Iskra Fine Art

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New Landscapes | Memories of the Farm

November 5, 2017 by Iskra Leave a Comment

Pastorale No. 1 | The Copse, archival pigment limited edition print © Iskra Johnson

At about 5 in the afternoon you sit on the fence and rock your legs against the barn wood and pick splinters out of your knees in between watching the light that angles across the fields. The wind ripples and makes three shades of green light and you sing America the Beautiful without even knowing it is corny. You are nine years old or maybe 10, and braid your hair with horse ribbons. The word ribbon becomes part of your intimate knowing of the world: mane, braid, field, wind….

I have been away for awhile roaming the landscape of the Skagit to create a new series for an upcoming solo show at Perry and Carlson in March. The new work, which I am calling “Industrial Pastorale,” is a very personal evolution of imagery that explores the liminal edge between rural and urban landscape. [Read more…]

Filed Under: Architecture & Sense of Place, Digital Collage, Prints, Road Trips Tagged With: Andrew Wyeth, barn art, iskra upcoming shows, mixed media prints, pastoral art, rustic art, skagit valley, Wallace Stevens

Industrial Strength Update: Show Hours and More

September 17, 2017 by Iskra 1 Comment

Iskra Industrial art at SAM Gallery
“Blanchard Street” and “Salmon Bay,” limited edition mixed media prints on canvas, 40×40″ (electrical outlet shown for scale.)

Hi Friends,

Thank you to everyone who came out to the opening at SAM Gallery last Thursday! It was a great time, and I so appreciate the support from the community, patrons and friends. It was really wonderful to meet some of my collectors and to hear the stories behind their connection to my work. (And some of the conversations may have inspired a Social Practice project: stay tuned for #engineerslookingatart. . . . who knew it would be the biologic engineer who found brassieres in my abstraction of scaffolds?)

Many people have asked me how long the show will be up, and since SAM Gallery has a different model than most galleries I thought I should send out a quick note to let you know the best window for seeing the work in its original installation. [Read more…]

Filed Under: Iskra Shows, Upcoming and Past Tagged With: art openings, Industrial Strength, Kate Protage, Kellie Talbot, SAM Gallery, Seattle art exhibits

Industrial Strength at SAM Gallery, with Iskra Johnson, Kate Protage, and Kellie Talbot

August 28, 2017 by Iskra Leave a Comment

Ash Grove in Blue, by Iskra Johnson, SAM Gallery
Ash Grove in Blue, 40 x 42 in., archival pigment print, © Iskra Johnson

Please save the date for the opening reception of Industrial Strength on second Thursday at SAM Gallery, September 14 from 6-7:30 PM. This show presents the work of painters Kellie Talbot, Kate Protage and myself, exploring our three very different interpretations of the industrial landscape.

Late last year when SAM Gallery suggested I propose a show the idea for “Industrial Strength” quickly surfaced. I have long been fascinated by the dramatic and heroic scale of industrial infrastructure, whether it involves trainyards, cement plants and construction sites, or the stubborn and implacable charm of the slightly less heroic dumpster. The urban landscape is papered with the beauty of accidental surface, composed of error overlayered with more error, moments of intention and endless revision. This pentimento is, in any language, a story. I love the challenge of marrying surface and atmosphere with structure, and here in the northwest we have it all: more cranes than any other city in the USA  and more Northwest Mystic Cloud Cover™, not to mention two epic mountain ranges, the Duwamish River, a lake, a bay and the vast expanse of Puget Sound. Against this backdrop the machinery of industry has never looked so good. [Read more…]

Filed Under: Iskra Shows, Upcoming and Past, Uncategorized Tagged With: Industrial Strength, Iskra shows, Kate Protage, Kellie Talbot, SAM Gallery, September arts, urban art

Summer Print Sale!

July 27, 2017 by Iskra Leave a Comment

The Crimson Monarch print by Iskra“The Crimson Monarch,” 15.5 x 15.5 ” 1/20, available during the Summer Print Sale

I have been super busy this summer finishing the body of work for Industrial Strength, a three-woman show opening at SAM Gallery on Wednesday September 13th. Something about wrapping up a set of work and being “done” just seems to lead to more ideas. I keep coming back to The Floating World as a source of inspiration, and each time I find something new. Sometimes all I see is the sky and the water, and sometimes I see the shore, the anchor and the fine tethers that keep one from floating away. The great ship the Crimson Monarch was moored beneath the Elliott Bay grain elevators a few months ago. By May it had rained for eight months and on the first sunny Sunday of the year I could not wait to get out to the waterfront with my camera. I fell madly in love with this ship and the way it faced the sun, owning the bay. I use real names in my ship portraits. If you want to kick back with a beverage that puts you in a nautical frame of mind and a pair of binoculars, you can follow the Crimson Monarch on shipspotting.com. [Read more…]

Filed Under: Artist Studio Visits, Iskra Shows, Upcoming and Past, Prints Tagged With: artist process, Ben Calhoun, Chittendon locks, Crimson Monarch, industrial art, nautical, Northwest artist, print sale, uncommon union, water prints

LaConner & Whidbey Island Summer Art Finds (Roadtrip!)

July 2, 2017 by Iskra 1 Comment

artis roadtrip in the Skagit by Iskra
Pacific Northwest Pastorale, with Lombardy poplar (that would be a French tree….)

Let’s say you kick back for the 4th and check your social media and once again all your friends are posting vineyard photos of the South of France and the rest of them are gloating about having immigrated to Canada. You could be consumed with a terrible envy, or you could do what we did and make a tiny trip up the road and around the Sound and come back sated with beauty right here in the Pacific Northwest. Instead of waiting three hours in a ferry line we started the weekend art tour by skipping up the road to LaConner by way of Conway. The plain, thrilling ungentrified beauty of the Skagit reminded me there is life outside of Crane City and brooding about the hyperventilated cost of a 175 square foot room with a bed. Did I mention those trees in the photo above are French?

Also, there are cats. [Read more…]

Filed Under: Road Trips Tagged With: Claudia Pettis, Deloss Webber, Meg Holgate, museo gallery, Northwest art news, pacific northwest summer, PNW art, RoadTrip, Skagit art tour, Whiting Tennis

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Iskra Fine Art Blog

the creative process | conversations with artists | the contemplative impulse in art

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The photography show opening Friday, October 9th a The photography show opening Friday, October 9th at Slip Gallery is curated by my friend and fellow photographer, Scott Wipperman. This seemed like a good time to share his work and the story of our friendship on the road. Half the photographs are his and half are mine. This is an excerpt, and you can read the rest of it on my blog, see link tree in bio:

One of the rarest gifts in the life of an artist is finding a creative muse: someone who truly sees your work, and better yet, has a similar vision that is just enough different that you can collaborate without competing. In the often solitary studio life these connections can be difficult to find, but during pandemic, Instagram brought a new creative companion into my life. I do not know who started following who first. But in May 2020 I found myself sharing instant messages with a photographer working under the name “Concrete spaces“— a handle that immediately piqued my interest. Concrete has been one of my obsessions for years. Miraculously, there was someone out there who understood why I was working on a book called Parking Lot Floors Of North America. . .

©️Scott Wippermann

©️Scott Wippermann

©️Scott Wippermann

©️Scott Wippermann

©️Iskra Johnson

©️Iskra Johnson

©️Iskra Johnson

©️Scott Wippermann

©️Iskra Johnson
I am excited to be part of a show opening Friday, I am excited to be part of a show opening Friday, October 9th featuring eight Seattle  photographers and curated by Scott Wipperman @concretespaces at Slip Gallery. The theme of this show is complex and interesting: Intimate Structures. How the human body and human emotions connect with the built environment. And how the structures in our environment shape our lives, our relationships, and our possibilities. I will be showing industrial landscape as well as six pieces from the series “Immersions” based on tableaus of human relationship captured at Seattle’s waterlines. A diving platform is a stage, and the summer season a riveting drama of ever-shifting players. Most of these pieces have not been shown before.

I’m fascinated by the work of the seven other photographers, each one approaching the theme of the show from a completely different perspective, using both traditional photography and contemporary experimental techniques. Alienation, sublimation, meditation, connection:
Annie Regerson
Dimitri Wessendorf
Gillian Peckham
Iskra Johnson
Janis Mathieson
Mack Greene
Nina Bolger
Scott Wipperman
I hope to see you there!

The runs until the end of October. 
Thursday – Friday: 1:00 PM – 6:00 PM
Saturday – Sunday: 1:00 PM – 4:00 PM

Slip Gallery
2301 First Avenue in Belltown

Two Divers ©️Iskra Johnson

Guardian ©️Iskra Johnson
Morning Pages: Doors The first thing I saw when I Morning Pages: Doors

The first thing I saw when I woke up this morning was shadows on a door. Last night, I dreamt of an old building, one I have visited in dreams for years. It is a co-op apartment in some imaginary Canadian city, on a long steep hill above which are what appear to be the Swiss Alps. It was built in the early 1900’s and has grand staircases and balconies, huge rooms, bronze doorknobs and leaded glass windows. In my dreams, I interview with the board, I make an offer and I even buy an apartment— and then suddenly the door of my new home opens into a parking lot or a garage or someone else’s basement and I wake up and check my bank account, mystified by the power of this particular place, and how opening a door universally signals a new chapter in the story. 

Doors and windows are the most metaphoric parts of architecture. 100 years ago builders understood the attention they deserved. Now I live in a city where we have torn down historic churches, dumped the stained glass into a landfill and replaced these devotional structures with stacked box apartment complexes covered with Hardie Plank. I’m watching million dollar houses go up in my neighborhood with the cheapest vinyl windows from Home Depot, no eaves and often no roof— simply a flat lid to seal the box — and no trim at all. It is architecture as expedience, and it degrades the experience of how we see and experience the commons, and our human values, because, as Churchill noted, “We shape our buildings and afterward our buildings shape us.” 

We don’t look twice at these new houses, whereas I can look at this particular building somewhere in England for hours. Whoever built this wall took great care. They used the art of subtraction to add rather than to diminish. The vast flat wall of stone, the curved lintels, make the windows and doors speak. The doors and windows are not grand, but curiously condensed. They are portals through which one must squeeze with effort, which makes a person pause, and wonder. Later, they may find themselves dreaming of what is behind the walls.
Westminster Mall deconstruction project. I had to Westminster Mall deconstruction project. I had to go to the Department of Licensing this morning and stand in line and it gave me an opportunity to watch the Sears building come down. Sears was the last place left in the Seattle area where you could buy a vacuum cleaner from a man wearing creased polyester slacks, a tucked in shirt and an engraved name badge making a commission on the number of vacuum cleaner bags you bought to go with the Electrolux. I fondly remember my conversations about uprights versus canisters. This building is where I bought a snowsuit for a child that just barely fit me the day we had the epic snow and I was caught unprepared. I walked a mile on ice to get to Sears and then left looking like a nine year-old robot trying to get my knees to bend and move swaddled in 4 inches of poly blend padding. But I was warm! I doubt that anything that goes up this year in the Westminster Mall will last as long as Sears did. And there will be no catalogue unless I create one.
Excited tonight for the opening of Art and Steel a Excited tonight for the opening of Art and Steel at Youngstown Cultural Center! This is primarily a painting show from the Plein Air Watercolorists Association of Seattle (although I don’t think any of us were actually painting inside the mill on our tour!) I have been included as a photographer and mixed media artist, see last image in carousel, “Glide.” 

An exhibition of paintings telling the story of steel fabrication at NUCOR mill, hosted by Delridge Neighborhood Dev Association.

Friday, September 18 | 6:30 PM - 9:00 PM
Join us for a special evening celebrating art, industry, and community.

This exhibition features original paintings that tell the story of steel fabrication at the NUCOR Mill, presented by the Delridge Neighborhood Development Association (DNDA).
The evening will include a panel discussion, light refreshments, and an opportunity to learn more about the intersection of art, labor, and local history.

All donations made during the event will be matched and directed to DNDA’s Art Education Programs, helping support creative opportunities in our community.
Friday was my birthday. 9.11 is a day of remembran Friday was my birthday. 9.11 is a day of remembrance and national tragedy, and it seems bizarre to claim some kind of importance for having been being born on that day in the context of the event. 

Several days after, I allow myself reflection on the passage of time. This is me 15 years ago, with my Canon Powershot, which offers an astonishing naive pre-Cabrian 6 Mb image. It was much more kind than today's 24 MP iPhone, which not only captures the older me but turns that version into a character from Shakespeare with hi-def Bertrand Russel thought lines above my eyebrows and unforgiving evidence of allergies and time. 

On reflection I realize that 2011 was a very good year. I am going to allow myself to be that person for the month, and remember what that was like. The love of my life from the 8th grade had come to stay with me that summer. He took terrible photos of me that I now realize were not so bad. 99% of of the corrosive social media influences had not been invented yet. Women over whatever age was deemed desirable were not subjected to an ad every minute telling us that a new part of our face or body had gone south, and offering us a (discounted! on sale! watch the entire 30 minute video!!) $165 remedy on a monthly subscription to fix it. 

Now every day I look at the thinking and brooding lines above my eyebrows (which are also the lines caused by considering how funny some things can be even when crying) and ask myself what Bertrand Russel would say. If you are too young to know that name, AI is your ever-friend and will tell you how you too can become a "towering British philosopher, logician, mathematician, and social critic" and also how to fix those lines that come from considering things with your face. 

I think my romance with the iPhone is coming to a partial close. I want to go back to the idea of “glass.” It costs serious wages. It is made by Germans— Lately, (subtract the umlaut) Sony, the wizards of sand and heat and bending light to high high focus. I need to return to optics, f-stop, aperture, focal length— words that require frowning. 61 megapixels seems like the bare minimum. There is no cosmetic cure to being a lens-based artist:))

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