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Homage to Nabokov’s “Speak Memory”: Ex Libris 100 Books Exhibit, Seattle

February 18, 2014 by Iskra Leave a Comment

        “The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between the eternities of darkness.”         

“Come with us by all means, but do not chase butterflies, child, it spoils the rhythm of the walk.” — Speak Memory, by Vladimir Nabokov

Speak Memory Nabokov Typographic Study
Typographic Study for “Speak Memory” © Iskra Johnson

When I was invited to participate in the exhibit “Ex Libris: 100 Artists, 100 Books” I had no question about which book I would choose to interpret. Vladimir Nabokov’s Speak Memory: An Autobiography Revisited has murmured in the back of my mind for twenty years as an unsolved koan. In my work as a book title designer I have designed a dozen hypothetical covers as portfolio exercises, and always I felt I could do another hundred without exhausting the timeless incantation of the words. I knew that this time I wanted to focus on shadow and light, the beauty of sensory experience and tactile surface. [Read more…]

Filed Under: Digital Collage, Iskra Shows, Upcoming and Past, Photocollage, Photography Tagged With: art process, AWP Seattle, book title as muse, etymology of collage, Ex Libris Seattle, how to apply GAC 800, how to mount photo on panel, Iskra in Ex Libris, photocollage, Speak Memory, Vladimir Nabokov homage

Year End Reflections, “Keeping Safe the Love Affair”

December 31, 2013 by Iskra 2 Comments

Drive-By Viaduct In The Evening
Glimpse 3, The Viaduct in Evening © Iskra Johnson

I started this New Years’ Eve morning with an early visit to the Painters Keys, where Sara had posted an exceptionally lovely letter for the new year. If you don’t know about this site, do visit; it is an endless source of inspiration for painters and and artists in all media. Sara’s reminder via Corot to “never lose the first impression” stayed with me all morning as I returned to a series about the Alaska Way Viaduct after a long time away. The creative process (or at least my process) is one of continually losing the glimpse, and then looking for the way back. Sometimes getting lost is a necessary, if bracing, part of the journey.

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It has been a wonderful year in art. I have been fortunate to be included in some terrific exhibits at Prographica, Bainbridge Arts & Crafts, Seattle Architecture Foundation and SAM Gallery (ongoing.) Studio visits with collectors and a recent purchase of one of the Duwamish prints by King county for their Portable Works Collection have rounded out the year. Ahead are two shows this spring, which I will be posting about soon. I feel very grateful for my artist groups that provide encouragement and critique, including my salon, Painters Under Pressure which is ending its first decade (!), and the unnamed but equally wonderful group of self-employed designers and artists I have met with each month for over a dozen years. We are a rare tribe, and I couldn’t persevere without them.

I’ll close with part of the letter from The Painters’ Keys, as I am completely smitten with it and I can’t put it any better:

When Claude Monet noticed the village of Giverny from a train window, he  made a decision to live out his days there. He later said that everything he ever earned went into his Giverny garden. “I love you because you are you,” he wrote to his work. Artists and their subjects are the star-crossed lovers of the world. They recognize each other on impact. Making the discovery on human steam, fueled by the spirit to get up and down the ladders, makes the most eventful love affair. “What your heart thinks great is great. The soul’s response is always right,” said Ralph Waldo Emerson.

As our year closes, we consider resolutions, or mark our moments of recognition……. As a community, we might just keep safe each other’s love affair.”

Filed Under: Digital Collage, Iskra Shows, Upcoming and Past Tagged With: art 4 culture, artist salon, new years reflections, Painters Keys, Painters Under Pressure, portable works, Quotes about art, The glimpse, viaduct art, viaduct in evening

The Big Dig in September Light + World/City

September 10, 2013 by Iskra Leave a Comment

The Big Dig In September Light
“The Big Dig In September Light” © Iskra Johnson
The Lamps
“The Lamps,” © Iskra Johnson
Sidewalk Conversation
“Sidewalk Conversation,” © Iskra Johnson
Construction Worker On Bridge
“Man in Orange,” © Iskra Johnson

This morning I went for a bracing walk in the fog along the edge of The Big Dig. I love wandering in that thick industrial hum where no one can listen into your thoughts, not even yourself. All you can do is look, and try not to get run over by a truck.

I’m getting back in Architecture mode for the opening of World/City, the Seattle Architecture Foundation exhibit opening on September 19th. I am excited to have three pieces on display. There will be a reminder posted here next week, but here is the basic information:

World/City: Exploring the Architecture of Global Relationships

September 19 – October 13, 2013 1201 2nd Avenue at Seneca Street
11AM – 2PM, Tues – Sun. Special extended hours till 3PM during the Seattle Design Festival
Experience architecture models, 2D renderings, digital imagery and visual art which represents how local design and architecture are linked to global issues and contexts.

Stay tuned for more information next week.

 

Filed Under: Iskra Shows, Upcoming and Past, Photography Tagged With: architecture, construction sites, industrial photography, photography, Seattle Architecture Foundation, TheBig Dig, World/City

Last Week to See Painters Under Pressure at Phinney Gallery

April 24, 2013 by Iskra Leave a Comment

"Bird," Archival Pigment Print © Iskra Johnson
“Bird,” Archival Pigment Print © Iskra Johnson

This is the last week to see “Painters Under Pressure” at Phinney Gallery. The show comes down May 1. “Bird” is one of a dozen prints I have in the show. I do hope you will come by and see the work!

First formed as a Seattle Print Arts Salon Group, Painters Under Pressure has met for over 10 years to discuss and support the development of each others’ artwork. Each of us approach our printmaking from a painterly background and use the pressure of printmaking techniques to produce our varied styles of work. This exhibition brings together works resulting from the last 10 years of critique and camaraderie from these 6 artists: Ruth Hesse, Stephen MacFarlane, Tracy Simpson, Jon Taylor, Iskra Johnson, and David Owen Hastings.

Phinney Center Gallery Hours:
Monday – Friday 9am – 9pm
Saturday, 9am – 2pm

The Phinney Gallery
6532 Phinney Ave N
Seattle, WA 98103

Filed Under: Iskra Shows, Upcoming and Past, Prints Tagged With: Bird Print, Iskra Fine Art Shows, Painters Under Pressure, Phinney Gallery, Photo collage Bird, VisualPoetry

Opening tonight, “Digital Art: A New Generation” at Bainbridge Arts & Crafts

April 5, 2013 by Iskra Leave a Comment

Bainbridge Arts & Crafts Digital Art Postcard

 

Tonight is the opening for “Digital Art: A New Generation” at Bainbridge Arts & Crafts. I will be showing two transfer prints from the Natural World series and two prints from Construction/Reconstruction. Above is the image used for the postcard, which is the largest print I have done to date. It is inspired by the idea of walls, and the drama of inner and outer space that construction sites evoke before they become completed buildings. The University of Washington dormitory project has been a subject of fascination for me for months. This image was developed from photographs taken on the University Bridge while the scaffolding was up and the building was draped. Gotta love a multi-story building with a veil.

Filed Under: Construction/Reconstruction, Iskra Shows, Upcoming and Past Tagged With: Bainbridge Arts & Crafts, Digital Art Show, Digital Art: A New Generation, Iskra shows

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Iskra Fine Art Blog

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Playground studies: scouting the golden hour with Playground studies: scouting the golden hour with @concretespaces
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Yesterday, Memorial Day, I took on the dreaded tas Yesterday, Memorial Day, I took on the dreaded task of shopping for hiking boots for walking the border of Wales and England and roaming around Ireland. I have the kind of feet that were born to complain. I was once on an 8 mile hike in heavy leather boots I had not truly broken in and they did that thing with a crease right on the main joint of your big toe. This was approximately 1 million years ago, with 7 miles to go before I could take them off and I can still feel the throbbing. So I tried to live in slippers for the rest of my life, but this will not work on 7 to 10 mile treks through bogs and scree. There were approximately six suitors in the shoe arena, each of them screaming Ouch! Ugly! Why me and my feet! And then I found these boots and it was a heart throb of love at first sight. Please direct your hearts and prayers that are not being spent on more important things —of which there are many— towards my feet and making it through the first flush of love to actually being able to wear these shoes 10 miles a day. If things don’t go well, I may just sit in my room in Killarney or Hay-and-Wye and paint watercolors of my boots. I will take romance in whatever form it arrives.
New project in the works: Nucor Steel Plant. . . New project in the works: Nucor Steel Plant. 
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#newmediaartists #techspressionism #photographicart #nucorsteel #industrialphitography
WAKING UP WAKING UP
Thank you everyone who came out to Spotlight North Thank you everyone who came out to Spotlight North! It was wonderful to host people in my home and share the garden. Saturday morning a Golden Kinglet appeared. This is a truly magical yellow bird — so fast and so shy that I have never been able to take a good photograph. This bird only comes two days a year, first stopping in the branches of the tree above the pond and then briefly examining the moss. Before I can grab my camera, it has flown. However brief the visit, it always feels like a blessing. 

I was happy to see a range of work go to new new homes, much of it inspired by the garden and the visiting birds. This morning I am sharing images going back 20 years, of my life with birds and the garden. When I bought my home, it sat on a long mangy lawn contained by chain-link and concrete and a picket fence. It is now a wildlife sanctuary: Protect what you love.✨

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