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Summer Print Sale!

July 27, 2017 by Iskra Leave a Comment

The Crimson Monarch print by Iskra“The Crimson Monarch,” 15.5 x 15.5 ” 1/20, available during the Summer Print Sale

I have been super busy this summer finishing the body of work for Industrial Strength, a three-woman show opening at SAM Gallery on Wednesday September 13th. Something about wrapping up a set of work and being “done” just seems to lead to more ideas. I keep coming back to The Floating World as a source of inspiration, and each time I find something new. Sometimes all I see is the sky and the water, and sometimes I see the shore, the anchor and the fine tethers that keep one from floating away. The great ship the Crimson Monarch was moored beneath the Elliott Bay grain elevators a few months ago. By May it had rained for eight months and on the first sunny Sunday of the year I could not wait to get out to the waterfront with my camera. I fell madly in love with this ship and the way it faced the sun, owning the bay. I use real names in my ship portraits. If you want to kick back with a beverage that puts you in a nautical frame of mind and a pair of binoculars, you can follow the Crimson Monarch on shipspotting.com. [Read more…]

Filed Under: Artist Studio Visits, Iskra Shows, Upcoming and Past, Prints Tagged With: artist process, Ben Calhoun, Chittendon locks, Crimson Monarch, industrial art, nautical, Northwest artist, print sale, uncommon union, water prints

Industrial Silence | (And Save the Date!) #MakeAmericaCreateAgain at CoCA

March 20, 2017 by Iskra Leave a Comment

Industrial Light Photograph by Iskra Johnson
Industrial Silence, © Iskra Johnson

Industrial silence is a three part harmony of dripping rust, heavy metal and the slanting light of late afternoon. If you listen carefully you can hear walls corrugating and wire mapping a path through the milky green of ancient skylights. In the distance, there is the hum of large trucks idling, and close up the interrogating roar of generators programmed to shock a tourist out of reverie. There is always the cantor and the choir of crows and gulls, one shrieking, one mewling, and sometimes thin coils of rubber poised like snakes. Most of the written words are warnings. Wear your steel toe boots, don’t touch, don’t trespass, turn this crank to the left and then up, do not drink what is in this barrel, although I always hope somewhere in the sans serif commands I will find an anthemic “raise high the roofbeam carpenters!”

Every silence is different, but each one reminds me of the other, so as I walk through train yards and factories on Sundays when everyone is gone I also think of Berlin, [Read more…]

Filed Under: Drawing, Iskra Shows, Upcoming and Past, Photocollage, Prints Tagged With: Charles Sheeler, CoCA, industrial art, Iskra shows, precisionism, writing on photography

The Art of Infrastructure

February 11, 2017 by Iskra 2 Comments

“For poets of the ordinary nothing has to be something else to be more than what it is.”— Anon

For People who Like Orange, industrial art print by Iskra
For People Who Like Orange, Mixed media archival pigment print on paper or canvas, size variable up to 50″

Contain. Hold. Spill. Accept. Refuse. ref-yoos. Dumpsters put a lid on what we can’t bear to keep or smell or look at any longer, and give us the illusion that our national sin of consumer indulgence is not squandered, but instead made noble through the absolution of waste management. All that discarded packaging is repackaged and sits neatly on the street in a box. Occasionally the lid lifts at a provocative angle and stays there, held by chains and wheels in suspension and possibility. Crows come. Lunch is foraged, toasters reclaimed, and on certain days of the week someone finds a discarded mattress and takes a nap. Dumpsters have their own oratory. Although more punk rock than symphony, every city gets a daily concert of metal on metal and smashing glass, the rumble of trucks, and the quieter transcripts of disenfranchisement and identity that take place at night, each one overwriting the other with a soft hiss and the percussive shake of the little ball in its can of paint. [Read more…]

Filed Under: Architecture & Sense of Place, Iskra Shows, Upcoming and Past, Prints Tagged With: art of infrastructure, dumpster art, Magnify Seattle, museo gallery, recycled art, Seattle Art Source, urban decay

Winter Paintings from the Sea

January 1, 2017 by Iskra 2 Comments

“When a young painter said he wanted to paint the moon, someone pointed out, ”But you can’t paint the moon, the moon belongs to Max Ernst.”— from Rowing Toward Eden, By Ted Morgan

New Year’s morning has dawned with sunlight and snow. The forecast is for optimism, a lovely antidote to the last months of 2016. In spite of temperatures near freezing, my mind is on the beach. I have been finishing paintings for the Museo Gallery winter show opening in January. Although the title of the show is “Beach Party,” every rowdy bash has someone who wanders off to find shells and tumbled glass and the perfect small stone to put with the other five hundred and fifty in the back yard, and that would be me. The bright colors will have to come from somebody else’s beach towel, I am just too immersed in celadon.

Glass moon bottle photograph
Photo © Iskra Johnson

For the weeks that I have been painting water and shells Max Ernst’s “Moon in a Bottle” has floated on the periphery of my mind. [Read more…]

Filed Under: Iskra Shows, Upcoming and Past, Painting Tagged With: acrylic ink, FW ink, how to paint with open acrylic, Iskra shows, Max Ernst, moonshell, museo gallery, shell painting

Iskra in Prints Today at SAM Gallery

May 30, 2016 by Iskra Leave a Comment

View Corridor, archival pigment print by Iskra Johnson
View Corridor, limited edition archival pigment print, 20 x 49 inches, © Iskra Johnson

 

PRINTS TODAY | CONTEMPORARY PRINTMAKERS

Wed June 8- Thu July 7

Reception Thursday, June 9th, 6-7:30 PM

SAM Gallery at Seattle Art Museum, 1300 First Avenue, Seattle WA 98101

 

It’s about time printmaking got some love in this town, and I am happy to say it’s big love! On June 8th Seattle Art Museum opens its much anticipated show “Graphic Masters: Dürer, Rembrandt, Hogarth, Goya, Picasso, R. Crumb. In conjunction,  SAM Gallery launches “Prints Today,” featuring six contemporary Seattle printmakers including Troy Gua, Rachel Illingworth, Curt Labitzke, Stephen Rock, Kate Sweeney and myself. [Read more…]

Filed Under: Iskra Shows, Upcoming and Past, Prints Tagged With: art openings seattle, Contemporary Prints, Iskra shows, prints Today, SAM Gallery, seattle art events, Seattle artists

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Subtractive painting study and ground experiment: Subtractive painting study and ground experiment: I added baking soda to my gesso. Pretty wild texture here, not sure yet how stable it is. You can see the test of the edges in the second piece— the rugged edge only works if I get a pristine background and unfortunately the tape I used to mask it did not work consistently. Hello tape, my old friend and nemesis. You work differently on every surface. These little barn structures give me great comfort as the bigger structures of our government and nation seem to be crumbling.
Today’s landscape to quiet the mind. Out in the Today’s landscape to quiet the mind. Out in the fields somewhere, on the road to Edison. Acrylic on prepared ground, sketchbook.
MUST SEE! Ai, Rebel: The Art and Activism of Ai We MUST SEE! Ai, Rebel: The Art and Activism of Ai Weiwei at Seattle Art Museum.
I am thinking this morning about the phrase Americ I am thinking this morning about the phrase American Heartland. Learning to paint a barn means studying the neutrals. Our political discourse has pitted the barn people against the city people and there are no neutrals, just shouting. But if you walk out into the horizon lands, all you hear is the wind and a kestrel. Walk in boots, hard-pressed against your toes, walk on stubble barefoot and get acupuncture for a lifetime. Study the intervals: how the clouds can be in the upper one third neatly or one sixth, precarious, the future disappearing with the sun as it falls making the barn your whole world if you’re three years old and looking up; one big triangle with a square in the center, and so many mysteries inside the square. 

There is also the question of what kind of light seeps between the verticals and is the light coming in the evening or at midday when you can finally begin to make out all the other tiny squares within the big square, which would be called hay. Reach for the rope and swing out over the canyon, that great big canyon from bale to bale.

Collage studies: painting neutrals
A hybrid study, mixed process. Reading the New Yor A hybrid study, mixed process. Reading the New Yorker this morning, about the global population crash. This will upend urbanism, for sure, though it will very good for veterinarians and dog groomers:
“Only two communities appear to be maintaining very high fertility: ultra-Orthodox Jews and some Anabaptist sects. The economist Robin Hanson’s back-of-the-envelope calculations suggest that twenty-third-century America will be dominated by three hundred million Amish people. The likeliest version of the Great Replacement will see a countryside dotted everywhere with handsome barns.”
First Thursday. Such a beautiful night. First Thursday. Such a beautiful night.

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