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You are here: Home / Archives for Iskra Shows, Upcoming and Past

Invitation to Museo Gallery’s “Playlist” Show

January 23, 2019 by Iskra Leave a Comment

Listening to Bill Frisell print by Iskra
“The Break, 1/5” © Iskra Johnson 26 x 34 archival pigment print on German Etching.

Museo Gallery on Whidbey Island opens its first exhibit for the new year, “Museo’s Playlist” on Saturday night, February 2 from 5-7. The show continues through February 24th and will include a wide range of interpretations from the gallery artists. The invitation to submit work on the theme of music sent me back a few years to a moment that I have never forgotten, the debut of Bill Frisell’s “Big Sur”at Earshot Jazz. I came home from that performance transformed, and did a series of work called “Listening with an Innocent Ear,” in response. The series of work started with one charcoal drawing in black and white, deconstructed and transformed into color, much as music transforms one’s mood. “The Break” is about the moment when a jazz riff goes into uncharted territory.

When I revisited the work to refine, print and frame for the show I realized I wanted to go back to this theme, and have begun a new exploration of both the original compositions and some completely new ideas based on calligraphic ink drawing. I am super excited about the new directions, and urge you to visit me at Instagram to see the process evolve. Here is a variation on the original, and a glimpse of what’s ahead.

Intersection Music Print by Iskra
“Intersection, 1/5” © Iskra Johnson, archival pigment print on German Etching.
Iskra Ink Painting to Music
Improvisation Number 7, Ink on Paper

See process videos at #ink stories. My hand-held video skills may improve with a dive into some apps and hardware, coming soon. Meanwhile the main apps are my ears and my hands.

Filed Under: Iskra Shows, Upcoming and Past Tagged With: Art about music, calligraphic painting, Iskra Ink Painting, Iskra shows, Langley, listening with an innocent ear, Museo Gallery 2019, Whidbey Island

The Beauty of Usefulness: Iskra Interview with the Port of Seattle

October 19, 2018 by Iskra Leave a Comment

The Crimson Monarch print by Iskra
“The Crimson Monarch,” © Iskra Johnson, archival pigment print. A glimpse of industrial beauty from Centennial Park.

A few weeks ago the Port of Seattle came to my studio to interview me about my work, and the result, “The Beauty of Usefulness: Maritime Industrial Art” is on their website now! I haven’t seen myself on video since I was umm, home movies on a swingset in a onesie? – so this was pretty unnerving. I wish they had given me a beer and reminded me to smile. . . . But I am so thrilled to be able to show my work in depth with a new audience and talk about the connections between industry and art. They asked some very interesting questions not often posed to an artist, giving me an opportunity to think and share in depth what is behind the surface of what I do. I hope you will take a look, (here’s a glimpse of the videos) and let me know what you think!

In other art news, Color Bath will be coming down a week early due to a schedule change at SAM Gallery, so I hope you will try to make it in by October 28th to visit Taste at Seattle Art Museum and see the show. The Color Bath series will continue to be available through the Gallery after the show comes down.

The group show “Terrain,” at Museo until October 28th, is just beautiful. One of my pieces in the show is still available, so get on up to Whidbey and see it while the sun is out and the weather is at its Northwest best. While I was on the island for the opening I had a chance to return to some of my favorite places and do some shooting. I am completely mesmerized by this new way of collaging still and moving images. It maybe low resolution on your monitor, but I hope the contemplative moment comes through.

https://iskrafineart.com/wp-content/uploads/2018/10/IMG_4816.m4v

Ebey’s Landing Meditation © Iskra Johnson

 

 

Filed Under: Artist Studio Visits, Iskra Shows, Upcoming and Past Tagged With: artist studio visits, iskra interview, iskra on video, Port of Seattle, the beauty of usefulness

Terrain and Digital Maneuvers: Two Shows Opening in October

September 29, 2018 by Iskra Leave a Comment

My work will be in two new group shows opening this week. I am very curious to see how my fellow artists interpret Terrain: Exploring a Common Ground, at Museo Gallery on Whidbey Island. “Terrain” is one of those lovely words you just want to savor with a good beaujolais and fresh bread ripped, not sliced. Clay, dirt, wind, grass, and everything that lies above and below. My pieces in this show explore two different landscapes, the canyon light of city streets and the messy edge where city and country collide. Museo Gallery is in Langley, Whidbey Island, 215 First Street, 98260. The opening is Saturday October 6th from 5-7 and the show continues through October 28th. Hours: 11-5 Wednesday – Monday, Sunday 12-5.

Relic Iskra Print
“Relic,” archival pigment print, 15 x 15 inches

Digital Maneuvers at SAM Gallery presents Kate Sweeney, Troy Gua, Stephen Rock and me, in a show exploring the paths from analog to digital and back again, each of us testing the boundaries of media in different ways. This is the first time I have shown Flatbed, inspired by one of my helpless crushes on a large Industrial Object.

Flatbed print by Iskra
“Flatbed,” archival pigment print, 22×30 inches

I hope to see you at the opening this First Thursday, October 4, 6-7:30 SAM Gallery, 1300 1st Ave, 98101.

Upcoming, some surprises. I hosted the Port of Seattle for a video interview in my studio this week – Yikes!  It’s a long trail from the inner space of making art to talking to the public in front of a camera. (Note to self: Writing is not the same as talking. Maybe I should get out more and practice?) Speaking of which, if you have not yet made it to Taste Restaurant to see ColorBath, give me a shout, and I will be happy to meet you there and explain it all over a glass of wine.

Filed Under: Iskra Shows, Upcoming and Past Tagged With: Digital Maneuvers, Iskra shows, museo gallery, Port of Seattle, SAM Gallery, Terrain Exploring a Common Ground, Whidbey Island Art

ColorBath Opening Reception at Taste August 9th

August 6, 2018 by Iskra Leave a Comment

El Lobo Grande tugboat print by Iskra
El Lobo Grande, limited edition archival pigment print, 48 x 24 inches © Iskra Johnson

Iskra Johnson in ColorBath

Reception Thursday August 9th, 6-7:30

at Taste Restaurant at Seattle Art Museum

1300 First Avenue, Seattle, WA 98101

This solo show is an immersion into color and light and the alchemy of reflection and refraction in the Pacific Northwest harbor. Preview the work at SAM Gallery.

Show continues through November 5th. Open Weds-Sun 11-5, Thurs 11-9.

Filed Under: Iskra Shows, Upcoming and Past Tagged With: August art events Seattle, Colorbath, el lobo grande, Iskra shows, SAM Gallery, Taste Restaurant

Save the Date for Colorbath! Iskra at Taste | SAM

July 9, 2018 by Iskra Leave a Comment

The Harbor Iskra at Taste Restuarant at SAM
“Harbor Morning,” mixed media archival pigment print, 36 x 36″ © Iskra Johnson

Summer, finally! I’ve been immersed for months in new ways of looking at color and light, and finally what I have been seeing in my minds’ eye has unfurled in front of me. What turns a mere boat into a “vessel” is the fleeting moment of refraction. In my spring wanderings through freezing shipyards that light was not always easy to find. Often I would return home from Salmon Bay and Harbor Island with hundreds of classic northwest gray-green photographs, all cast in the steely gaze of cloudcover. Occasionally a well-honed wind would scrape the sky, leaving blue shards on the water and astonishing bits of gold. One evening iridescent swallows flew through from the bridge. Two raptors shrieked courtship from the highest masts, offering what seemed like a lovers’ benediction.

 

The Golden Rope Photography by Iskra The Wrapped Ship photograph by Iskra Composition with Sail maritime photograph by Iskra

Journal Entry: The shipyard on Sunday. Men playing guitars on derelict balconies, men riding yellow bikes, men rising shirtless and surprised from the hulls of tugboats unshaven and lurching but still afloat. The wooden planks, the seams of trees that run out into the waves parallel, almost indistinguishable. Then the five alarm fire of a red buoy hanging off the Maudie Mae and its shadow and the starburst within the shadow.

The Red Buoy Iskra PhotographyInspiration photos from Salmon Bay.

As a photo-based printmaker I start with the camera. The photograph is the diving platform. From that reality-based ledge I go into a world of improvisation, working with layers of paint to create a completely new world. Colorbath goes farther into abstraction and paint than I have gone before, and opens up exciting new directions for the future.

Please mark your calendar for Thursday August 9th and join me for a reception for Colorbath, from 6-7:30 at Taste Restaurant, Seattle Art Museum, 1300 First Ave, Seattle, WA 98101. I will have nine new large works ranging in size from 30 x 30″ to 30 x 40″. They will be posted for preview on the SAM Gallery site and in my portfolios soon.

Blue Buoys detail Iskra at Taste“Blue Buoys” (section), © Iskra Johnson

 

Postscript:

I was a lake swimmer for years. I fell in love with my first tugboat when I was 17 and stayed up 24 hours listening to Keith Jarrett’s Köln Concert while looking at rust and tires on the Duwamish. Some of the people who actually spend their lives working on boats feel the same way. If you have an hour or two to get lost at sea visit these folks at Maritime Family. All I can say is WOW.

Filed Under: Iskra Shows, Upcoming and Past, Prints Tagged With: Colorbath, Iskra Fine Art Shows, mixed media printmaking, SAM Gallery in August, seattle art openings, Taste Restaurant

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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