my morning’s meditation on the season.

I hear this month half-melted in dirty snow belongs to a Saint dressed in velvet. Amid the scrolling bonfires of vitriol, romance still flutters “below the fold” as they used to say, back in the day when you could iron the news in half.

Forgive me if I had misplaced February. At Trader Joe’s, on a mission to find King County’s last carton of eggs, I pushed my cart past the bulbs dangling jaundiced roots and the sticks that hold up orchids and arrived at a startling array of succulents in pink ceramic hearts. I paused. Such an unexpected sweetness they offered, tiptoeing into the swirling turmoil of my thoughts. I looked at the scalloped edges of the planters and the cascades of pearls and hens and chicks and said to myself, I am not the kind of person who buys such a thing. [Read more…]

Filed Under: Object Lessons: Essays and images inspired by "A History of the World in 100 Objects." Tagged With: artists who write, generational explainer, Lyric essay, object lessons, The old names, Valentines Day, why I love Trader Joes

Meditation on the Winter Solstice, 2015

December 22, 2015 by Iskra 3 Comments

Winter Solstice, 2015

“I shut my eyes in order to see.”— Gauguin

 

The-Pale-House
The Pale House, printing ink on paper, © Iskra Johnson

There are structures designed to withstand earthquakes and there are structures built to slowly decay. These are scaffolds of membranes that melt under rain and light until the wind can blow through, rocking them lightly back and forth. The seed, meant to escape, might remain for years, seemingly weightless, but weight enough to keep the structure anchored. Time moves around it.

I lived for awhile, many years ago, in a former Catholic monastery. The light that came in through stained glass and wooden shutters filled the rooms with rare colors and a sense that every moment within had been granted or won. In this domain  I couldn’t make a cup of tea without a sense of ceremony. In the morning I would choose a cup, pour boiling water through a silver weir and thick black leaves, and settle with my Earl Grey on the back stairs behind the kitchen. There I could sit and watch the world awaken through the steam of bergamot. [Read more…]

Filed Under: Mixed Media, Object Lessons: Essays and images inspired by "A History of the World in 100 Objects.", The Garden, The Spiritual in Art Tagged With: botanical art, home, meditation, mixed media, object lessons, organic architecture, tomatillo, winter solstice

Object Lessons: The Moon, the Feather, the Leaf, the Rose

October 28, 2015 by Iskra Leave a Comment

The moon is here in all its singularity, full and bright, and daring me to look at it all night and not go blind. November is not yet here but in the wings, and threatening. The mood shifts, worry and fear attendant.

When I think of the year and its divisions, the prismed light across the page, time’s markers are uneven, an anarchic rout.  The losses collide into the dark months, and if a few spill into March the chill of winter accompanies. There is good reason to sit in the dark and stare at the moon, realizing more clearly, “Some things in life cannot be fixed. They can only be carried.”

This, I think, is why I walk in Autumn and forage until my pockets fill with stones and twigs, why I take huge comfort in contemplation of a single thing. To look at it until it returns my gaze. Until there is no forward or back, or there is both at the same time, a cancellation that returns me to my self. I carry home my gleanings and arrange and rearrange until there is an order, each thing remembered in its place in time.

 

Found feather, mixed media on plaster by Iskra [Read more…]

Filed Under: Iskra Shows, Upcoming and Past, Mixed Media, Object Lessons: Essays and images inspired by "A History of the World in 100 Objects." Tagged With: iconic object, image transfer, meditation on autumn, mixed media, object lessons, Seattle sampling, studio sale

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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