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You are here: Home / Archives for #the100DayProject

Iskra Fine Art #100DayProject and the Garden Show at Museo

March 30, 2020 by Iskra Leave a Comment

The Space Between Train Collage

(See the Motion version on Instagram.)

It has been only 20 days since I last wrote here, and yet in that time the world is completely changed. Millions of people across the globe are now confined to their homes as modern life as we have known it shuts down in the face of the corona virus. The profound sense of isolation in the studio, combined with the media’s constant drumbeat of dystopia pushed me for several weeks close to despair. Forced to look at the books on my shelves (and consider reading them) I came across Milan Kundera’s The Unbearable Lightness of Being. In it, the draft of a calligraphic treatment of a quote: A single metaphor can give birth to love.

With galleries closed and shows delayed or cancelled, and with a sense of life or death urgency and helplessness heavy in the air, motivation for working in the studio has been in question. But the quote, and its tissue paper flourishes, lingered in my mind. I think it was its echo that led me to realize that this is the time, after years of thinking about it, to take on #The100DayProject. Under house arrest in my pajamas, there is no escape. And certainly nothing to lose.

The One Hundred Day Project was first introduced in 2007 by designer Michael Bierut as a challenge to his graduate students at Yale. The outlines were simple: “Do a design operation that you are capable of repeating every day. Do it every day for one hundred days.” The project was brought onto social media by Elle Luna in 2014 and has become a platform for reinvention with global reach through Instagram.

[Read more…]

Filed Under: Botanical Art, Collage, Drawing, Iskra Shows, Upcoming and Past, Iskra Sketchbooks & Journals, The 100 Day Projects Tagged With: #Artinisolation, #covidcollaboration, #social distancing, #the100DayProject, Iskra shows, Museo Gallery 2020, The Unbearable Lightness of Being

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I have been obsessed for well over a decade by the I have been obsessed for well over a decade by the line between the photographic and the drawn. This is simply a media test, or an “under drawing“ for something else, but it gave me pause. It suggests so many different qualities of mood: Foreboding, calm, dichotomy, a family photo poorly developed, the cloudy skies of the Pacific Northwest, or the fugue state one falls into after turning the pages of our days as a failing empire. “Our“ refers to those of us who live in the USA although now it should be called the DU USA, as in disunited United States. That disunity is a powerful disruptive pain that I feel daily. Also, as we phase out medicine, research, medical care, and with that presumably self-care, this was created, for those who are curious, with a cotton ball by #JohnsonAndJohnson (my father’s Swedish ancestors) on a Talens sketchbook. As I said, I’m testing. How much of the world can I take in before I shut the door and become an art nun and don’t look up until the last minute?
Sunday concentration drawing, testing a new notebo Sunday concentration drawing, testing a new notebook( and my attention span. . .)
Today’s mood, from the morning walk. Today’s mood, from the morning walk.
A metaphysical idea waiting to become a drawing. A A metaphysical idea waiting to become a drawing. All day I have been studying graphite, the most evanescent of mediums. Fragility. Once you break the egg, scatter the nest, leave the children without family on an abandoned beach, what then? 

I have spent the day drawing. In the background, which becomes foreground with one click, is the news of the rounding up of another thousand or so human beings by bounty hunters given a quota, thrown into concrete cages and disappeared because someone decided that America is no longer the home of the #huddledmasses.

The plaque on the Statue of Liberty says:

“Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Noem and Holman have not, apparently, run their hands over these words.

How do you continue making art at a time like this? You chase the metaphor. There is always a constant truth beneath the chaos.
Media studies. Addition and subtraction. Media studies. Addition and subtraction.
Somehow, between checking the news and the usual d Somehow, between checking the news and the usual distractions I managed to complete a drawing. Going back to the beginning: drawings in dust. 9.5 x 12” Charcoal powder, compressed charcoal, charcoal pencil on Moleskine. I feel peaceful for the first time in weeks.

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