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You are here: Home / Archives for Iskra Shows, Upcoming and Past

Iskra Fine Art Upcoming Shows and Publications

January 6, 2013 by Iskra 1 Comment

I am starting the year with numerous shows all within the next three months. I will post reminders of openings here as they come up, but for those who want advance notice, here is the list of what’s up between now and April. I hope you will be able to stop by and see the work in person!

Prographica Fine Works on Paper: “The Bleak View”: I will have five prints and a drawing in this show. A perfect theme for this time of year in the Northwest, when you either find the loveliness in 100 shades of gray or die trying. The show runs from February 2-March 9, opening TBA.

The Elegant Scaffold Construction Site Photograph
“The Elegant Scaffold,” Photograph, 16″ x 16″, © Iskra Johnson

Bainbridge Arts & Crafts, on Bainbridge Island: “New Media: Digital Art”: I will have four pieces covering a range of botanical and industrial themed-work in this invitational exhibit. The show runs from March 20- April 22, opening reception April 5.

The Reeds Transfer Print
“The Reeds,” 1/2 ev, 22″ x 30″ paper size, 16″ x 21″ image size

Painters Under Pressure at Phinney Gallery: A group show with my print salon.  The show runs from April 3-May 1, opening reception April 12 from 7-9 PM. I expect to have a variety of sizes and themes for this exhibit, possibly including new experimental typographic prints from The Wailing Wall. This will be our first group show in many years, and I am very excited about it. If you would like to keep up with PUPs do check out our Facebook page.

EXIT/NoExit, experimental typography
“EXIT/No Exit,” experimental typography, © Iskra Johnson

Additionally,  SAM Gallery will have four of my new large prints from Construction/Reconstruction on display in February as part of the rotating collection. It has been exhilarating to see how scale changes the work, particularly when the themes are architecture and space.

In the world of publications, I am very excited to be in two books this year. Tom Hoffmann’s Watercolor Painting will have its official launch party at Gage Academy Friday January 18, 6-8 PM. In conjunction with the book signing the Steele Gallery at Gage will be exhibiting Tom Hoffmann’s work along with that of contributors to the book in “Watercolor: Thoughtfulness to Spontaneity.” I will have a piece on display from my series of expressive botanical paintings.

This past summer I explored the wildly inprovisational world of cyanotype, and an image from that series will be published in Jill Enfield’s upcoming “Jill Enfield’s Guide to Photographic Alternative Processes: Popular Historical and Contemporary Techniques” from Focal Press. I will post a link to the book when it is published, in June. You can read about my experience with cyanotype here, in the post “Three Days in the Sun….”

Because so many shows are happening in a short period of time I will send this summary out to those who are on my email mailing list as a separate newsletter, but suggest you follow me here at my blog or on the Iskra Fine Art Facebook page for updates and reminders. I will limit the number of individual event invites as I know people are overwhelmed by email these days.

Happy New Year, keep the creativity flowing!

 

Filed Under: Iskra Shows, Upcoming and Past Tagged With: Bainbridge Arts & Crafts, Iskra Fine Art publications, Iskra Fine Art Shows 2013, Iskra Johnson Shows, New Media: Digital Art, Painters Under Pressure, Phinney Gallery, Prographica, The Bleak View

Iskra in “Walk the Line” at Ida Culver

November 11, 2012 by Iskra Leave a Comment

Please join me for the opening reception of “Walk the Line” curated by June Sekiguchi this coming Wednesday. I will have two new prints on exhibit from the series “Construction/Reconstruction.”

November 14, 4:30-6:30

Ida Culver House

12505 Greenwood Ave. N, @ 125th Street, Seattle 98133

Wine, hors d’oeuvres and entertainment will accompany the art.
Complimentary parking provided.

“Walk the Line presents unique perspectives of expressing qualities of lines in abstract and figurative works in drawing, painting, photography and sculpture.”

Duwamish_Platform_collage
Duwamish Platform, Digital Mixed Media Collage, 16″ x 16″

Recent additions to this series can be seen in a new print portfolio here.

Filed Under: Iskra Shows, Upcoming and Past Tagged With: Digital Mixed Media Collage, Iskra Johnson recent shows, Iskra shows, Walk the Line

Contemplations of Nature at SAM Gallery: Opening May 10th

May 7, 2012 by Iskra Leave a Comment

I will have prints in the May show at Seattle Art Museum Gallery May 10–June 9 from The Natural World. And I am featured in the gallery blog here. I feel honored to be included in an exhibit with some of my favorite Seattle artists. I hope to see you there!

Filed Under: Iskra Shows, Upcoming and Past Tagged With: Contemplations of Nature, SAM Gallery

Opening of Black & White Show at Fraker Scott

February 17, 2012 by Iskra Leave a Comment

Opening night of The Black & White Show at Fraker Scott with Wanda Pelayo, in February of 2012. Part of the sequence from Drawings in Dust is on the Wall behind.

 Iskra At Black &White Show Opening

Filed Under: Drawing, Iskra Shows, Upcoming and Past

Is Bremerton The New Brooklyn? Many Reasons to Visit The CVG Show 2012

January 17, 2012 by Iskra Leave a Comment

Ok, ok, I know Burien has been fighting for this title, (and in fact it may not even be relevant, since I am told by some that China, the entire nation, is the new Williamsburg, and who cares about Brooklyn anyway, aren’t we over the USA??), but I would like to take this opportunity to point out that Bremerton has pretty much everything you need in a burgeoning arts community, and much to make its preening big sister to the east jealous.

This is a town where you can still find an affordable home, median price $199K. It’s a place where nature rules, and with considerable drama: In 2010 two bald eagles fighting over a fish knocked out power on Pleasant Avenue, electrocuting one bird in the process. It’s a place where you can spend the night at an upscale bed and breakfast or opt for a romantic and educational sleepover on an actual Navy destroyer from the Vietnam War. You can also see bits of submarines embedded in one of the fabulous waterfront parks, which features fountains that, through a feat of sculptural alchemy, become salmon swimming upstream. You can join the United States Marines and defend our nation in that honorable fashion, or get yourself a studio and make a whole lotta art and defend your aesthetic at the CVG  Show, a rare state-wide juried competition with serious prize money at stake, hosted by Bremerton’s Collective Visions Gallery.

Yes, this is not just a travelogue, but an invitation to visit the CVG Show, which opens January 29th, and which I am honored to be part of. Friends Paula Gill, Jennifer Carrasco and Laura Brodax will also be represented, with pieces that are not to be missed. Kathleen Moles, curator at the LaConner Museum of Northwest Art selected 137 works from nearly 800 submitted. There will be many community events in conjunction with the exhibit. Details can be found at Collective Visions Gallery.

Glen Davis, photographer, graciously granted permission to use his portraits of the Bremerton waterfront. It truly is a marvel, and well worth the trip, even if you don’t make it to the show.

BremertonWaterfrontPArk

BremertonWaterfrontFountain

© Glen Davis, Legendary Portraits of Manette

Filed Under: Art Reviews, Iskra Shows, Upcoming and Past Tagged With: artist community in Bremerton, Collecive Visions Gallery Show, CVG show 2012, CVG Show in Bremerton, Iskra in CVG show, juried shows in Washington state, northwest art in Bremerton, reasons to go to Bremerton

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the fi Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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