Iskra Fine Art

  • Prints
    • The Tarmac Residency: Airport Landscapes
    • Immersions | At The Shore
    • ColorBath: Images of the Harbor
    • The Floating World
    • Industrial Strength | Urban Industrial Landscape
    • The Scaffold
    • Industrial Pastorale: The Rural/Urban Landscape
    • Botanical Prints | The Natural World
    • Construction | Reconstruction : Urban Landscape
    • Infrastructure
  • Drawings
    • Pencil Drawings: Pandemic Pause
    • Drawings in Dust 1
    • Signs & Symbols (Archive)
    • Botanical Drawings (Archive)
  • Photography
    • New Work Inspired by England
    • Seattle Waterfront Park Photography
    • Architectural Photography | Construction Sites
    • American West Landscape Photography
  • Mixed Media
    • Modern Botanical | Mixed Media on Plaster
    • From the Sea | Water Paintings
    • Sleep Studies
  • Wabi Sabi Abstract
    • Minimalist Modern
    • Ink Painting Abstractions
  • Shop
  • About
    • Contact
  • Blog
You are here: Home / Archives for Iskra

Botanical Stationary and Prints from The Gardener’s Almanac of Irreproducible Phenomena

March 1, 2022 by Iskra Leave a Comment

 

Wheelbarrow in garden photo by Iskra
Winter Muse

Since the last entry from my garden The Gardener’s Almanac of Irreproducible Phenomena has published a series of botanical stationary and prints. The response has been wonderful, and I am grateful for the support of friends and new patrons from around the country. I am beginning to hear from people who share how they have used the cards, sending them as thank-you’s, condolence, letters and in sets as gifts. There are now ten in the series, with more to come each month. Here are a few glimpses of what’s in the shop.

Anemone in the Field Botanical Card by Iskra
Anemone in the Field
Victorian Anemone

[Read more…]

Filed Under: Botanical Art, Botanical Art Cards, The Gardener's Almanac of Irreproducible Phenomena Tagged With: botanical greeting cards, Botanical stationary by Iskra, Contemporary Botanical Prints, Gardener's Almanac art, The art of correspondence, The Wheelbarrow Suite

The Gardener Takes a Walk Under the Full Moon | A Valentine

February 14, 2022 by Iskra Leave a Comment

Moon and cloud courtship

They tell you the moon is cold, if you read the studies.

It’s just some kind of silt made of shredded stars and forgotten planets burnished and abraded by cosmic winds without any feeling at all. It is purely accident, a slip of a cartoonist’s pen, that causes us to see things that don’t exist.

Man, Goddess, pick one, or pick both. It may pull the tides, it may make women crazy and men confused, but it is, in fact,

scientifically proven to be genderless:

the moon is an It.

Tell that to the Redwood and the Elm, Cedar, Spruce, their ink-black armature against the hyacinth sky designed to curtain the clouds and moon in courtship.

Moon in Trees

Knowing that last month’s Janus-faced equivocations had slipped into history and that now was unequivocally coming; seeing the tulip break from its monotonous green gloves and say (this very day,) Red, the Gardener knew the situation was urgent. [Read more…]

Filed Under: The Gardener's Almanac of Irreproducible Phenomena, The Spiritual in Art Tagged With: Lyric essay, Moon and cloud, St. Valentine essay, Valentines Day

Eat Dessert First….What Would Eve Say? The Winter Show at Museo

January 10, 2022 by Iskra Leave a Comment

Elves in a sugar coma

When Museo Gallery announced “Eat Dessert First” as the theme for January’s show I was not enthused. You may be one of the millions of the happily deaccessioned who, exiled from the office, went home to become the master sourdough bakers you’ve always wanted to be. I however haven’t cooked dinner since March 2020. Since then I have been living on Purell cocktails and roasted cashews. How would I be able to tell which comes “first” when I still have not been able to distinguish the days of the week much less my “meal times”—? For two years it’s been a desert of silent meals spent doom-scrolling with a napkin, a votive candle and my phone, and waiting for the world to stop turning in the wrong direction. Appetite. Hmmm.

Nonetheless, I spent a lifetime as a designer taking assignments I didn’t want to do. My training is to catch whatever stick is tossed out and carry it back to whoever threw it. And so I thought about my resistance to this title and worried it, word by word, into the snow-frozen ground. For my personal holiday hashtag I took #sugarcoma, and looked for every situation in which it might apply. Against all odds, which included an alert from the state that I had been exposed to Covid and an emergency test on the morning of Christmas Eve, I had, astonishingly, a picture-perfect and rhapsodic Christmas surrounded by family, throughout which I ate spritz cookies and chocolate for breakfast. For three days I walked in a happy trance from the Betty Crocker cookbook to the cookie tins with their waxed paper petticoats peeking out. When you are an adult home for Christmas after two years of absence nobody says you can’t eat dessert first, or for that matter all day. There is no more perfect state than sitting in a rocker with a blanket and a book after three salted caramels watching snow fall just on the other side of the Christmas tree.

Mulling over the pleasures of indulgence, the ever-lurking punishments of guilt, and the lucrative self-help industries that promise to lead us not into damnation but into boundless self-love, the riddle of the title became clear. It’s the parable of all time. Eden, Eve, and the Apple: The First Dessert. [Read more…]

Filed Under: Botanical Art, Collage, Iskra Shows, Upcoming and Past, The Garden Tagged With: 2022 Arts Pacific Northwest, botanical drawing, collage art, Eat Dessert First, museo gallery, The Fall, The Garden of Eden

New Years’ Eve: In Which the Gardener Takes a Moment to Reflect

December 31, 2021 by Iskra Leave a Comment

Winter garden New years Eve

(Excerpt, from The Gardner’s Almanac of Irreproducible Phenomena December 31, 2021)

The first thing the Gardener noticed on the morning of December 31 was the color of the snow. The sun had emerged after days of gray and bitter cold, and as shadows stole across the land they brought with them a new color, “warmth,” transforming the drifts and vaguely monstrous shapes of the shrubs into benign presence. The light most particularly touched the robins, who demand warmth to ignite their color fully. On the dogwood branches the robins sat, eastward facing, their chests swelling and feathers plumping as though they had been feasting all week instead of pecking amidst tire tracks for the carcasses of worms. In another garden a varied thrush had fallen to its frozen death with a sound like lead and been buried with ceremony, its dark necklace enveloped in garnet strings and rubies as befits a prince.

Last year the gargoyle had reigned over the pond with his broken wing. For 40 years his gnarled features gave purchase to every bird who came to sit and drink from the spout pouring water. Each December, through the incantations of ancient fractals, the water carved a heart from the ice, a wet obsidian streaked by the occasional golden contrails of fish. Each year the birds descended in order of size: first the crows, then the flickers, then the robins, sparrows, chickadees and towhees, and lastly, the shy wren. The Gardener did nothing on these days but observe and laugh, and all was good.

 

The Gargoyle of Christmas Past

Long ago….. [Read more…]

Filed Under: Meditation & Buddhism, The Garden, The Spiritual in Art Tagged With: Kuan yin, new years 2021, pandemic new year, the gardener's almanac of irreproducible phenomena, the shell, What a year

Iskra at Building C Open Studios Holiday Sale, December 4th

December 1, 2021 by Iskra Leave a Comment

A Suspended Structure, ©Iskra Fine Art

I am excited to be part of the Building C Open Studios this year, courtesy of AJ Power, who is hosting me as a guest artist in his studio on the second floor. I adore AJ’s work, and have had one of his magic bird images hanging on my wall for years. Building C is located at Leary Ave NW & 14th Ave NW in Ballard, “the big brown warehouse across from the Ballard Office Max.” Ample parking in the adjacent lot or on-street, enter on 14th Avenue. Building C is a hive of talent in many media, including painting, ceramics, jewelry and clothing from 24 artists. Open Saturday, December 4 from 12-7, masks required.

I will be showing work from the last two years of explorations in collage, photography and mixed media, as well as some brand new pieces. Most of the work has never been publicly shown outside of my blog or Instagram. I’m curious to get your eyes on it and see what you think! 

I have had requests recently for small works for gifts and small spaces, and so this year I am trying something different, with a new selection of framed pieces ranging in size from 6 x 6″ to 12″ as well as limited editions of prints on 13 x 19 and 8.5 x 11. For those who missed previous open studios where I offered my Venetian plaster botanicals, the remaining pieces will be here as well. Unlike a thematic show this is a chance to see every non sequiter and direction my artwork has explored, from the amber moods of the Sweet Old World to the blazing color and disrupted space of my architectural and maritime work. Below is a tiny sampling. 

The Nest print by Iskra
The Nest, ©Iskra Fine Art

[Read more…]

Filed Under: Iskra Shows, Upcoming and Past Tagged With: BuildingC Holiday Open House, Iskra holiday sale, Iskra Open Studios, Seattle Arts 2021, Seattle Open Studios December

  • « Previous Page
  • 1
  • …
  • 5
  • 6
  • 7
  • 8
  • 9
  • …
  • 57
  • Next Page »

Join Iskra’s Mailing List

Don't miss a thing! Subscribe to receive show announcements, first peek at new work and my semi-monthly blog by email. I primarily use the blog for news and updates but by signing up you will also receive the occasional newsletter and special offers for items in my shop.

Iskra Fine Art Blog

the creative process | conversations with artists | the contemplative impulse in art

Instagram

Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

Featured Posts

  • How to Purchase Artwork from Iskra Fine Art
  • About This Blog
  • New Directions in Contemplative Art: Conversations with Artists
  • What is a Transfer Print? (Artist Statement)

Categories

  • Abstract Calligraphy
  • Architecture & Sense of Place
    • Construction/Reconstruction
    • The Alaska Way Viaduct
    • The Water Tower Project
  • Art Reviews
  • Artist Studio Visits
    • The Mystic Muse: Artists Working in the Contemplative Traditions
  • Botanical Art
    • Botanical Art Cards
  • Collage
    • Digital Collage
  • Commissioned Art
  • Drawing
  • Essays
    • Object Lessons: Essays and images inspired by "A History of the World in 100 Objects."
  • Iskra Shows, Upcoming and Past
  • Iskra Sketchbooks & Journals
  • Living With Art
  • Meditation & Buddhism
  • Mixed Media
  • Painting
  • Photocollage
  • Photography
    • American West Landscape Photography
  • Print Sale
  • Prints
    • Transfer Prints
  • Seattle Iconic Landscape Prints
  • Social Media for Artists
    • The 100 Day Projects
  • The Garden
    • The Gardener's Almanac of Irreproducible Phenomena
  • The Spiritual in Art
  • Travel
    • Road Trips
  • Uncategorized

Archives

Search

Connect on Facebook

Iskra Fine Art Facebook Page

Creative Inspiration

  • Alternative Photography
  • An Artist's Retreat
  • Anonymous Chinese Textile Genius: Moo Won
  • Chocolate Is A Verb
  • Contemplative Art Process: Danila Rumold
  • Eva Isaksen
  • Old Industrial Japan
  • The Altered Page
  • The Heart Sutra Loop
  • The Patra Passage

Galleries for Contemplative Art

  • ArtXchange Gallery
  • Seattle Asian Art Museum

Links

  • CollageArt.org
  • Iskra at SAM Gallery
  • Iskra Fine Art on Houzz
  • Seattle Art Museum Blog
  • Seattle Artist League
  • Seattle Print Arts
  • Seeing Fresh: Contemplative Photography
  • The Painter's Keys

What I'm Reading: Online Magazines and Books I Love

  • 16 mi.
  • Essays by David Whyte
  • Evening Will Come: Poetry
  • Hyperallergic
  • Painter's Table
  • Shu: Reinventing Books in Contemporary Chinese Art
  • Streetsy
  • The Original Van Gogh's Ear Anthology
  • Tricycle Magazine
  • Unincorporated Persons in the Late Honda Dynasty
  • Vanguard

Let’s Connect

  • Contact Iskra
  • How to purchase artwork
  • Iskra Fine Art Blog : The creative process, conversations with artists, the contemplative impulse in art

Join Iskra’s Mailing List

Don't miss a thing! Subscribe to receive show announcements, first peek at new work and my semi-monthly blog by email. I primarily use the blog for news and updates but by signing up you will also receive the occasional newsletter and special offers for items in my shop.

  • Facebook
  • Instagram
  • Pinterest
  • Twitter

All Images Copyright © 2025  Iskra Johnson · Site by LND · WordPress