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You are here: Home / Archives for the gardener’s almanac of irreproducible phenomena

Memorial Day Letter (to a Fellow Gardener)

May 27, 2024 by Iskra Leave a Comment

I am sitting in my garden, appreciating the beauty of the layered leaves. The cloud cover is that particular shade of Memorial Gray, neither dingy nor celebratory, but softly understanding of all griefs, personal or military. In just four weeks the air will be perfumed with firecrackers yet now, with similar flags flying and jets crisscrossing overhead it is wistful with the scent of suntan oil still confined to its bottle and smoke from rain-dampened barbecue.

Earlier I took a walk along the shore where low tide exposed 5 feet of  barnacles white as tombstones and rank with rotting seaweed. Golden Gardens had been strung with nets and swarmed with the hopeful and half-dressed leaping and shouting and willing the ball to land on the right side. The glory of the season’s first bare feet, and sand rising in slow motion like salt spray around the players. Along the edge families shivered and fussed with potato salad and waited for heat to reach the searing stage, impatient for plates to fill and for conversation to become interesting. Miles away in a sea of asphalt the Veterans of Foreign Wars handed out red poppies and tried to explain poetry.

Flanders Field
Now, becalmed from half a mile of stairs and the discipline of the walk I do think I could spend a month or so just gazing at the Stewartia as it peels its bark and offers the miraculous evolution of blossom from polished green pearl to alabaster brooch to intricate ink-black pod. Right now it has almost everything on it at once except for the white flowers. When they fall they are purely nuisance. When they bloom it is a five-petaled rondeau that stops all thought but wonder. 

[Read more…]

Filed Under: Photography, The Garden, The Gardener's Almanac of Irreproducible Phenomena Tagged With: coppiced smoke bush, letter to a gardener, memorial day, Seattle Icons from The Atlas of Memory, the gardener's almanac of irreproducible phenomena

From One Tree: Botanical Watercolor Paintings as Fine art Greeting Cards

March 4, 2023 by Iskra Leave a Comment

Laurel leaves watercolor

“From One Tree”, A new offering from The Gardener’s Almanac of Irreproducible Phenomena

Before the Gardener moved onto land with a house she spent many years in a brick tower in the city. There her rooms were lit by the changing colors of the Sycamores outside the windows. Summers were dark, with a heavy cast of green oxide. Autumn showered the walls with gold, and in winter the air became blue.

The apartment building shared one side with an alley and here, on her daily walks, the Gardener began to notice unusual leaves scattered in the mud. The leaves were mottled with curious patterns and glowed with ruby, burgundy and lime. They seemed to have fallen from an ordinary laurel hedge, but all the other laurels in the neighborhood were monotonously dull and one color of green. She picked up one leaf and then another, and soon she was a collector, arriving each day to her rooms with pockets filled with fragile specimens. [Read more…]

Filed Under: Botanical Art, Botanical Art Cards Tagged With: autumn leaves, Botanical watercolor cards, the gardener's almanac of irreproducible phenomena, watercolor leaves

New Years’ Eve: In Which the Gardener Takes a Moment to Reflect

December 31, 2021 by Iskra Leave a Comment

Winter garden New years Eve

(Excerpt, from The Gardner’s Almanac of Irreproducible Phenomena December 31, 2021)

The first thing the Gardener noticed on the morning of December 31 was the color of the snow. The sun had emerged after days of gray and bitter cold, and as shadows stole across the land they brought with them a new color, “warmth,” transforming the drifts and vaguely monstrous shapes of the shrubs into benign presence. The light most particularly touched the robins, who demand warmth to ignite their color fully. On the dogwood branches the robins sat, eastward facing, their chests swelling and feathers plumping as though they had been feasting all week instead of pecking amidst tire tracks for the carcasses of worms. In another garden a varied thrush had fallen to its frozen death with a sound like lead and been buried with ceremony, its dark necklace enveloped in garnet strings and rubies as befits a prince.

Last year the gargoyle had reigned over the pond with his broken wing. For 40 years his gnarled features gave purchase to every bird who came to sit and drink from the spout pouring water. Each December, through the incantations of ancient fractals, the water carved a heart from the ice, a wet obsidian streaked by the occasional golden contrails of fish. Each year the birds descended in order of size: first the crows, then the flickers, then the robins, sparrows, chickadees and towhees, and lastly, the shy wren. The Gardener did nothing on these days but observe and laugh, and all was good.

 

The Gargoyle of Christmas Past

Long ago….. [Read more…]

Filed Under: Meditation & Buddhism, The Garden, The Spiritual in Art Tagged With: Kuan yin, new years 2021, pandemic new year, the gardener's almanac of irreproducible phenomena, the shell, What a year

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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