Prints Archives - Page 3 of 15

New Architectural Abstractions: The Scaffold Series

June 5, 2019 by Iskra Leave a Comment

"Cloud Scaffold" print by Iskra Fine Art — “Cloud Scaffold,” Limited edition print.

Today I am excited to show some new additions to the Scaffold series. At construction sites I am always drawn to the scaffolding around buildings. I am fascinated by their diagrammatic quality, and the way they point to geometric systems in simultaneous plan view and elevation. They layer a grid of abstraction over the landscape of the built environment, with infinite variation. They are both a structure and a space: mostly space, enclosed by tenuous lines that can hold up a fleet of construction workers or a wall or the hull of a ship on shore. They are filigree and lattice, ornament and infrastructure.

"Sari Scaffold" print by Iskra — “Sari Scaffold,” limited edition print

When construction projects are draped in tarps it is like a huge theater project. The

massive fabric becomes an archetype of the feminine, laying an atmosphere of mystery and sensuality over the hard grid. As I worked on “Sari Scaffold” it began to resemble the silk threads of a sari. [Read more…]

Introducing the Heavy Metal Hydrant Suite: Limited Edition Industrial Prints from Iskra

September 18, 2018 by Iskra Leave a Comment

My hydrant iskra collection — Meet Iowa No.4, My personal Fire hydrant

It is time to come clean about fire hydrants: I love them. In a world teetering between fire and flood, with catastrophe pending on every front, I do love a piece of heavy metal I cannot lift. I have my own brilliant yellow hydrant in front of my house, and it makes me happy every time I come home and see it there, surrounded by equally yellow dandelions. I feel safe. Put together with flawless arrangements of bolts and screwplates and circles and cones and handed down through hundreds of years from men with rough hands and wrenches, the hydrant is unarguably TRUE. Hydrants are valiant, like German Shepherds, and they have no existential doubts, although I do think they are vain. It’s a quiet form of dandyism, but think they enjoy the ornaments essential to their functioning – the lovely multicolored chains and hats and bits of metal that festoon from arm to arm.

Now, ulp, I have one inside my house. How do you say no in the middle of a birthday party when someone says We Have A Present for You, it’s on a truck, how about this corner? Well, you say yes! It’s the Autumnal blazing happiness yellow of sunflowers and pear apples and drowsy honeybees. It’s pettable, and clean, and it comes with its own little tag indicating that it is #4. Its presence in my house makes me realize the Heavy Metal Hydrant Suite can’t wait any longer to meet the world. [Read more…]

Save the Date for Colorbath! Iskra at Taste | SAM

July 9, 2018 by Iskra Leave a Comment

The Harbor Iskra at Taste Restuarant at SAM — “Harbor Morning,” mixed media archival pigment print, 36 x 36″ © Iskra Johnson

Summer, finally! I’ve been immersed for months in new ways of looking at color and light, and finally what I have been seeing in my minds’ eye has unfurled in front of me. What turns a mere boat into a “vessel” is the fleeting moment of refraction. In my spring wanderings through freezing shipyards that light was not always easy to find. Often I would return home from Salmon Bay and Harbor Island with hundreds of classic northwest gray-green photographs, all cast in the steely gaze of cloudcover. Occasionally a well-honed wind would scrape the sky, leaving blue shards on the water and astonishing bits of gold. One evening iridescent swallows flew through from the bridge. Two raptors shrieked courtship from the highest masts, offering what seemed like a lovers’ benediction.

The Golden Rope Photography by Iskra The Wrapped Ship photograph by Iskra Composition with Sail maritime photograph by Iskra

Journal Entry: The shipyard on Sunday. Men playing guitars on derelict balconies, men riding yellow bikes, men rising shirtless and surprised from the hulls of tugboats unshaven and lurching but still afloat. The wooden planks, the seams of trees that run out into the waves parallel, almost indistinguishable. Then the five alarm fire of a red buoy hanging off the Maudie Mae and its shadow and the starburst within the shadow.

Inspiration photos from Salmon Bay.

As a photo-based printmaker I start with the camera. The photograph is the diving platform. From that reality-based ledge I go into a world of improvisation, working with layers of paint to create a completely new world. Colorbath goes farther into abstraction and paint than I have gone before, and opens up exciting new directions for the future.

Please mark your calendar for Thursday August 9th and join me for a reception for Colorbath, from 6-7:30 at Taste Restaurant, Seattle Art Museum, 1300 First Ave, Seattle, WA 98101. I will have nine new large works ranging in size from 30 x 30″ to 30 x 40″. They will be posted for preview on the SAM Gallery site and in my portfolios soon.

Blue Buoys detail Iskra at Taste “Blue Buoys” (section), © Iskra Johnson

Postscript:

I was a lake swimmer for years. I fell in love with my first tugboat when I was 17 and stayed up 24 hours listening to Keith Jarrett’s Köln Concert while looking at rust and tires on the Duwamish. Some of the people who actually spend their lives working on boats feel the same way. If you have an hour or two to get lost at sea visit these folks at Maritime Family. All I can say is WOW.

Colorbath! A Glimpse of New Work

May 31, 2018 by Iskra 2 Comments

The Blue Sky Print by Iskra — The Salish © Iskra Johnson, Archival Pigment Print

I have been thinking a lot lately about near and far. In memory and in walking, as in contemporary painting, they are often the same place.

My newest series, “Color Bath,” investigates the ambiguity of sky and shore. I’m asking myself what happens when you let go of preconceptions, lift anchor, and go into the space between. It can be uneasy. The docks are rarely steady. In the shifting horizontals of wave-line and tether even the tide markers may lie.

Water Study3 by Iskra — Numbers lost in water make their own rhyme. Work in progress.

These new pieces are large, up to 30 x 40″. They blend watercolor and photography and are becoming more and more painterly as they evolve. Sometimes they come with stories, which you can find along with work in progress on my Instagram. The show opens at Taste, at Seattle Art Museum in August, more details soon.

Thank you so much to everyone who came to Vashon Island for the VIVA Artist Studio Tour! It was a great success. I had wonderful conversations with new friends and old, and was happy to find homes for many of my favorite pieces. A special thanks to Cathy Sarkowsky for hosting, and to the inspired community of Vashon Island for keeping the magic alive.

Iskra Spring Shows 2018

March 20, 2018 by Iskra 2 Comments

“The Spool,” archival pigment print, 22×30 and 14×20

A big thank you to everyone who came out to the opening of Industrial Pastorale at Perry and Carlson! It was a wonderful gathering of friends and family from throughout the Salish Sound. I had long conversations with many new art appreciators, some of whom I knew only by Instagram avatar. It is a lovely surprise to see the internet unfold into real life. A big thank you too to those who went home with various prints like the one above, from the Wild Color series inspired by the Anacortes Shipyard. Most of the work is collected now in a print gallery on my site, so if you cannot make it to Mt. Vernon take a look here. The show continues through April 1, Hours: Wed-Sat 11-6, Sun 12-4 and by appointment. 504 S. First Street, Mt. Vernon, WA.

To recuperate I went to the studio the next morning and cleaned out my sink. A long pause that was. Lots of scrubbing. Absolutely nothing will get stains out of a cheap plastic utility tub. I could really drag this task out. Baking soda, bleach, five kinds of scrubbies, soya solvent, the Gypsy Kings. Very helpful, I recommend doing this at least once a year.

It is going to be a very busy spring, with four shows between now and the middle of May. I hope you can stop by whatever fits your mood. Each event is an entirely different kind of scene, and I am excited to broaden my world to new communities in the Seattle and East Side.

Ryan James Fine Arts 3rd Biennial Exhibition with 50 Selected Artists

Opening April 12 5-10 PM

11905 124th Ave. NE, Kirkland 98034

Show runs from April 1 – May 31st

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Layered, Presented by the Sammamish Arts Commission

Sammamish City Hall Commons Gallery

April 23 – July 20, 2018

Artist Reception Thursday, May 24th from 6-8:00 pm

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Seattle Artist League at Galvanize 1 Night Only!

April 5th 5-8 PM

111 S. Jackson

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Vashon Studio Tour (Now called VIVA)

First Two Weeks of May, details to come

Although I have loved being in the landlocked meadowscapes of the Skagit Valley, my work for the summer show at Taste will return to the water. Think the light in August, think of that pink haze of condensed heat and rose petals, how the sun shines diffuse like thistle fluff and in the distance the sound of the ships turns the clouds blue in the bay. There may be some pink, some yellow too, definitely some very hot color. Here is a glimpse.

Tethered waterscape print by Iskra — Tethered 1, © Iskra Johnson

Introducing the Heavy Metal Hydrant Suite: Limited Edition Industrial Prints from Iskra

Save the Date for Colorbath! Iskra at Taste | SAM

Colorbath! A Glimpse of New Work

Iskra Spring Shows 2018

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