Iskra Fine Art

New Directions with Italian Plaster

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After my inspirational time with Jennifer Carrasco I am diving into the new/old technique of Italian plaster and reveling in what happens when you let surface speak. In the past I’ve tended to get nervous when I spend a lot of time making a surface to paint or draw on. The calligrapher in me wants to have a stack of a hundred sheets of paper and nothing to lose by drowning in ink, again and again, and throwing whatever happens on the floor for later reflection. The word “precious” comes up when I think of sanding and painting and sanding again and then glazing and . . . then trying to put something down on such a huge investment of time.

If you are a recovering calligrapher or watercolorist you know this tyranny of the perfect sheet of rag paper. With a pristine sheet of BFK or $20 rice paper there is really nowhere to go but [Read more…]

Studio Visit with Muralist and Teacher Jennifer Carrasco

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The Ruins mural, cougar painting, by Jennifer Carrasco
The great cougar, with shy otter and kingfisher. The Ruins. © Jennifer Carrasco

If you have ever attended a soiree at The Ruins, Seattle’s most exclusive and mysterious supper club, you may have looked up for a moment across the gilt rim of your absinthe and locked eyes with The Cougar. As your gaze moved from the patterning of leaves to the shy otter and then to the majestic drape of the big cat’s paws you may have found yourself wondering about the artist, and the style, which is an uncanny blend of ornament and botanical exactitude. The Cougar is but one panel in an epic mural that goes from ceiling to floor, creating an atmosphere of timeless excess and contemplation. Hearing the artist’s name was “Carrasco,” you might have assumed the work was done by some Italian guy imported from The Old Country to put a polish on the Northwest.

You would be right that the artist was imported, but he is a she, and she comes from the Inland Empire town of Pomeroy, next door to the Palouse. Jennifer Carrasco got her start in the dry scree and lazy rivers of the American west. There she fell in love with landscape and learned the stillness that comes of wandering quiet empty places. The oldest of four daughters, she was raised going to mass every Sunday and singing Gregorian chants. A close-knit town with deep roots, Pomeroy embodies the best of family, connection and continuity, but it’s also the kind of place an imaginative person might yearn to leave, just to see what’s beyond the hills. After getting her BA degree in art and education at WSU Jennifer took off for the big world.

She has led many lives, far beyond her small-town roots, as part of the Peace Corps in the Phillipines, as a mother, a poet, and as a painter and teacher in Japan, Alaska, and the deep South. By the time she landed back on the West Coast she had a wealth of artistic influences to draw from. Her assignment for the Ruins was to create a style of “Northwest Rococo,” and every detail of fauna and flora is researched and authentic, drawing on a year of research into painting styles, ornament, and museum artifacts and diaries from the early days of the Northwest Territories. [Read more…]

New Work at SAM Gallery

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As August fades the light changes from amber to cooler colors. A recent visit to Whidbey Island and my favorite muse of land and sea, Ebey’s Landing, inspired this new print, “Passage.”

"Passage" fine art print, inspired by Ebey's Landing, by Iskra Johnson
“Passage,” 24″ x 24″, limited edition archival pigment print © Iskra Johnson

Sometimes a certain vista feels eternal. Seasons may alter the colors, as well as the winds and the taste of the salt, but the silence that holds it all remains constant. The official name of the Northwest’s main waterway is “Puget Sound,” but those who live here just call it the Sound. You will know why if you climb the bluff at Ebey’s Landing and stand there for awhile on a hot summer’s day. Give yourself enough time to settle into the golden grass, and let at least two ships go by. Then walk back along the beach and don’t leave until every pocket is full of warm stones.

"The View from Ebey's Landing" Archival pigment print by Iskra johnson
“The View from Ebey’s Landing,” 24″ x 24″, limited edition archival pigment print © Iskra Johnson

Both of these prints explore the aesthetic of traditional Japanese woodblock, approached from a modern perspective, using digital photography and printmaking. I am thinking about rice paper, and pale inks from porcelain bowls, and the colors of silk on old kimonos. In Yoshitoshi’s day, and in the time when Ebey’s Landing got its name, the world was roiled by mayhem and violence. Oh wait, and that might be true as well today . . . When there is a moment of peace, I’ll take it, and keep it with me.

“Passage” and other prints from The Floating World, Construction|Reconstruction and Infrastructure, are available at SAM Gallery. If you are interested in a studio visit to see other work I can be contacted here. A previous post tells the story of the Floating World and my muse, Yoshitoshi.

 

A Meditation on August as Drought Comes to the Pacific Northwest

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I have recently begun writing on Medium. Today I have published a piece about the garden, and what it is like to be a caretaker of Eden when global warming turns everything upside down. Here is an excerpt, with new artwork done in homage to the magnolia.  I hope you will visit Medium to read the entire essay and share with friends, gardeners, and anyone looking for ways to think about living in this time of drastic change.  

magnolia mixed media on plaster by Iskra Fine Art
Magnolia, mixed media on plaster © Iskra Johnson

 

 

What is resilience? This is the question I ask myself hourly in the summer the West is on fire.

It is August. Poppies and cosmos intermingle, their ungainly stalks eye-high and lassooed with string. The distance shimmers in incense. The air is thick, and sound travels and bends slowly around corners. Even airplanes seem different, with the lazy small propeller sounds of a slower century. August defies the laws of breathing. You can exhale and stay there, moving neither forward nor back. Look at the dogs, and the lawn, indistinguishably golden and bleached, panting, lolling, wordless. Be like them. Walk barefoot into the garden at dawn in a long white dress and feel the stubble against your toes. There will be only one cool moment before evening and it is now.

I stand for hours with the garden hose, saving what trees I can before rationing begins. The ground dampens quickly but after months of heat I am no longer fooled. I can sink my fingers into the dirt and know it will be bone dry. When dirt changes character and no longer knows how to receive, the scientists call it hydrophobic. The garden hose and watering can, these symbols of all things fecund and generous and regenerative, have met their match. [Read more…]

How to Purchase Artwork from Iskra Fine Art

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I currently sell my work through the SAM (Seattle Art Museum) Gallery, in person through my studio, and through my new Etsy shop. I am very excited about the launch of the shop and I hope you will take a look. You may also purchase work directly from my website through the Shop link in the menu. If you use the menu link you will remain in the Iskra Fine Art interface and will enter Etsy only at checkout. To keep up with my latest work and what’s happening in the studio subscribe to my blog and newsletter.

A selection of my work at SAM Gallery can be seen here. The gallery has a wonderful new space in the museum in the heart of downtown Seattle. One of the unique and very smart things the gallery offers is the option to rent art as well as purchase. Many companies and individuals start by renting art at a very affordable monthly rate and then decide to purchase, with the rental costs going towards the purchase.

My mid-sized print prices range from $300 to $1,800 –$2,500 for larger prints, and the cost is the same whether you purchase from the gallery or through me. On Etsy I am offering a wide range of work at smaller sizes to allow people to purchase a many different levels. To learn more about my prints and about digital printmaking go to the print section of my website. If you choose to buy from me directly I can ship unframed prints to you if you are out of the area, or I welcome you to contact me for a studio visit, where you can see a large body of work and examples of framed art.

I am happy to collaborate on special site-specific projects. Although most of my prints are intended for specific papers and are sold in editions limited in set and quantity some of them may be printed on alternate surfaces such as metallic papers and face-mount acrylic, or mounted on panel.

I also work in many other media besides printmaking, and I sell my drawings and paintings directly or through SAM Gallery. The prices of these pieces vary greatly depending on medium and size, so if you have interest in a particular piece please feel free to contact me for more information.

 

Art in interiors. A print of my beloved Japanese Pear Apple.

Living with art. A print of the beloved Japanese Pear Apple in my garden, in autumn.