Iskra Fine Art

  • Prints
    • The Tarmac Residency: Airport Landscapes
    • Immersions | At The Shore
    • ColorBath: Images of the Harbor
    • The Floating World
    • Industrial Strength | Urban Industrial Landscape
    • The Scaffold
    • Industrial Pastorale: The Rural/Urban Landscape
    • Botanical Prints | The Natural World
    • Construction | Reconstruction : Urban Landscape
    • Infrastructure
  • Drawings
    • Pencil Drawings: Pandemic Pause
    • Drawings in Dust 1
    • Signs & Symbols (Archive)
    • Botanical Drawings (Archive)
  • Photography
    • New Work Inspired by England
    • Seattle Waterfront Park Photography
    • Architectural Photography | Construction Sites
    • American West Landscape Photography
  • Mixed Media
    • Modern Botanical | Mixed Media on Plaster
    • From the Sea | Water Paintings
    • Sleep Studies
  • Wabi Sabi Abstract
    • Minimalist Modern
    • Ink Painting Abstractions
  • Shop
    • The Water Tower Project
  • About
    • Contact
  • Blog
You are here: Home / Archives for Iskra

Pandemic Angel Art from Iskra

November 27, 2020 by Iskra Leave a Comment

Painter's Angel with Moon

Painter’s Angel (with Moon), © Iskra Fine Art 

The Story of the Pandemic Angels

In September, the week of 9.11, I took a brief trip to Whidbey Island to escape the smoke from the California fires. For the first day the weather was balmy, with a perfectly clear blue summer sky. I wandered the beaches, filled my pockets with shells, and felt the euphoria of the traveler, a feeling I have missed acutely during the pandemic. Later that night the smoke came in. The horizon vanished, and whether to risk the outdoors became a calculation fraught with hazard. On my last day on the island, restless from being housebound, I went for a morning walk in nearby Woodsman cemetery. The air held a strange amber light, and pink smoke veiled the grave markers at the edge of the forest. I was captivated by the aura of the place, with its moss-covered headstones and weathered statuary dating from pioneer days. As I walked through the dry grass the angels seemed to emerge from the smoke like emissaries from another time. I began to study them and take their portraits.

I am a student of angels, and I had not seen these before. The faces of the little ones captured a blend of innocence and gravity that seemed both timeless and completely of our time. Beauty, grief, mourning, serenity, loss, longing for another time: the combined cataclysm of the fires and the pandemic require a vocabulary all its own. The phrase “smoke elegies” seemed to describe the mood in the air and the bigger moment. I decided then to do a series about the angels, (which got delayed by a journey to Tieton and the beginning of a photographic series of landscapes of the America West – but that’s another story!) Perhaps it is the coming of December, with its dark weather and mystic illuminations, but I woke up a few weeks ago possessed by the image of a winged statue. I decided to drop everything else on my plate and see where this body of work might go.

The archetype of the angel is far from my usual subject matter. Angels for many evoke religious associations, and as a result, for a contemporary artist it can feel precarious to go into this territory. For me angels do not represent religion, but instead act as a universal icon offering comfort, protection, rescue and transcendence. Their form is a devotional shape into which I can pour the unironic emotions of this time of isolation and worldwide loss. The pandemic has taken nearly 1.5 million lives world wide, and for many of those deaths there has been no ceremony of mourning, no bedside visitation, no funeral. A cemetery and the sense of ritual that accompanies it looks very different in the light of this new reality.

Homage to Faiyum angel print by Iskra

Homage to Faiyum, © Iskra Fine Art

Working on these images has been a contemplative and personally transformative process. The angels are built from a slow, painstaking method of collage that has led me on a path to rediscover what it was I saw in the smoke, at the edge of the woods. In the process I have researched the pictorial treatment of angels and marveled at the long fascination they have held for people through history, from ancient Crete to Victorian England all the way up to today’s video gamers in VR headsets. Some of these pieces reference the mourning theorems of American folk art, and others the shrouds of Faiyum. Others embrace Victorian intricacy and that era’s unabashed romance with sorrow. As I have been living with the faces of the angels I have also been living with history, and putting the present difficult moment into a deeper sense of time.

Pandemic Angel Iskra Print

Pandemic Angel, ©Iskra Fine Art

Devotional practice often focuses on one image and repeats it again and again. In my years as a calligrapher and student of Buddhism I might do one character from the Heart Sutra for weeks. In that tradition, I have chosen only a few images, and worked with them in sequence, finding more to understand each time I look at subtle differences in color, texture and context. The result is a series of prints in variant editions. They are created through my unique process of digital assemblage, built up with layer upon layer of subtle surface and color from my photographs and ink painting.  All of the prints are available in my shop, in a variety of sizes and prices. For the holiday season, everything in my shop is 20% off through January 2nd with a minimum purchase.

The collection to date is included here, as the resolution for retina display on WordPress is best in the blog rather than the portfolios. Click on any image to be taken to the listing.

Blue Angel Cherub Print by Iskra

Blue Angel [Read more…]

Filed Under: Digital Collage Tagged With: angel art, art in pandemic, cherubs and angels in art, contemplative art, fine art prints, Iskra holiday sale, mystic art, smoke elegies

SAM Gallery and Gift Shop Now Open through the Holiday at the Seattle Art Museum

November 23, 2020 by Iskra Leave a Comment

SAM Gallery Open November 2020
From “Industrial Strength,” 2017, with work by Iskra Johnson and Kellie Talbot

Good news here in the pandemic closures during November! Because SAM Gallery and SAM Shop are both considered retail, they are open now through December even though the museum is closed. No ticket is required, making it easy to shop local and support Seattle Artists and craftspeople. Hours are 10-5 Monday through Friday, with entry on First Avenue. 206.654.3120 for more information. You can also order and shop online. Art in the gallery is available to purchase, rent or rent to purchase, with pricing for every budget. Sixty artists are represented at the gallery, in a wide variety of media and styles, and the list includes many of the Pacific Northwest’s finest painters and image makers. Click on the list below to go to the gallery inventory page.

Seattle Art Museum Gallery artist Inventory
Seattle Art Museum Gallery Artist Inventory, click through to see each artist’s selection.

I urge you to support the Seattle Art Museum and local artists and creatives this year in any way you can. The holiday season is when many in the creative community make the majority of their income for the year. Without crafts sales or open houses due to the pandemic, many artists will struggle to stay afloat. Every sale at the Seattle Art Museum supports both the artists and the museum itself. Let’s make sure when the city re-opens after the pandemic closures that we have a vital creative infrastructure. Every bit of support you offer now will ensure the future cultural life of the city!

Seattle Art Museum
Photo from Shutterstock.com

Filed Under: Uncategorized Tagged With: SAM Gallery Artists, SAM Gallery open, SAM Gallery Pandemic hours, seattle art museum, Seattle Art Scene

Collage Life, Refiguring Art and Friendship in the Pandemic

August 30, 2020 by Iskra 10 Comments

Correspondent Letter collage by Iskra

The Correspondent, ©Iskra Johnson

(This late summer dispatch breaks all the rules of “newsletter.”  August is a time of slow thinking and revision, thought and word pasted and lifted and re-placed in an order based on considerate disorder and association, ie. on the structure of my mind. If there is no news (I have been immersed in art history which is by definition old news) there is still, however a “letter.” This post is about letter writing itself, and how personal correspondence can mean the world and re-make the world of our creative lives. Settle into a deep chair, with good light or a rustling tree and a cat at your feet. Consider that the post office would love it if you bought some stamps.)

On this particular morning, about 214 days since the pandemic became the official organizing principle, I am sitting at my kitchen table drinking Earl Grey and looking at a stack of books and magazines and letters accumulated since spring. In April my friend Jennifer began sending me her monthly Poetry subscriptions along with pages torn from magazines. Every page is pre-read and annotated with trenchant scribbles in the margins, curated personally just for me. Jennifer has reached the place in life of casting off. I am still bringing things into my house, desperate for distraction, but seem to have confused doom scrolling and pulp novels with The Great Books. I gather romances from the Little Free Libraries on my walks and have not made it beyond chapter 1.

When the first poetry letter arrived I was ecstatic. Mail! Brown paper and string! And delivered by a man in blue socks and shorts, as though it was 1958, a sandwich meant Mayonnaise on Wonder Bread, and Lassie the Collie still roamed the earth in his white socks, teaching us what heroes look like. The letters have ignited a connection that feels bigger than just the two of us, my friend and me sitting alone dangling face masks on our wrists in our separate homes. Over 20 years we have corresponded by email and post, with a dedication that is Victorian. When we compose a sentence to send to each other it is with the knowledge that we are writing, not just the tourist postcard’s “wish you were here,” but miniature novellas painting scenes or memories that cross space and time. We write to bring each other actually here, and we take great care. [Read more…]

Filed Under: Collage, Digital Collage, Essays, Photocollage Tagged With: collage art, collage life, Curation, history of collage, Pandemic art, Pinterest critique, W.H. Auden, women friendships

The Water Tower Project from Iskra Fine Art

July 12, 2020 by Iskra Leave a Comment

All that is Solid print by Iskra
“All That is Solid….” limited edition archival pigment print ©Iskra Johnson

The Water Tower Project

It might have been enough to face off with a pandemic. But the center does not hold, “all that is solid melts into air,” and across the world cities are aflame with protest and an expanding movement for social justice. As structures of order crumble, as statues are de-platformed and sprayed with graffiti, as the jails and hospitals overflow, we huddle in isolation, transfixed by news that is alternately exhilarating and disturbing. Can you blame a person for looking for something to hang onto?

In the chaotic urban environment, the water tower shines for me as a beacon. I think of it as the German Shepherd of architectural structures: noble, tastefully proportioned and faithful to its purpose, which is to gather the heavens in a bucket and gift it back to us glass by glass. It sits high atop the city, merged at times with the clouds, and calling down from the heavens a very practical benediction. It is a usually hand crafted vessel, built from wood, using a method little changed from the 1800’s. Water towers are rarely defaced by graffiti, but any totem of neutrality invites our projections.

The Water Tower Project looks at this iconic structure from many different perspectives. In some cases I have located the tower in an imaginary landscape, complete with horizon line. At other times it serves as an emotional vessel to express the clamor and heartbreak of the streets. I am offering this series through the #ArtistSupportPledge, which is a global initiative to broaden the circle of art appreciators and create a circle of generosity. The first two prints in each edition of 35 are priced at $150, half the usual price of $300. When I have earned $1,000 from the sales I will then purchase the work of another artist for up to $200. At the end of this post you will find the collection of 16 gathered as a jpg that may be downloaded for reference. In the week since I have been posting these to social media I have sold three, so if you are interested in the PandemicPrice you may want to move quickly. The blog software allows me to show images at their best quality, so I will post the entire set here (click below the fold) for the time being rather than my portfolio. I am offering these through direct sales rather than through my shop, so please reach me through email if you are interested.

Each Water Tower has a story, and if you are interested in the narratives I suggest following along on Instagram.

Angle of Repose Water Tower by Iskra
“Angle of Repose,” limited edition archival pigment print ©Iskra Johnson

 

[Read more…]

Filed Under: Architecture & Sense of Place, The Water Tower Project Tagged With: architectural prints by Iskra, Artist Support Pledge, New prints by Iskra, Urban landscape, Water Towers

The Pandemic Pause Drawings, A Benefit Sale for Fair Fight

June 3, 2020 by Iskra 2 Comments

Origami crane pencil drawing by Iskra
Origami Peace, ©Iskra Johnson, graphite pencil drawing on paper, $350 (SOLD)
Pandemic Pause | New Directions

Since the pandemic lockdown began two months ago I have been working on a series of drawings. The original impetus came from my ongoing project, #100DaysOfTheSpaceBetween, introduced last month. Although the project also involves photography and other media, I decided to use drawing as the foundational practice. In this strange time, cut off from family, friends or social contact, I have sometimes floundered. The isolation of confinement has thrown me into emotional states surreal in their intensity, and the quiet absorption and focus of drawing has become a calm oasis in my days.

As the solitudes of the pandemic have segued with shocking speed into the pandemonium of a June aflame with flash grenades and tear gas I have questioned, as many artists have, the relevance of their art in this time. Social media demands a simple story, an allegiance to one side, and the embrace of slogans with no nuance. I reel in horror at the videos of George Floyd’s murder and wonder if I should drape a black tarp over my Instagram account? For how long? Do I stand with the rioters? The protesters? The police? Or is it possible to stand in a place where I can see from all points of view? Who gets to decide?

[Read more…]

Filed Under: Drawing, The 100 Day Projects Tagged With: #100DaysOfTheSpaceBetween, art and politics, Fair Fight, iskra drawings, Isolation diaries, Pandemic art, Silverpoint drawing, Stacey Abrams

  • « Previous Page
  • 1
  • …
  • 8
  • 9
  • 10
  • 11
  • 12
  • …
  • 58
  • Next Page »

Join Iskra’s Mailing List

Don't miss a thing! Subscribe to receive show announcements, first peek at new work and my semi-monthly blog by email. I primarily use the blog for news and updates but by signing up you will also receive the occasional newsletter and special offers for items in my shop.

Iskra Fine Art Blog

the creative process | conversations with artists | the contemplative impulse in art

Instagram

Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

Featured Posts

  • Book Launch! The Water Tower Project from Iskra Fine Art
  • How to Purchase Artwork from Iskra Fine Art
  • About This Blog
  • New Directions in Contemplative Art: Conversations with Artists
  • What is a Transfer Print? (Artist Statement)

Categories

  • Abstract Calligraphy
  • Architecture & Sense of Place
    • Construction/Reconstruction
    • The Alaska Way Viaduct
    • The Water Tower Project
  • Art Reviews
  • Artist Studio Visits
    • The Mystic Muse: Artists Working in the Contemplative Traditions
  • Botanical Art
    • Botanical Art Cards
  • Collage
    • Digital Collage
  • Commissioned Art
  • Drawing
  • Essays
    • Object Lessons: Essays and images inspired by "A History of the World in 100 Objects."
  • Iskra Shows, Upcoming and Past
  • Iskra Sketchbooks & Journals
  • Living With Art
  • Meditation & Buddhism
  • Mixed Media
  • Painting
  • Photocollage
  • Photography
    • American West Landscape Photography
  • Print Sale
  • Prints
    • Transfer Prints
  • Seattle Iconic Landscape Prints
  • Social Media for Artists
    • The 100 Day Projects
  • The Garden
    • The Gardener's Almanac of Irreproducible Phenomena
  • The Spiritual in Art
  • Travel
    • Road Trips
  • Uncategorized

Archives

Search

Connect on Facebook

Iskra Fine Art Facebook Page

Creative Inspiration

  • Alternative Photography
  • An Artist's Retreat
  • Anonymous Chinese Textile Genius: Moo Won
  • Chocolate Is A Verb
  • Contemplative Art Process: Danila Rumold
  • Eva Isaksen
  • Old Industrial Japan
  • The Altered Page
  • The Heart Sutra Loop
  • The Patra Passage

Galleries for Contemplative Art

  • ArtXchange Gallery
  • Seattle Asian Art Museum

Links

  • CollageArt.org
  • Iskra at SAM Gallery
  • Iskra Fine Art on Houzz
  • Seattle Art Museum Blog
  • Seattle Artist League
  • Seattle Print Arts
  • Seeing Fresh: Contemplative Photography
  • The Painter's Keys

What I'm Reading: Online Magazines and Books I Love

  • 16 mi.
  • Essays by David Whyte
  • Evening Will Come: Poetry
  • Hyperallergic
  • Painter's Table
  • Shu: Reinventing Books in Contemporary Chinese Art
  • Streetsy
  • The Original Van Gogh's Ear Anthology
  • Tricycle Magazine
  • Unincorporated Persons in the Late Honda Dynasty
  • Vanguard

Let’s Connect

  • Contact Iskra
  • How to purchase artwork
  • Iskra Fine Art Blog : The creative process, conversations with artists, the contemplative impulse in art

Join Iskra’s Mailing List

Don't miss a thing! Subscribe to receive show announcements, first peek at new work and my semi-monthly blog by email. I primarily use the blog for news and updates but by signing up you will also receive the occasional newsletter and special offers for items in my shop.

  • Facebook
  • Instagram
  • Pinterest
  • Twitter

All Images Copyright © 2025  Iskra Johnson · Site by LND · WordPress