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You are here: Home / Archives for Iskra Shows, Upcoming and Past

Contemplations of Nature at SAM Gallery: Opening May 10th

May 7, 2012 by Iskra Leave a Comment

I will have prints in the May show at Seattle Art Museum Gallery May 10–June 9 from The Natural World. And I am featured in the gallery blog here. I feel honored to be included in an exhibit with some of my favorite Seattle artists. I hope to see you there!

Filed Under: Iskra Shows, Upcoming and Past Tagged With: Contemplations of Nature, SAM Gallery

Opening of Black & White Show at Fraker Scott

February 17, 2012 by Iskra Leave a Comment

Opening night of The Black & White Show at Fraker Scott with Wanda Pelayo, in February of 2012. Part of the sequence from Drawings in Dust is on the Wall behind.

 Iskra At Black &White Show Opening

Filed Under: Drawing, Iskra Shows, Upcoming and Past

Is Bremerton The New Brooklyn? Many Reasons to Visit The CVG Show 2012

January 17, 2012 by Iskra Leave a Comment

Ok, ok, I know Burien has been fighting for this title, (and in fact it may not even be relevant, since I am told by some that China, the entire nation, is the new Williamsburg, and who cares about Brooklyn anyway, aren’t we over the USA??), but I would like to take this opportunity to point out that Bremerton has pretty much everything you need in a burgeoning arts community, and much to make its preening big sister to the east jealous.

This is a town where you can still find an affordable home, median price $199K. It’s a place where nature rules, and with considerable drama: In 2010 two bald eagles fighting over a fish knocked out power on Pleasant Avenue, electrocuting one bird in the process. It’s a place where you can spend the night at an upscale bed and breakfast or opt for a romantic and educational sleepover on an actual Navy destroyer from the Vietnam War. You can also see bits of submarines embedded in one of the fabulous waterfront parks, which features fountains that, through a feat of sculptural alchemy, become salmon swimming upstream. You can join the United States Marines and defend our nation in that honorable fashion, or get yourself a studio and make a whole lotta art and defend your aesthetic at the CVG  Show, a rare state-wide juried competition with serious prize money at stake, hosted by Bremerton’s Collective Visions Gallery.

Yes, this is not just a travelogue, but an invitation to visit the CVG Show, which opens January 29th, and which I am honored to be part of. Friends Paula Gill, Jennifer Carrasco and Laura Brodax will also be represented, with pieces that are not to be missed. Kathleen Moles, curator at the LaConner Museum of Northwest Art selected 137 works from nearly 800 submitted. There will be many community events in conjunction with the exhibit. Details can be found at Collective Visions Gallery.

Glen Davis, photographer, graciously granted permission to use his portraits of the Bremerton waterfront. It truly is a marvel, and well worth the trip, even if you don’t make it to the show.

BremertonWaterfrontPArk

BremertonWaterfrontFountain

© Glen Davis, Legendary Portraits of Manette

Filed Under: Art Reviews, Iskra Shows, Upcoming and Past Tagged With: artist community in Bremerton, Collecive Visions Gallery Show, CVG show 2012, CVG Show in Bremerton, Iskra in CVG show, juried shows in Washington state, northwest art in Bremerton, reasons to go to Bremerton

Iskra in Icon Show at Fraker/Scott

August 26, 2011 by Iskra Leave a Comment

I hope you will come down to Pioneer Square this first Thursday to the opening of the juried “Icon” show at Fraker/Scott Gallery. The show will be up for a month, with a reception for the artists and an awards ceremony on Saturday, September 24 from 5-7 PM. The gallery is located at 121 Prefontaine Pl. S  in the Tashiro Kaplan building (425.883-4633.)

My piece is a collage transfer print created from a recent photoshoot in the Duwamish industrial area.  It is both an homage to one of the great emblems of modern engineering, the Hydrant, and a record of one day, captured and layered in collage-space.

Hydrant
©Iskra Johnson "Relic" Photocollage transfer print on panel

 

Filed Under: Iskra Shows, Upcoming and Past, Photography Tagged With: art about industrial themes, art in the Duwamish, FrakerScott Icon show, icons in modern art, industrial icons in art, Iskra gallery shows, photo image of hydrant, prints about fire hydrants, transfer print photocollage

Iskra at Artspace

March 31, 2010 by Iskra Leave a Comment

My work is included this month in the National Juried Printmaking and Photography Exhibition at Artspace Gallery. The show was curated by  Richard Waller, Executive Director, University of Richmond Museums, Richmond, Virginia.  Out of 567 images submitted 56 were selected. The physical show will be up from March 26 to April 18, 2010 and a gallery of the work can be seen online at the Artspace Picasa Gallery.

When-Is-Now
When is Now, transfer print on Lustr Dull Cover, © Iskra Johnson

Filed Under: Iskra Shows, Upcoming and Past, Transfer Prints, Uncategorized

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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